The creators of a mini-series have made a significant effort to demonstrate that hardly any straight men existed in Hollywood during the 1940s. While this might be true, there is an ethical dilemma. Using rumors and facts to fill the script with events that happened and using the names of real people while mixing them with wishful fantasies and lies is a lame move. It destroys the tone of the series. For instance, showing Rock Hudson coming out as gay in public in 1946 with a black boyfriend or Ernest Borgnine presenting an Oscar to a non-existent movie with a non-existent cast is unrealistic. Moreover, the series contains extended love scenes that lack gusto, eroticism, or reason, making them redundant. Despite this, six out of seven episodes are watchable. However, the last episode is full of cheesiness and lacks surprise and intensity, making it forgettable.
