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Antebellum (2020)
Antebellum (2020)
Pre-pandemic, I remember seeing trailers for this in the theater and thought it looked intriguing. Couldn't really decipher what the film was going to be about based on it. I'm glad it was released digitally, more studios should just be doing that at this point. Anyways, I had the opportunity to check it out and while I do admire the concept I didn't think the film leaves the impression that it wanted to. However, I will see the lead performance from Janelle Monae is jut great and I'd love to see her more in film.
The film is going to be really hard to describe without giving away key plot points so I'll keep it minimum. Lets just describe it as a young slave who experiences truly horrible atrocities on a plantation and tries to devise ways to escape her situation. Though his character is pretty despicable in this, I'm glad to see Jack Huston get work as he was probably my favorite part of Boardwalk Empire.
As mentioned earlier the film fails to live up to the potential it creates. Midway, through you are truly intrigued with what is going on and even the twist at the end is pretty good. I'm not bothered by shocking twists and reveals if its done well and serves the plot well. I feel like there needed to be more substance in this film to really warrant its existence. It does well to build up its atmosphere and show how brutal Plantation's were and the treatment slaves receive but it doesn't act well on its premise.
The middle section feels out of place and while its supposed to feel that way I suppose, it doesn't really connect the passages and definitely could have been written better. It also drags and all around adds to the unevenness of a film that could have made a real point but doesn't. Still, Janelle Monae is really good in this and really increases how watchable it is. She needs to get more work because she has knocked it out of the park in every role shes done. Overall, this will divide and polarize. There are enjoyable aspects but it feels so flawed because you know how good it could have been.
6/10
I'm Thinking of Ending Things (2020)
I'm Thinking of Ending Things (2020)
Let me tell you, when I heard Charlie Kaufman was directing another film and that it would be hitting Netflix, I was hyped. Kaufman's writing is so top notch. He has a unique mind and I can get engorged in a screenplay by him. I think he's a better screenwriter than when he sits behind the directors chair but I wanted to see what he could bring with this. While the film is quite long, I felt mixed about it at first and then decided that I love it. Regardless of my final thoughts, my eyes were glued to the screen the entire duration.
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The film is a film that blurs reality with memory where the main story follows a relationship between a man and a woman. The woman has an inner monologue and wants to end the relationship with him. We see the couples relationship with the man's parents along with the decline in mental capacity and health of the parents. The issues and dynamics of their relationship are explored throughout a film that is at times fleeting and gives way to its ambiguous interpretation and artistic delivery.
Jessie Buckley is the best thing ever in this film. She's always displayed talent in everything she's been in but with this film she displays talent at the highest order. All the pain and emotion can be seen in her expressive acting. Jesse Plemons is great in it as well, the pairing were a strong selection. Toni Colette in her limited time is great and at times so simply frightening (just like she is in Hereditary). Its hard to define this film and put it in a categorical box because it borrows from different genres. Its dialogue driven at times and you have to be ready for a minimal approach at times.
I haven't read the novel but read the differences between the novel and the film. I feel like Kaufman leaves it up to the viewer's interpretation. I don't want to get into spoilers but I feel like I may have an idea what goes on and the link between the fantastical elements and how it relates to the male lead and his idealistic idea of a life where he is happy and a relationship that occurs on his own (often delusional terms). Of course, I cannot be certain of this interpretation as its very ambiguous and not very linear at all.
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The beauty of the film is that it requires multiple viewings. The lead character's clothing changes in different scenes, i.e the color of her sweater. There is a lot that is happening on screen and I don't mind re-watching this to just dive into it and see if there is anything else my eyes can decipher. I know a lot of people are bored or frustrated with this film. Its a grower that stays in your mind and its something I want to revisit because I liked it a lot.
8/10
We Summon the Darkness (2019)
We Smmon the Darkness (2020)
I just heard about this film recently but I wanted to check it out because the posters looked cool and the premise sounded interesting. A film with heavy metal groupies mixed with cultish deaths due to satanism? Count me in. This film isn't a great film in terms of quality or unique in the ground that it treads but its entertaining for its hour and a half running time and I liked it. I'll even go as far as to say its a fairly re-watchable film.
The film is about three female groupies driving to a rock concert. They have an incident on the road with three young men and they befriend the group. They rock out and party but there have been recent murders going around with young Satan worshipers being slain. The groups involved in the film become directly involved with these grizzly murders. its hard to describe this without giving away key points so I'll stop there. This film stars Alexandra Daddario, Amy Forsyth, and Austin Swift (Taylor Swift's younger brother which was surprising).
Daddario really got a chance to chew the scenery and put on a hammy performance and I loved it. You know the film has a twist coming and while some may see it coming, it doesn't take away from a fun time. At times, the family is humorous in its dialogue but it mostly plays out as a serviceable thriller with horror elements. Johnny Knoxville is in the film as well but has a very minimal role. Th characters and the costumes and style are also fun to watch, its so over the top at times.
