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Reviews
The Ladykillers (2004)
I laughed my head off!
The other night I went to see the latest version of a 1955 classic, "The Ladykillers," starring Tom Hanks and Irma P. Hall. I had no idea this movie was so funny. I practically laughed my head off in the theater. A few other audience members were likewise laughing like crazy at all of the wild antics going on between a fake music professor and his cronies, and a fine, senior Christian lady who also becomes their landlady of sorts. I did not approve of all of the profanity, which did not contribute very much to the general story line, but I did like the overall screenplay structure, based on the original Oscar-nominated British screenplay by William Rose. The characters, with all of their idiosyncrasies, bear certain traits which are key to the plot. I believe the entire cast truly enjoyed themselves on the set, and must have found it very hard to keep a straight face while the cameras were rolling. I must thank brothers Joel and Ethan Coen for concocting such a wise, zany, and satisfying adaptation such as this new version of "The Ladykillers." When you mix elements such as the Old South with contemporary times, grand theft, classical and gospel music, innocence with deceit, and an expressive portrait of a deceased gentleman, something unusual and crazy is bound to happen. Even without having seen the original movie, this remake gave me a pretty good idea of how well the original version was written and acted. For a great time at the movies, I recommend that you go and see how funny, yet touching "The Ladykillers" really is. If you like black comedy, in the vein of "Brazil" and "American Beauty," then "The Ladykillers" is definitely up your alley.
Chicago (2002)
Sexy, cynical, sassy - Bob Fosse's ghost is alive and well!
I have seen "Chicago" twice, and I stayed awake both times! Nowadays, some movies put me to sleep due to slow pacing, a sagging storyline, or uninteresting characters. But not "Chicago!" From beginning to end, this movie held my attention with its jazzy fantasy numbers, smooth film editing, knockout choreography, superlative acting, appropriate sets and costumes, and snappy screenplay adaptation. This movie version of the famous 1975 Broadway hit and 1996 stage revival stays true to its creator's vision (the late and brilliant Bob Fosse), and never disappoints. In fact, the lighting and the clever staging of the musical numbers are a bit reminiscent of 1972's "Cabaret" and 1979's "All That Jazz." And yet, "Chicago" is able to stand on its own as a classic herald for more 21st-century movie musicals, and it deserves our applause. Sexy, cynical, sassy, and ultimately, triumphant, "Chicago" deserves all the accolades its receiving. I hope other Hollywood studios take notice and follow suit. This is what moviegoers of all ages and nations want - entertainment that's exuberant, memorable and smart, yet accessible to the masses. "Chicago," you're my kind of movie!
The Banger Sisters (2002)
On Target, Funny, Insightful
Run, don't walk, to see "The Banger Sisters" at a multiplex near you. Here's a solid comedy that may get overlooked by all of the upcoming fall hoopla of lesser quality attractions. The acting, writing, editing, and excellent music soundtrack all combine to produce an outrageous laugh riot, tinged with on-target, insightful observations into the human condition as it shows how different generations have more in common than we think. The three Oscar winners, Goldie Hawn, Susan Sarandon, and Geoffrey Rush, give such great performances, that you can tell they had a ball with their roles. There's something here for everyone of every age. All at once funny, enjoyable, and knowing, "The Banger Sisters" just might be one of the most underrated gems of the year. I give it 8/10. Don't miss it!
xXx (2002)
We're in the Xander Zone!
Unbelievable, extremely loud, yet funny and exciting, I urge you not to miss "XXX" while it's showing on the big movie screens, which is where it is especially designed to be fully appreciated. Vin Diesel, who portrays the iconoclastic Xander Cage, is truly a 21st-century secret agent, complete with smart-alecky witticisms, machismo, Generation X/Y swagger, and surprising sensitivity. I don't care what the critics say, this is one impressive flick - photographed by Oscar winner Dean Semler ("Dances With Wolves"), I was was pleasantly surprised by the overall craftsmanship this work displays. Yes, the stunt work is over-the-top, but it's all fast-paced and totally absorbing. I really forgot about my everyday problems as I got swept away by the action and adventure led by Messrs. Diesel and Samuel L. Jackson. Like the incredible avalanche set piece, you too will be overwhelmed by the power of "XXX," and if you're not careful, you'll find yourself forever in the Xander Zone! Don't miss it!
