Director Michael Karrer and cinematographer Ramón Königshausen scouted almost every cemetery of Zurich City. However, they both agreed that for their own burial they wood choose Schwandenbolz because of its beautiful outlook into the evening sun from the abdication hall and its proximity to the forest.
Film Editor Dennis Gnoni, after going aspiringly through the 18 scenes, of which every single one consists of at least 20 takes, had the first rough cut ready after not more than a week.
Director Michael Karrer intended to take all the drama away from the movie to pay proper tribute to the picture situation.
The dad of the girl in the film is also the dad of the actress in real
Life.
Shot in Arri Alexa, Zeiss High Speed and Standard Speed Lenses in Academy Aspect Ratio 1:1.37.