User reviews

In Haiti of 1962 a man is forced into slave labour. Modern days, a girl in an exclusive boarding school is trying to fit in. When she reveals the truth about her family origins a chain of events leads to a terrifying encounter that bring the past and the present together in a disturbing and dangerous way.

ZOMBI CHILD is a strange beast of static camera work and incomprehensible storytelling. But the most surprising thing about it is that the film works. By defying all the plot standards of modern film making it becomes unpredictable.

Switching between time frames, a disorderly Haiti of the past century and an orderly life of upper class French teenagers, it is hard to tell where the movie is going. And what is it trying to tell? Who are the real zombies? The ones under a voodoo curse who escape within an inch of their life, or the french youths confined in a jail-like school, forced to follow the traditions they don't believe in? Is it about the irrelevance of the past, no matter how important and treasured it seems? My guess is as good as yours.

Bottom line - ZOMBIE CHILD is a mess. It also makes it unique. And not a reason to skip it if you love French cinema!

The director himself has said Zombi Child is a "horror" movie, but I think this is really true only in the most literal sense. Bonello filmed much of the movie on location in Haiti and the rest, presumably, in France. This fact of production - filming scenes that take place in 1962 Haiti, and some that take place in a contemporary Haiti which doesn't seem to have changed much; and filming most of the movies contemporary moments in modern France - encapsulates the movie's thematic intent. The latter are firmly rooted in colonialism, the ongoing legacy of slavery, and the cultural dialectic between assimilationism and the fierce preservation of traditionalism (arguably, two different kinds of survival, which is also a core theme: surviving the multi-generational damage of colonial )oppression.

If this all sounds deep, it is. This is a brief film, around 85 minutes, and the first 60 contain very little of what could be considered horror in the sense of "horror movie." The horror in the first two thirds of the movie is purely thematic and a historical. It isn't until the last part of the movie where Zombi Child's oversimplified classification of a horror movie becomes evident. In other words, those going into this movie looking for a traditional zombie flick are likely to be disappointed. It's really more of a drama in which certain horror elements come into play, but almost purely as metaphor.

Yes, true to the old style zombies this movie just trudges along. A '60s Haitian worker decades earlier in the storyline is purposefully given Pufferfish tetrodotoxin with an abrading additive through his skin. He dies, sort of, perhaps just heart rate suspension, anyway he's buried then dug up to work as slave "Zombie" style labor in a sugar plantation. Decades later a young female relative is in a French school where she tells the tale of voodoo practice in Haiti which eventually plays into turning our storyline into a "misadventure". Lots of jumping back 'n' forth between the two locations/periods. Good accuracy in the basic narrative, but drags & ending is a little weird.

Although the last twenty minutes are breathless, the introduction languishes and lasts about eighty minutes. Thus, in order to appreciate the very ending, you'll have to be patient... very patient...

Extremely boring movie.. Could have been made more good but it was as boring as those girls were bored in thier hostel.

* Nice plot and setting * Some good twists + Some tense moments + nice horror jokes

• Some unresolved romantic/Vodou plot threads
• Some 'Zombi' scenes were too long.

7/10

Oh dear god, this was an abysmal excuse of a movie.

I was given the chance to sit down and watch the 2019 movie "Zombi Child" here in 2020. I read the synopsis, and it seemed like it could be an interesting movie. I mean, with the Haitian approach to the zombies, and not being the archetypical shambling, decomposing flesh eaters. So of course I gave the movie a chance.

And I made it halfway through the ordeal that is known as "Zombi Child", then I simply gave up on the movie out of utter boredom. In the 51 minutes I suffered through, virtually nothing of any interest had happened, and the storyline was just a scrambled and confusing mess, jumping to and from two different stories, with no comprehensive thing to connect the two.

As for the characters in the movie, well I am sure that the actresses and actors that they had in the movie were adequate, but I can honestly say that I didn't care one bit about any of the characters. The characters were essentially just pointless, shallow cardboard cutouts with nothing to offer.

I was bored out of my mind, and I actually drifted off at a point. This movie was just downright horrible. And I have absolutely no interest or intention of returning to finish watching the rest of "Zombi Child".

My rating of this 2019 movie from writer and director Bertrand Bonello lands on a mere one out of ten stars. This movie is not worth the time, effort or money. And it was by no means an interesting addition to the zombie genre - supernatural or not.