Signs (2002)
Horrific, humorous, hopeful
I just saw the new M. Night Shyamalan movie, "Signs" last night. I thought it was a very interesting study of a Pennsylvania farm family encountering the mystery behind the circle formations in their cornfields. The casting of Mel Gibson and company was perfect. The director used the minimalist approach to achieve maximum impact, with obvious homage to Hitchcock and Spielberg. Technical aspects of the movie, especially the sound editing, original score, cinematography, and film editing, were on target and may get Oscar nominations. Above all, the director's skill in combining horror, suspense, humor and hope is amazing. My only wish is that after "The Sixth Sense," "Unbreakable," and now "Signs," Mr. Shyamalan will now turn his attention toward material not dealing with the supernatural for a change. Variety is the spice of life, and I feel that M. Night is now ready to really flex his muscles and show us another side of his personality, since hints of it came through in "Signs," namely, his ability to make us laugh and look forward to a brighter day. I give this film 8/10.
My Big Fat Greek Wedding (2002)
Sparkling, refreshing, hilarious, sexy
If you're looking for refreshing, intelligent, summer adult movie entertainment, look no further than "My Big Fat Greek Wedding," now playing at selected theatres. The acting, writing, and directing are excellent with nearly flawless casting. This is another fish-out-of-water story, yet brimming with wit and poignancy all at once. The film is told from a young woman's point of view as she moves from ugly ducking to beautiful swan with hilarious results. Filled with surprises and laughs, this film makes you reflect on family members you know all too well, sexy, romantic situations you remember as if they were yesterday, and dialogue so fresh and spontaneous, you're amazed filmmakers still make movies this wise for the 21st century. You've heard of "Muriel's Wedding," "Four Weddings and a Funeral," and "Monsoon Wedding." Well, here's another one to add to your collection. Like sparkling champagne, this one tickles your nose, goes to your head, and keeps you floating right out of theatre with a smile on your face. Don't miss it!
Spider-Man (2002)
THIS ONE PACKS AN EMOTIONAL WALLOP
Wow! What a great movie! I really enjoyed Spider-Man a lot, from the opening credits to the classy film editing to the heart-tugging romance, so to speak. Yes, this is a comic-book superhero movie, but one that packs an emotional wallop to boot. I expect this one to remain at or near the top of 2002's box office listing for some time. If you haven't seen it yet, be prepared to laugh, cry, and shudder, as you get caught up in the exciting web of Spider-Man. Stay tuned for the sequel, too!
The Count of Monte Cristo (2002)
Wonderful!
I just saw the 2002 version of "The Count of Monte Cristo" last night, and I must say that I really enjoyed it. I was pleasantly surprised by an early offering such as this one, because films released this early in the year are usually dogs. But this one is special - from beginning to end I was enthralled by the plotting, the characters, the sets, the music, the cinematography, film editing, costumes, and story adaptation. It is truly a quality project all the way, and I hope Hollywood takes notice and realizes that you don't need high-priced movie stars to sell a motion picture. All you need is imagination, attention to detail, a sense of humor, and passion, and the rest will take of itself. Go see this new version of a very old story remade in classical form with modern-day sensibilities. I guarantee you, you won't be disappointed. Although the main character says, "I'm a count, not a saint," I disagree with his assessment. This is a movie, and wonderful one to boot!
Breakin' (1984)
AIN'T NO STOPPIN' A GOOD MOVIE!
I just viewed an old tape of "Breakin'" last night. It's been 17 years since I first viewed it at the movies. However, I can't believe the powerful effect it still has on me. Yes, admittedly, the plot is not original, the screenplay is truly by-the-numbers, and the acting is generally amateurish. Yet, in spite of these shortcomings, the movie is still catchy, sincere, and engrossing. That's because of the talented stars who really love what they do, namely, breakdancing and "poppin' and lockin'," along with the stimulating, get-on-your-feet dance music.