This film offers nothing we haven't seen before and other films have certainly done it better. With that said its a short and simple film that requires very little to no brainwork, which works as a good popcorn film. Sometimes you can keep it really simple and entertain, that's the beauty of cinema. I also like Amy Forsyth after her starring in Hell Fest, she has the tools to be a new class of Scream Queen for sure if she keeps it up.
7/10
Dark Places (2015)
Dark Places (2015)
Funny that a film buff such as myself has never heard of this film. A Charlize Theron vehicle is always something I am down for. Upon looking into the film, this is based on the novel by Gilian Flynn who also wrote Sharp Objects and Gone Girl, both of which received the adaptation treatment. I liked both as well, both being anchored by very strong lead performances in Amy Adams and Rosamund Pike. I wanted more of the same here but wow. This film feels like a tonal mess and the twists just fail to live up to the build of the film.
The film is about a woman who is famous because her sisters and her mother were brutally murdered as a child. Her brother has been imprisoned for the crime and she got buy on funding by people who felt bad for her having to experience such a heinous tragedy. In need of cash, she meets up with a fan club who look into true crime events and analyze it. They peak her interest on whether her brother really committed the murders or if there was more to the story. She investigates and finds that looking for the truth is a dangerous ask.
Charlize does what she can with the script but its just so unimpressive and cluttered. Tonally, this film doesn't know what it wants to be. The beginning up until when Theron meets the Kill Club feels like a horror. Then it switches between horror and drama and by the end the flashbacks and the "twists" just ruin whatever the film was building towards. I don't know if the book was like this, I'm assuming its better as Flynn has received acclaim for her other works but maybe she should have supervised this script like she did with Fincher's film.
You can feel like this film could have been something special if things were done differently but it just never reaches that point. Instead, large portions are plodding and uninteresting and the twists are unimpressive. Also, I don't know if shes a good or bad actress yet but Chloe Moretz is really bad in this. Now I know why I've never heard of this film. It just couldn't set suspense or thrill or story up properly. This definitely felt like a Lifetime or made for TV movie that uncharacteristically had big names attached.
6/10
Vivarium (2019)
Vivarium (2019)
I read a lot of people were talking about this film and it took me a century to realize it was on Amazon Prime. Imogen Poots is becoming an indie film queen. She's always fantastic in whatever she does and she's usually a strong indicator of whether I watcha film or not. With Vivarium its a wonderful idea, that feels like something out of the Twilight Zone. However, it would have worked better as a short TV show episode rather than a 90 minute film.
The film is about a young couple who are looking to buy a house together. They meet with a weird and off putting real estate agent who introduces them to a house on Yonder which is a housing development that is the stuff of suburban nightmares. Every house is identical. The couple find that they can't leave their home. No matter what they do, they also seem to be the only ones in the development. They soon realize they must raise a child given to them to leave the house. The film also stars Jesse Eisenberg, and interestingly this is the second time I'm seeing the two leads pairing after The Art of Self Defense which was absolutely amazing.
The set up for the film is amazing. Like I said earlier, its so reminiscent of a very good Twilight Zone episode for the first half and hour or so. The idea, atmosphere, and setting is so good. Once the couple receive the baby the film soon becomes flat and feels like it was drawn out. The film has a really annoying child actor, which is fine because hes the absolute devil. Everything else just becomes repetitive (especially with Jesse Eisenberg's character) and I feel like the script ran on fumes for a while. I was fine with the ending but the uneven nature of the film hurt it from being much better.
This seemed perfect for me because I love dystopian films with elements of horror. This was fantastic for a third of its running time and then needed much better writing. I would still recommend watching it. I'm sure others might really like it as a whole and I think the idea itself it set up well so its worth checking out. Lets just hope Ms. Poots gets better work because shes underrated. Hell, she was even the best part of a really awful Black Christmas remake.
6.5/10
Profondo rosso (1975)
Deep Red (1975)
I love the work of Dario Argento. For my money he's one of the best directors and also one of the most influential filmmakers of all time. Suspiria and Phenomena are among my favorite horror films of all time. I watched The Cat O' Nine Tails a few days ago and thought it was good despite not being a strong a film as what Argento is known for (I think I'll write a review on this film as well). With Deep Red, the Bluray I had comprised of the English cut also known as the Directors Cut, or the extended version and I went with that version to get the full experience of the story.
The film is about a a jazz musician who is hanging out with his friend one night, until he looks up at a balcony and sees a woman being violently murdered. When he investigates he sees a mysterious person leaving in a dark leather coat. He then takes it upon himself to investigate this grizzly murder and see the connection between this kill and other brutal murders that occur in the area. What he finds is a dark story with twists and turns along the way.
The film also has a soundtrack by Goblin, much like with Suspiria and Phenomena. Its a staple of the work of Argento and the score is so distinct and adds to the heightened atmosphere of the film. The camerawork and shadows of the film are so brilliant. As usual the gory scenes are amazing, the blood and violence so vibrant. Argento has revolutionized and stamped his mark in cinema with these giallo films and Deep Red doesn't shy away from violence. The extended version had some scenes with Italian dialogue as they weren't recorded in English but I feel like the aspects of humor and romance add more to the film so I'm glad I saw this version.