Beginning in Haiti in the early sixties, "Zombi Child" deals with voodoo and is one of the best and most poetic horror films in many a moon. It is obvious from the title and the setting that we are meant to think of a much earlier film with a similar setting but that would appear to be where the comparisons with Jacques Tourneur's "I Walked with a Zombie" ends for in the next scene we are in comtemporary France and a group of schoolgirls are being taught French history in a very white classroom.

What follows is a deliciously unsettling movie that manages to encompass the pains of teenage romance with a tale of the 'undead' as a metaphor for colonialism and it actually works. I can't think of too many examples in recent cinema where two opposing themes have been as beautifully united as they are here. In some ways it's closer to something like "The Neon Demon" or the recent remake of "Suspiria" than it is to Val Lewton. Here is a film with a creeping sense of dread, (we've all seen films in which schoolgirls are not as sweet as they appear to be), and the grand guignol finale is as spooky as a good horror movie should be. It also confirms director Bertrand Bonello as one of the most exciting talents working anywhere today.

The zombie film has come a long way and has returned to the beginning: from the movies about slaves who worked in cane fields, it went through all kinds of cannibal gore and splatter, to finally go back to its origins, such as "Atlantique", a return to social issues, telling the story of modern young slaves in Africa. This other attempt remained halfway. For a good while, I thought, "This may be the one that would set the record straight". I also found it interesting, for its respectful description of a (fascistoid) school of privileged girls in Paris, and of the girls themselves, as pleasant, intelligent and normal beings. A few scenes, such as the insubstantial class about the French revolution, were distracting from the main subject. But the "main subject", which seemed to be the encounter of two cultures in the 21st century, based on the story of a real zombie (that of the Haitian Clairvius Narcisse, who claimed while being alive that he had been a victim of zombification), seen through the eyes of Narcisse's granddaughter, a girl who survived the 2010 earthquake in Haiti... that is not, in fact, the "main subject." The "main subject" is about a girl who is desperate to meet up with her lover Pablo to make love until she is dry, but the girl disguises her tickle with cheesy declarations of love as in the worst romance novel, which we have to listen to every time Narcisse's story advances a little, because it is she who will take us to the "scène de rigueur" of cheap supernatural horror, which, as in "The Serpent and the Rainbow", almost erases all good intentions, a collapse rounded off with a song by Rogers & Hammerstein. Anyway ... that's a shame, but maybe it is asking too much from Bertrand Bonello...

P. S. In the case of Craven's "The Serpent and the Rainbow", we knew the horror fest would happen in any moment, so although it weakens the movie a bit, it was a typical horror movie "a la Craven", and a very good one.

This was so boring I couldn't even finish watching it (57 minutes). There was no plot, no script, and no acting.

School girls bonding with 'outsider' (1/4 movie) School girl writing love letters to long distance lover (1/2 movie) Zombie/man wandering fields (1/4 movie)

This was a film that I debated whether to see in the theater or not. I don't normally watch trailers as I like to come in blind to movies, but I did catch part of this one. I'm assuming it was when I was at the Gateway Film Center with my girlfriend and I can't be on my phone. This one as I said intrigued me and with the title, I thought it could possible be horror. The synopsis is a man is brought back from the dead in the hell of sugar cane plantations. 55 years later, a Haitian teenager tells her friends her family secret - not suspecting that it will push one of them to commit the irreparable.

We start this movie where we're seeing someone prepare the ingredients for something. It turns out to be a voodoo ritual and we see that it kills Clairvius Narcisse (Mackenson Bijou). This is all happening in Haiti and we see what their funerals are like. On top of that though, his wife is taking it hard. Things go a bit dark when Clairvius is removed from his casket and he's become a zombi.

This isn't in the sense like we're used to with Night of the Living Dead or The Walking Dead. This is a throwback to movies like I Walked with a Zombie where they're mindless creatures that are undead. He's taken to work on a sugar cane plantation with others that are like him.

The movie then shifts to the present in Paris. Our main character here is Fanny (Louise Labeque). She goes to a special school for children that are bright, but it also for students who have parents that are recognized for important awards. She is longing for break so she can see the 'love of her life', Pablo (Sayyid El Alami). She is in a sorority of sorts with three other girls and has befriended Mélissa (Wislanda Louimat). She is originally from Haiti, but due to the earthquake in 2010, she relocated to France. Her parents didn't make it so she lives with her aunt.

The rest of the group accepts her, but they think there's something not quite right about her. This is coupled with seeing what happened to Clairvius back in the 60's after the horrific event that happened to him. These two time periods have quite a bit in common and everything comes to a head when one of these girls as the synopsis says, does something that will change her life forever.