This movie is like a time capsule of the 80s, with hints of the future. Moreover, I still find it to be inspirational, motivational, and hypnotic. Looking at these streetdancers and the jazz dancer go after their dreams with sheer determination, talent, and grit makes me want to jump up and do the same thing! Yes, I'm nearly fifty, but looking at this movie gave me another shot of adrenalin to do what I need to do in my daily life. "Ain't no stoppin' us" is the endless musical mantra in "Breakin'"...nothing stopped the dancers, and nothing's going to stop me, either. Watch "Breakin'" for yourself, and you'll see what I mean. 9/10 Rating.
The Others (2001)
An unusual twist on an old idea
I just saw "The Others" last night, and I must say that although I found hints in the movie that reminded me of at least three other movies I've seen within the past thirteen years, I feel "The Others" can stand on its own, mainly because it brings something new to the table of films of its ilk. Alejandro Amenabar should be commended and hailed as the next Alfred Hitchcock, because he was able to direct a suspense thriller without any gore. This film works on the mind, and does its job brilliantly.
Special kudos to Nicole Kidman and her supporting cast, Mr. Amenabar's effective score, the cinematography, sound editing, costumes, and sets. And just when I thought I had everything figured out, more details came to the surface to jolt me some more! In a year of woefully substandard movies so far, "The Others" stands out as a film of intelligence and real chills without flashy special effects. It is a return to solid storytelling, intriguing characters, and the mark of genius, in that it transported me to another time and place and involved me so much, that I thought I was part of the story. For a few moments, I was able to forget the problems of the real world, as I got lost in the world of "The Others." Go see it with an open mind...you'll get lost, too.
American Outlaws (2001)
Breezy entertainment
I just saw "American Outlaws" last night, and I must say that I really enjoyed it a lot. I'm sure it's all over the map as far as historical accuracy is concerned, but who cares? This is a summer movie, light, breezy, and specifically designed to just entertain you, not make you think. And that's okay! Filled with surprising plot twists and tongue-in-cheek dialogue, "American Outlaws" satisfied my expectations and, in a few instances, exceeded them.
The movie's greatest asset is its casting-Colin Farrell in the lead role, along with a strong supporting cast, such as Scott Caan, Ali Larter, Timothy Dalton, and Kathy Bates, to name a few. It seemed to me that the actors had good rapport among them, and they made you believe that they were really related. To me, they were a convincing James-Younger Gang. Kudos also should go to the sound technicians, costume designers, and art directors.
If you're looking for a classic Western, like "High Noon" or "Unforgiven," this doesn't qualify. But if you just want to turn off your brain for an hour and a half, "American Outlaws" will do just fine; like a cold glass of iced tea on a hot summer's day, this movie will definitely slake your thirst.
The Go-Between (1971)
Elegant, tragic, yet oddly liberating
The first time I saw this film, I was 18 years old. Now, almost thirty years later, I am still enthralled by its two atmospheres - a hot summery Norfolk, England at the turn of the century versus a cloudy, rainy, modern-day Norfolk. The juxtaposition between the two periods is stunning, and mysterious. The acting is superb, the sets and costumes are superior, and the haunting Michel Legrand score stays with you long after the film is over. I find the film to be quite elegant in its scenes of yesteryear, where the "old" England seemed dreamy, leisurely, carefree, and prim and proper, compared to the dreary, coldly realistic, grown-up, modern-day England, where the past is spoken about, and an explanation of what happened in the past is requested.
Although the movie ends on a tragic note, there is a hint of hope which I found oddly liberating, a feature I didn't notice 30 years ago. But like fine wine, this movie ages well. Enjoy, and go on a trip to the past "...{where it's} a foreign country...they do things differently there."
American Beauty (1999)
Weird, funny, thought-provoking
In my opinion, "American Beauty" has got to be one of the most bizarre movies I have ever seen. In one instance, it is a cautionary tale on how to avoid a bad marriage. On the other hand, it appears to be a cross between "Ordinary People" and "sex, lies, & videotape," with shades of "Sunset Boulevard" and "Rear Window" thrown in for good measure. While it's true Kevin Spacey and Annette Bening, among others, give extraordinary performances as the troubled married couple, this is one film that makes you reflect on your own personal life while it tickles your funny bone. And just when you think you know how the movie's going to end, director Sam Mendes and writer Alan Ball yank the carpet right out from under your feet.