The film is a bit predictable plot wise, at least it was for me. However, the ride to the finale is so good. Its pure cinema and Argento is absolutely an expert in telling a memorable story through visually stimulating the viewer. Deep Red was a very fun time and one of the stronger works I have seen from him. Absolutely amazing, and instantly rewatchable.
8/10
Palm Springs (2020)
Palm Springs (2020)
The Groundhog Day formula for film is something that has become extremely popular. The day repeats over and over for a character until they do something profound and change their life or an event to break the loop. When I started watching Palm Springs I didn't initially sense that it was that type of film but when it was I was hoping for something that would use the aforementioned formula will. With its twists and sharp writing, Palm Springs absolutely works and remains fresh the entire 90 minutes of its running length.
The film is about a wedding and two guests of the wedding that find themselves in a magical cave, once they go near the light in the cave they are doomed to repeat the day over and over. Anyone who interacts with this cave find themselves knowing about their predicament. The pair find out secrets about themselves and have fun with their situation but ultimately need to find a way out of their repetitive situation. The film stars Andy Samberg and Cristin Milioti.
The film takes the Groundhog Day formula of the never ending day and twists it. Now instead of following one person who has to deal with being the only one who knows about what happens on the repetitive day, we have multiple characters. This brings a lot of fun and the script can have fun with this unique test on a tried formula. That's what makes it fun. There's enough light twists and turns that make it worthwhile and the chemistry of the leading pair really does help with the quality of the film.
Palm Springs does a good job of taking something we know and changing it just enough to keep you guessing and having fun with itself and its characters. I like Andy Samberg as a lead in films, he has a humorous charm that can make a bad film worth watching. Palm Springs is a strong Hulu original film and the best one I've seen so far on this streaming platform.
7.5/10
Safety Last! (1923)
Safety Last!(1923)
I was watching a Blu-Ray collection on YouTube, and this was one of the titles in their collection. Obviously, I recognize the iconic image of Harold Lloyd hanging from a clock way above street level. I saw that there was a Criterion and then made the educate guess that this was on HBO Max. I am so grateful it was. Wow. This is 73 minutes of non stop entertainment and a fantastic watch from beginning to end. Harold Lloyd doesn't usually get the attention that a contemporary like Charlie Chaplin gets but boy is he a force in this film.
The film is about a man who leaves a small town to go to the big city to make something of himself. He wants to marry his girlfriend back home however he does not have enough funny. The film follows him on his daily adventures until it leads to an opportunity to make a grand from attracting customers to the department store that he works out. Without getting too deep into the plot, the man finds himself right in the center of it all. The film also starts Mildred Davis, Lloyd's long time on screen partner and his real life wife.
Its crazy to think that this film was made close to 100 years ago and is still massively enjoyable today. Lloyd is a natural, he performs most of his stunts in this (with the exception of the infamous clock scene and parts of the climb) but he's just all around fantastic and has a charismatic presence typically of a silent film star of this era. The film has such a simple light plot and its all brought together wonderfully every step of the way. The on screen shenanigans is just all around clever and funny.
I greatly appreciate early Hollywood cinema and silent films because its a form of film we just can't get today. Being able to portray so much with just a score and words on screen, this goes to show the endearing nature and quality of films that can stand the test of time, such as Safety Last! I've seen a few silent films mostly stuff of Charlie Chaplin but this ranks among the very best that I have experienced. The film is short and passes like a breeze but your eyes will be glued to the screen the entire way through.
8.5/10
Frankie and Johnny (1991)
Frankie and Johnny(1991)
Of course we all love Scarface. The on screen duo of Al Pacino and Michelle Pfeiffer was great in the Brian de Palma. With more time on my hand to watch film because of the pandemic, I decided to check out another film with this on screen pairing. One by Garry Marshall right after he graced us with the excellence of Pretty Women. Frankie and Johnny is honestly a powerhouse. The charm of the Pacino and Pfeiffer is what keeps you entertained from the very first minute.
The film is about a man who recently is released from prison. He served time for forging a check and now needs a job to make ends meet. So he finds a job at a diner as a cook. While there he immediately falls for a waitress. His attempt to win her over proves difficult as shes dismissive of his interest and intentions and has inner conflicts of her own. Yes, the film makes a few references to the song with the same name, if anyone was wondering. The film also has a backdrop of 90's New York City, which I always appreciate.
My first thought about halfway through was why Al Pacino didn't do more romantic films. He's honestly fantastic in this. His character is charming even though he is desperate in his quest to win the heart of someone who is disinterested in him. Michelle Pfeiffer is great as a woman with a tough exterior and complex emotions and feelings towards her own life and Frankie. The duo may not seem like a good fit for such a common people role and they weren't the first choice but their chemistry is great even when they are battling each other. Also, this film handles the LGBT characters and themes quite well, especially for a film of its time.
Marshall may not have always brought the quality in film but I loved the writing and aura of this one. The film is so simple yet works because of the strength of the performances of its leads. On the heels of Pretty Woman he brings an almost equally fine piece of work. I had not even heard of this film before watching it but I'm glad I did. Very rewatchable and I just wish this was out on Bluray so I could add it to the collection.