Though "American Beauty" makes you think and laugh as you're watching it, it also disturbs your perception of American suburbia, similar to "Blue Velvet," where decay is hidden within homes surrounded by nice, white picket fences. "American Beauty" ultimately serves as a devastating wake-up call to all of us. Not only must we return to strong family values, we also need to reach out to one another with genuine love and understanding. Moreover, in its own quirky, oddly optimistic way, "American Beauty" reminds us to work nonstop on keeping romance alive within our marriages, and to look for the wonders of everyday living, hiding in plain view before our very eyes. I give the movie an 8/10 rating. It's not necessarily for the squeamish, and having an open mind BEFORE you watch it helps.
All That Jazz (1979)
Flashy, sensual, sophisticated entertainment
I saw this movie nearly twenty years ago, and I still find it fascinating! It is a real sexy turn-on of a musical to be sure, but it is also a brutally honest confessional of the late Bob Fosse's life, in all its glitter, pain, and triumph. In some scenes, even Roy Scheider eerily resembles the real Mr. Fosse. Although much of the film is admittedly self-indulgent, it does raise some interesting questions about how a person lives his or her life, and how their lives affects others around them.
But aside from the philosophy behind the movie, I recommend that you watch the brilliant choreography, enjoy the satirical wit present in almost all of the musical set pieces, savor the costumes, the production design, and the flashy film editing. But most of all, admire the mirror Bob Fosse held up to his own life, and without any reservations boldly turned that mirror around for all the world to see - a mirror of his life, a mirror of our lives, a mirror of the entire world...and ALL THAT JAZZ!
The Sixth Sense (1999)
One of the most chilling, yet comforting films ever made
Yesterday, I saw this film for the second time, and as expected, I picked up on certain elements I didn't see the first time, like millions of others who have seen it more than once. Upon closer viewing, I can truly say that while "The Sixth Sense" contains some chills, it amazingly also possesses comfort - it is very life-affirming. Apparently, writer/director M. Night Shyamalan wrote from personal experience, because you can feel the love and warm emotions bubbling just below the surface.
You can feel the love and warm emotions bubbling just below the surface as the film works on many different levels, one of which is to encourage more communication among different generations.
It is possible this movie will collect several Oscar nominations, depending upon the quality and competition coming from future 1999 fall/winter releases. I am almost certain it will receive recognition for the performances of little Haley Joel Osment, Toni Collette, and Bruce Willis, along with the original screenplay, score, sound effects editing, makeup, cinematography, and film editing. But if not, "The Sixth Sense" has already received its recognition at the box office, since it now ranks number two domestically behind "Star Wars - The Phantom Menace." In other words, it has truly touched the hearts and challenged the minds of millions of moviegoers everywhere, and will continue to do so for many years to come.
L.A. Confidential (1997)
Great story, wonderful direction, outstanding acting
One of the most pleasant surprises I have ever experienced at the movies was the viewing of this film. Unfortunately, when it was first released in 1997, very little fanfare accompanied its debut. Almost no one went to see it, or even heard of it. However, when the year-end critical acclaim poured in, this film was right at the forefront, collecting a trunkload of best film and best screenplay prizes. Although "Titanic" won the 1997 Best Picture Oscar, "L.A. Confidential's" two Oscars (best supporting actress, best screenplay adaptation) stand as undeniable proof of its great story, wonderful direction, and outstanding acting. I now own the video, and even though I've viewed it many times, I am still mesmerized by its quality. This is truly a landmark film, a must see!
An American in Paris (1951)
My favorite movie of all time
Released two years before I was born, this Oscar-winning movie has it all - lavish Technicolor sets and costumes, breathtaking cinematography, superb wall-to-wall Gershwin music, superior choreography, a lighter-than-air screenplay, and great performances by Kelly, Levant, Foch, Guetary, and Caron. Hollywood doesn't make 'em like this anymore. Definitely, this is my favorite movie of all time, a standard by which I judge all other films. ENJOY, ENJOY, ENJOY!