8/10
Tonari no Totoro (1988)
My Neighbor Totoro (1988)
Studio Ghibli. How do they keep doing it? This film is so memorable to the point that Totoro is the logo for the studio. Going in order and seeing these films are such an experience because each film is so unique well written and all around beautiful. This is the case with My Neighbor Totoro as well. Just an all around joy to watch and already its one of my favorite from the studio (although this is an unfair assessment because I still have a way to go in completing them all).
The film is about a family that move into a new home. The two daughters get accustomed to their surroundings and interact with the spirits in the house and around them. They befriend an animal like being who resides near them. He is mysterious but friendly and helps in the time of need. He is Totoro. The girl's mother is in the hospital with an illness and her return home is highly anticipated and worrisome for the family. The film is light on plot but its the animation and the experience that makes the film.
I loved the score of this film. I don't know if its the main theme in the film but that piece is wonderful. Much like the rest of Miyazaki's work this film is so vibrant with pristine animation. Miyazaki creates spiritual beings and intricate plot points, like the suswatari in this film. Such an imaginative piece of work. It doesn't have a deep plot like some of the earlier Miyazaki works but even though its simpler and easier to digest its still as imaginative as ever.
This is a film you can watch with family and the little ones if you've got them. I have to say, having an HBO Max subscription has been a real treat being able to really dig into these works and see the creativity on display. I have a feeling when all is said and done My Neighbor Totoro will rank highly among the rest of the studio works. If you haven't seen it, you know what to do.
8/10
Majo no takkyûbin (1989)
Kiki's Delivery Service (1989)
I got HBO Max on premiere day for one reason: The Studio Ghibli films. I have probably seen only three or four in my life but had to check out the rest. I decided to go in order of release and experience them all. I will probably update the blog here with reviews (not of all of the films but the ones I really liked). Kiki's Delivery Service is already up there. Its so simple, cheery, and all around an unbelievably fun time. The last three Ghibli films I've seen have been stellar.
The film is about a young witch who is becoming independent, so she moves out of home with her friend (a talking cat) and tries to find her calling. While initially struggling to find a place to stay she finds residence with a nice lady at a bakery and gets a job delivering items to customers and running errands. The fact, that she can fly on a broomstick makes the task easy. However, managing time and responsibility become an issue along with the feeling of self doubt.
The animation in this film is so rich, vibrant, and timeless. Its a huge strength when the animation is so gorgeous and wondrous. Kiki is an identifiable character. She's positive and learning her way in the world. She is learning to become responsible, self sustaining, and learning to let people in. She has a conflict trying to believe in herself and her powers dissipate. You get the traditional imagination as you would see with a Miyazaki film and swift writing. Its such a simple film to follow and digest but it brings joy seeing it.
I have been impressed with everything I've seen so far. In the interest of time I won't be reviewing all. I will say that I greatly enjoyed Nausicaa and Castle in the Sky. Well written and politically and socially relevant. I will write reviews for Grave of the Fireflies (which was absolutely depressing) and My Neighbor Totoro (which was absolutely charming).
8/10
El hoyo (2019)
The Platform (2020)
Had it not been for being on quarantine and bored at home, I would have never checked this gem out. I find this especially relevant at a time like this where crazy and selfish people are hoarding things that are needed for vulnerable and less fortunate people. The timing for this to release could not have been better. While the ending was a little disappointing and could have been better, I found the concept of this to be extremely creative and it was amazing for 3 quarters of the film.
The film is in a dystopian world where members in a prison like facility live in small rooms, two per rooms for hundreds of floors. Each member is allowed to bring one thing with them. The main thing about this facility is gourmet food that is given for two minutes to each platform. The lower you are on a platform the more scraps you eat. Say, if you are on level 33 you are eating whatever is left from what others ate above you. If you are on a lower level in the hundreds, there is no chance of food for you and you have to find out what to do (cannibalism) to survive the month until you are re-assigned.
It was hard to describe what this film is about very well because the plot is so creative. It reminded me a bit of Cube, which was also very enjoyable. The lesson here is probably that a dish that every participant wanted is made, probably daily. If everyone just ate that dish or rationed then there would be enough for everybody. Alas, this isn't the way that humanity works and the lead actor tries to get everyone to act to help others. This films delivery is excellent for most of it, until the end where I feel like the ending could have been better.
The film is really violent at times and it won't be for people who can't stomach the gore. There's messages here and the filmmaker makes it quite obvious but its a hell of a journey in a small scale setting. Its acted and shot very well as well. This is a real streaming service gem that I really enjoyed and I hope that others will check it out too. I'd like to see more worthy content like this come out.
7.5/10
My Spy (2020)
My Spy (2020)
My Spy
I can't recall the last time a film had so many release date switches. Now with the coronavirus pandemic which is absolutely ruining everything for everyone this has been switched to Amazon for release. After watching it, its not unlike anything we've seen before in terms of a film where a brute character befriends a kid. Its a good thing that My Spy was interesting enough to get by and is further proof that Batista works as a comedic lead.
The film is about a CIA agent who camps in an apartment building to monitor a mother and her young daughter's safety. Things go wrong and the agent is discovered by the kid. She bargains with him to use him for favors she needs and in return she will keep his identity secret. This also includes trying to romantically link the agent with her mother. However, he has to be careful not to comprise his mission and create a conflict of interest.
The film has problems in storyline and isn't very believable. A CIA agent falling for the target he is protecting? Not believable. I think Batista works in comedic films. I had a lot of fun with Stuber. This one has much less comedy. Its not always funny but it remains consistently entertaining. The plot issues especially when the main villain comes around make it predictable and messy but in a time where there are literally no new movies coming out I will take what I can get.
Overall, its a film where nothing new happens and is predictable. However, in a time of very little going on it works to kill time and further shows that Batista (much like other former professional wrestlers) might have a good time in the film industry. Its pretty unfortunate what happened with releasing this film. They should have just done it as early as possible.
6.5/10
Onward (2020)
Onward (2020)
Its always something special when a new Pixar film comes out. For the most part Pixar has released films of the utmost quality. Efforts like The Toy Story films, Inside Outt, and Coco are all fabulous. I didn't know what to make of the trailer for Onward but it had that unique feel to it that only Pixar studios is capable of. So, how is the film? I'd say overall, its an interesting and original concept but it doesn't always keep the viewer interested. It's still a good addition to the Pixar legacy.
The film is the story of two brothers in a world where magic has been fading in the world. They find out that their late father leave them a magical staff and a phoenix gem with a spell that will bring their father back for one day. However, they are only able to conjure the bottom half of their father. They both go on a magical quest to find another phoenix gem to complete the spell and bring their father back for a limited time. The two leads are voiced by Tom Holland and Chris Pratt.
The animation and music in this is stellar as you know it should be from a Pixar film. The characters are fun, especially Pratt's geeky older deadbeat brother role. I just felt like the film tries to capture a lot of the emotion that previous films have done but does not do it as well. It just didn't connect with me in that regard. I appreciate the plot of the film and the uniqueness of this wild journey that these two embark on but its not always greatly entertaining and I felt myself checking the clock.
The real key of the film is the wonderful animation on display on absolutely every frame. Its a non stop adventure for sure although not all of it is as fun as it probably could be. Pixar has made films that I like less than Onward. Onward has its moments but is a kind of middle of the road feature for a studio that has put out better quality efforts.
7/10
The Invisible Man (2020)
The Invisible Man (2020)
When I saw the trailer for this I was instantly intrigued. Even more so when I saw the name of the film. The Dark Universe was a disaster. Dracula: Untold was so average that they tried to restart the franchise with 2017's The Mummy, which was straight awful. Alas, the Dark Universe as a shared universe died but I guess they decided to do standalone films instead. So based on past experiences, we should have had every inkling that this would be terrible. However this was a really good re-imagining/reboot that remains entertaining for the full runtime.
The film is about a woman who runs away from her husband because he is abusive. She finds out he commits suicide and 5 million dollars in his name could legally be acquired by her provided she does not conduct criminal activity and has a normal mental state. She soon becomes haunted by an invisible force, that not only terrorizes her but becomes dangerously violent. No one will believe her and she must find a way to not only protect herself but find out how this is happening. The film stars someone who I feel is one of the best actresses today: Elisabeth Moss.
Leigh Whannell honestly blew me away with the very impressive sci-fi thriller, Upgrade. That alone should be reason to watch The Invisible Man. This is a real horror thriller that is set up incredibly well. The camerawork and atmosphere created really complement the plot of the film and your eyes are glued to the screen, really trying to find out where this invisible man is at any given moment. The thrills are great and while the film goes through predictable stages it honestly takes the concept of the invisible man and creates something so wonderfully modern and unique and it really works.
I want to close off by talking about how good Elisabeth Moss is. I followed her growth as Peggy Olsen in Mad Men and knew of her talent right away. Her portrayal of a woman having a mental breakdown in Queen of Earth was amazing and she channels a similar type of energy for this. She is fantastic in this film as she is in pretty much everything she does. This was a strong reboot or re-imagining of a Universal classic. It takes liberties but all of it is done well and I think its about time Leigh Whannell started to blow up.
7.5/10
Emma. (2020)
Emma. (2020)
Emma Woodhouse, handsome, clever, and rich. I recently watched the 1996 version with Gwyneth Paltrow in the leading role to get an idea of the story of the film going into this one. I love Anya Taylor-Joy so much. I've seen every one of her films apart from Marrowbone. I was so excited to see her in yet another period piece but this time in a sly comedy. I ended up really enjoying this film. Its got laughs, love, class, and even a deft touch of sadness.
The film is about a a wealthy 21 year old girl named Emma, who meddles in the lives of those around her. She tries to set her friend up to a man she is not romantically attracted to. As time goes by Emma discovers that trying to fix peoples lives does not always work and then she herself becomes romantically inclined. Along the way Emma realizes how manipulative and haughty she is and the impact that it has on those who are around here. The film also stars Mia Goth, Johnny Flynn, and Bill Nighy.
The attention to detail and the production and costume design are absolutely superb. The film is rich with its intricate detail to period and the nobility involved. The film also possesses vibrant cinematography and camerawork. Its a really nice film to look at in a technical aspect. Anya Taylor-Joy is a talent and she's fantastic in this role. Emma can be despicable at times but there's an allure to her character and you can not help but want to be around her. The performances all around are great. I love seeing Mia Goth getting meaningful work, and I've never seen Bill Nighy have such a keen eye for a chilly draft.
The film just seems more attuned and in sync with Austen's novel than the 1996 version. It embodies a wide range of emotions and can be hilarious with no dialogue at all. The cast have good chemistry and Autumn de Wilde shows a great touch in her impressive directorial debut. I think this film was great fun and is something I want to check out again because I found great (Anya Taylor) joy watching this.
The best part of my night though without a doubt is actually meeting the leading lady on the street after the premiere. She was present for a live Q and A and overall this was quite the experience. I am in heaven!
The Photograph (2020)
The Photograph (2020)
I expected a romantic film this Valentines Day but this one seemed a little different to me. Its one of those where I couldn't really make out the plot of the film from the trailer, although it looked like a tale that flashed back and forth between two couples. The film also had two big rising stars I would say in Lakeith Stanfield and Issa Rae. The film is overall a good effort from Stella Meghie whose casting choices were excellent as the leads have a great deal of chemistry.
The film is about a talented journalist who crosses paths with a woman whose estranged mother recently died. Her mother was a famous photographer who moved from Louisiana to NYC to make it big. When the pair meet in the present day, they quickly bond and fall in love. Together they try to make things work in their own relationship while finding out about the past of the woman's mother.
The film is shot very well. The cinematography is rich and very attuned to its cast and their story. The chemistry between the leads is so strong and makes their relationship seem so authentic. The changing of timelines gets a little messy for me at times but was necessary to tell the story of Rae's characters mother and how her own love story had to end because of the importance of her career.
Overall, the film is expressive and filled with a talented mostly black cast. you even have Lil Rel Howery for the comic relief. The film mostly works because of the acting and the relationship in central display. Expect to continue seeing these two leads blow up in the months to come. I'm just glad February is having better offerings after a rather abysmal January.
7/10
Fantasy Island (2020)
Fantasy Island (2020)
I have never seen the TV show that this was based on but I did scratch my head that they were making an update to it and also hearing that it would be more horror. Okay. Then I was having more doubts knowing that it was from Blumhouse, the director of Truth or Dare, and the lead actress from Truth or Dare, Lucy Hale. I was hoping for something semi decent because honestly the premise sounds interesting and with good writing it could be a nice little niche horror. I'm sad to report that this film is terrible.
The film is about a group of contestants who win a trip to a place called Fantasy Island. On this island the groups get to explore their greatest fantasy and act on it, almost as if it is happening in real life. The "keeper" of the island Mr Roarke, explains the island and soon each of the contestants start to live out their fantasies. Soon they realize that the outcomes of their fantasies are horrifying and there are dark secrets abound on this island where escape seems unlikely.
When the film started I was hoping for the best. Its an interesting plot for sure. However, as minutes passed by and a pair of contestants kept high fiving each other and dropping "bro" jokes and references I wasn't so sure anymore. The film drops so bad in quality as it progresses. The film fails as a horror film immediately because all the "scares" are done exactly when you expect them to turn up. The acting is pretty bad. Pena disappoints and I think Lucy Hale has always been terrible in everything. The twists that they keep pulling in this film are so bad especially the final fifteen minutes where the plot keeps changing.
The tone is absolutely all over the place. You get a war scene and people dying and then switch Maggie Q relaxing on the beach relaxing with her fake daughter. Also, the amount of times they try changing the fantasies and try guessing whose fantasy they are in, good grief its over plotted and extremely messy. It makes up rules as it goes along and makes less sense as it goes along. Had to roll my eyes at the end. This might be marginally worse than Truth or Dare, which was awful.
4.5/10
Sonic the Hedgehog (2020)
Sonic the Hedgehog (2020)
This was meant to come out last year. That is, until it made waves for all the wrong reasons. There were massive complaints about the very humanoid design of Sonic the Hedgehog with many complaining he looked nothing like the character from the beloved SEGA game franchise. In a fairly unprecedented move, the studio decided to pull the movie back and redesign Sonic, while injecting more cash into the budget. Lo and behold they redesigned Sonic and he looks great, much like the video game character. However, the designs and graphics are one thing, how does the film fare up?
The film is about Sonic, a hedgehog with super speed. He is hiding on Earth after being sent here with a magic golden ring that acts as a portal. While on Earth, he is revealed to an ambitious cop and they befriend each other. There is an issue though, as a scientific genius named Doctor Robotnik is recruited to investigate a mass power outage, which was initially caused by Sonic. Robitnik clashes with the pair and then makes it his job to capture Sonic.
I think instantly the film utilizes Jim Carrey brilliantly. This film absolutely allowed Carrey to be in his element, much like he was at the height of his career. Its tremendous, he's so outrageous and overacted that its such a fun portrayal. I thought the design for Sonic was good and finally resembled the likeness that we are used to. The film's plot falls into cliches and is nothing that has not bee explored before.
In fact I'd say portions of the plot are borrowed from other films, namely when time is slower relative to Sonic and he messes around with the environment of whats going on around him, which was blatantly done with Quicksilver in X-Men: Days of Future Past. The film is still good fun that the family will enjoy and stay tuned after the credits for a fan moment. I fully expect the film to become a series.
7/10
Birds of Prey and the Fantabulous Emancipation of One Harley Quinn (2020)
Birds of Prey (2020)
Lets face it, the DC Extended Universe has been a mess for the most part. Apart from Wonder Woman, most of the rest has been a misfire. None a big offender than Suicide Squad. That film was awful all around and was just a disaster that no one wants to talk about. I wasn't a fan of Robbie's Harley Quinn in that film so much but she's grown on me over the years as a performer ever since I, Tonya. Birds of Prey is certainly an improvement over Suicide Squad and a better entry for DCEU although its not as good as can be.
The film follows the life of one Harley Quinn. She has broken up with the Joker and seeks a new thrill. She somehow gets involved in trying to recover an expensive diamond for an erratic night club owner Roman Sionis. Along the win Harley butts heads with other woman who all are out to seek justice and break chains that keep them restrained. The film stars Margot Robbie, Ewan McGregor, Rosie Perez, and Mary Elizabeth Winstead.
The film is visually an improvement over Suicide Squad. Its brighter and fun, not as dark and gloomy as Suicide Squad. The action sequences are actually quite good, primarily the last fight in the funhouse. Robbie embodies the character better in this film and doesn't have many cringe induced dialogue like in the previous film. I liked Winstead's character Huntress and the humor attached with her name. The film has narative flaws with it being narrated by Quinn and going back and forth I found this to be a weak and overdone way to do things.
There are passages in the film which are pretty boring, basically as it sets up for the final get together. McGregor chews scenery the whole time he is on screen. Overall, DCEU is still a disappointment for the most part but there are moments here and there worth talking about. This film is very on the nose about its women characters and how they are badass working together. While Birds of Prey isn't anything amazing or remarkable its easily one of the better entries in this universe. If this film makes banks, I'm sure the studio will plan a sequel.
6.5/10
Miss Americana (2020)
Miss Americana (2020)
It may or may not be obvious from all the reviews that I do but I must say I love Taylor Swift. Its not just love, I am a super fan. I've followed her career for over a decade, seen her live multiple times, bought all her albums and vinyl, learned to play a few of her songs on guitar, and even had the privilege of meeting her. I love her career progression and how each album represents an important but different stage in her life. When I heard this documentary was releasing on Netflix, I knew I would like it as with all things Swift. I thought this was an excellent look into the biggest musician in this country today.
The film follows Swifts life from her Reputation album and on. After being criticized on many fronts in the media, Swift disappeared to reinvent herself and speak up on matters she had stayed quiet on in the past. The film talks about her changing music, ho the media portrays her, her struggle with her body image, her moms cancer diagnosis, her sexual assault case, feminism, and her effort to become more politically vocal. The documentary also shows the viewers the creative process for her latest studio release, Lover.
If you are a Taylor Swift fan, then you already know you will be pleased. However, I think people who just want a quality documentary going behind the scenes in her life should watch as well. It is a raw and emotional look and one in which she shows herself in a way we haven't seen her before. She's no longer apologizing to fit the narrative of what the media wants she is now being vocal of what she believes in and giving voice to the issues she has going on in her life.
Whether you love her or hate her, its hard to deny that Taylor Swift is one of and if not the biggest pop star/musician going today. Fortunately, I am pleased to say Lana Wilson's behind the scenes look into the life of Swift was one that was done extremely well while focusing on important modern issues that need to be vocalized. This is something I'll be sure to get back to again in the future.
8/10
The Assistant (2019)
The Assistant (2020)
I didn't know much about this film until mid last week. I ended up attending the show with a Q and A after the movie with writer and director, Kitty Green. Here is a filmmaker who I don't really know anything about but I was already a fan of Julia Garner. I really liked her on The Americans and knew she was going to blow up soon. She is fantastic in this minimalist performance about a timely and important issue that is ever present in modern times.
The film shows the entire day of work of an assistant at an office of a powerful film executive. During her time there, she sees conspicuous activities and young females being brought into the office and given roles after they meet with her boss even during late hours. She starts to realize what is going on and the predatory behavior involved but must deal with being silenced and has to weigh up how important her job is to her. Julia Garner plays Jane, in her most fulfilled role to date.
From the opening frame of the film this is a beautiful visual experience. The film is quiet at times as you watch Jane take care of daily activities in the office. You can put the clues together to find out what is going on in the office and how the women are being sexually exploited. The film never mentions it but this film was definitely inspired by the story of Harvey Weinstein. The breathy voice on the phone calls also is reminiscent of Weinstein. This film is so competently shot throughout the office.
The way Garner emotes through her facial expressions truly tell the story of her internal struggle. The issue is timely and unfortunately something that occurs today. She has to be silenced because there are people that are more powerful than her who disregard her when she comes forward to speak up. This film kind of shows scenarios as to why it might be difficult for people to come forward when they witness something immoral. Garner is fantastic in this film. The Assistant is a fairly succinct film but immensely powerful in its depictions and is definitely one that has talking points.
7.5/10
Gretel & Hansel (2020)
Gretel and Hansel (2020)
I read a book of the Grimm Brothers fairy tales a few years back. A lot of them are excellent and a bit dark. Hansel and Gretel is a very popular Grimm tale and its even been adapted (sort of) with the film with Jeremy Renner a few years back. There hasn't really been a stand out American adaptation that is linear to the timeline of the Grimm story, so Oz Perkins decided to adapt one. I wanted to like this film because of the story and dark atmosphere but the film felt so padded and was dull for most of the time.
The film is about a brother and sister who are from a poor family. They are looking for work when the stumble upon a house in the woods. In that house lives an old lady who feeds the two children an abundance of food. The two offer their services to help the lady out and spend a good deal of their time at her house. However, things are not what they seem and Gretel soon becomes plagued with the reality that the woman is a child eating witch with evil powers.
The film changed up the classic name as the film focuses more on Gretel as a central character and often her internal struggles are brought to light. The film stars Sophia Lillis who first made waves in Sharp Objects and then the It film series. It was the perfect time to cast her in a new horror film as she seems like a star. I think the film is well acted but the real strength comes from the set design, lighting, and the overall dark and grim atmosphere. There are some images in the film which look excellent. However, this isn't en ugh to save us from the dull and bumbling nature of the film.
The film is under 90 minutes long but feels like an eternity at times. It definitely feels drawn out and short on plot as it just kind of sets itself up towards the predictable revelation. There are times throughout where I lost interest and was disappointed that the film didn't do more with what it had. What we got was a forgettable horror film that was boring.
5.5/10
The Rhythm Section (2020)
The Rhythm Section (2020)
Here is a film that was indecisive about when it needed to be released. It was pushed back twice before finally releasing at the end of January. I was very critical of Blake Lively's acting in Gossip Girl and at points in her film career. It wasn't until I saw her in The Shallows that I really started to appreciate her talents. The Rhythm Section is a perfect vehicle for Lively to show her strongest performance to date but unfortunately the film is a very dull affair.
The film is about a woman who has turned to drugs and prostitution after the tragic death of her family in a plane crash three years earlier. However, one day she receives some information that suggests that the plane crash was no accident but a terrorist attack. She gets trained and learns information about those responsible for her family's death and she seeks revenge on them. The film also stars Jude Law and Sterling K. Brown.
I will start with the positives. This is very easily, Blake's best performance to date. She's very good in it. She's a trained assassin but flawed as shes prone to error. That's sort of how it should be though, no? There a few scenes mostly when shes chased in a car that are shot quite well and keep you engaged. Unfortunately, that engagement does not last long. This film is very boring and feels basic for a large amount of time. When its lifeless, its hard to really stay invested in the story, especially when it feels like not much goes on for a bulk of the film.
The film hits "Action thriller led by a female lead" cliches as we go along. I can see what the filmmaker was going for but unfortunately there isn't enough action or entertainment to really get viewers hearts racing. The studio was unsure what to do with this film and it turns out it will be just an after thought as soon as you leave the theater. Just a very unremarkable film.
5.5/10
The Turning (2020)
The Turning (2020)
What can be said about this film that hasn't already been said? Its been making a buzz for the absolutely wrong reasons. Yes, that ending. I wonder what was going through the filmmakers mind when drafting that ending. I won't say what happened but I must say that ending alone brings the films rating and quality down by a lot. What you get with The Turning is atmospheric nothingness for a full 90 minutes. Only saving grace, are the performances from its actors.
The film is about a woman who becomes a governess for a child who lives at an estate. Once there she realizes that the girls disturbed older brother is also back from boarding school. Soon she starts realizing that the children are not what they seem and that there is a ghostly presence in the house related to the wicked former horse riding instructor who stayed at the house. The woman is curious to find out more about all this while protecting the young girl she is tasked to serve.
The best part of the film is definitely the acting of Mackenzie Davis and especially Brooklynn Prince. Prince was tremendous in The Florida Project and she brought a lively energy to this film, and it was needed. Finn Wolfhard is plain annoying in this film and is now in that annoying teenager phase of life. The film opens with the announcement of the death of Kurt Cobain because? The film falls for the usual horror trope pitfalls that plague films today. Jump scares that are so predictable and just not scary. A plot that brings up different issues vaguely but fails to focus on any of it. Above all, the worst offender is the ending.
The ending was heading in a decent direction before doing a fake out that made absolutely no sense. I could hear the theater become perplexed. After that, guess what? Another twist! Not only that but then it fades to black extremely abruptly. I don't know how they came to this conclusion or what the artistic merit to it might have been but it was resoundingly awful. A mediocre horror film at best made infinitely worst by its ridiculously stupid ending.
4/10