Alright, now the first thing I need to lead off here saying is that for about 80% of this movie, I wasn't going to do this review. It is listed on the Internet Movie Database that this is a fantasy film, which it is. I would even say that drama probably would fit as well. The event that is alluded to in the synopsis though was extremely creepy to the point where I had to write this. Due to that section and there being zombis in this throughout as well as Netflix listing this as horror, I decided it warranted this review.

I should cover that part first. We keep learning things about voodoo throughout this movie, so that shouldn't come as a shock. A ritual is performed and it is coupled with a character explaining the dangers of doing something like this. I like that they're giving the history of the religion and even more so when they introduce the character of Baron Samedi (Néhémy Pierre-Dahomey). I first learned of this entity from James Bond, as there's a villain that takes on this name. It is also a villain in season 3 of American Horror Story: Coven. What they do with him in this movie is scary if I'm honest and I like the flamboyant nature that is given as well.

What I found interesting with the zombi aspect is that it really isn't handled in horror for the most part. There is one of the girls who is freaked out by noises that Mélissa makes in her sleep and has a nightmare she's attacked. Other than that though, I saw the zombis as more of an allegory of slavery. They're brought back to work the plantations and do not get paid. The rich reap the benefits of this. This didn't click for me until the last few minutes, but then I started thinking back and it made sense. I even like that Mélissa's mother was fighting against the corrupt government, which in turn earns her daughter's way into the school she is at as well. The movie does state information about zombis in Haiti before the credits. I'm not sure how accurate what they're providing, but it does intrigue me to see if there's legit studies or data out there.

The only other thing story and deeper meaning wise I wanted to cover would have to be the correlating this school and its girls to what we're seeing in the past. They're all quite privileged. Listening to Fanny as an adult made me cringe, but I can't be too hard as it is thoughts I had when I was younger. She believes that she loves Pablo and he breaks it off with her. This sends her into depression. She doesn't think she can live, but in the grand scheme, she'll be fine. Seeing what they're worrying about while watching Clairvius trying to survive with what happened to him was an intriguing duality for sure.

I do have to admit that I thought the movie was a bit boring. It wasn't to the point where I hated it. It just took too long for the two stories to correlate back. I found the story around Clairvius to be much more interesting until how it collides with the present. That scene that went horror had me glued to the screen and really brought me back into the fold. I thought the ending worked to what they were building toward as well.

The acting in the movie I thought was fine. Labeque I thought really embodied the character she was playing. It is kind of annoying, but that really fits to who she is supposed to be. Louimat I thought was much stronger. She's an outsider. She doesn't necessarily care to make friends, but given the opportunity, she takes it. This is also the downfall by revealing aspects of her past. I found it interesting through a conversation with I'm assuming her aunt. Bijoy I thought was really good in his performance, especially as a voodoo zombie. Pierre-Dahomey though stole the show for me though. His performance was Baron was creepy and just great. The rest of the cast was fine for what was needed in building the story.

There weren't really a lot in the way of effects, but it wasn't really that important. During the scene that made this horror for me, I thought it was great. Seeing the character and how she was acting was amazing. I also like what they did with her eyes as it made it even creepier to be honest. The cinematography was also really good. It gave us the duality of how beautiful Haiti's countryside is to the horrors of what is happening there. On the flipside, how drab the school in Paris is with how important the teachers are making out to what they're doing is.

I also have to give props to the music selections. We do get some pop and rap music from France, which helped the feel of the realism for the young women. What I really have to give credit for is the voodoo music we're getting. It has that African vibe to it, which makes a lot of sense. Even more so though it helps to ramp up the tension for the climax as well.

Now with that said, I ended up really enjoying this movie. I like the duality of what happened in the past in Haiti and the social implications there and pairing that with these girls in a proper Parisian school. Where the movie ends up going had me hooked, but I'll be honest, it did lose me for a good stretch as I was bored and it took too long to correlate. The little effects we got were good and the cinematography helped as well as the soundtrack. The acting was also really good as well. With that said, this is an above average in my opinion, but really worth a viewing. I will warn you this is from France, so I watched it with subtitles on. If that's an issue I would avoid this.

7.5/10

Zombi Child blends voodoo, boarding school, pretty women, and some sort of avant-garde horror into a daub of mediocrity, painting in broad, superficial strokes that look pretty but ultimately amount to nothing of value. It tells two disconnected stories (or at least, that's what writer/director Bertrand Bonello wants you to think): one of a reanimated man forced to work in sugar plantations, and another of a young, high-school girl trying to fit into boarding school while pining for her boyfriend. The film lacks any tension, dramatic or otherwise; although being touted as a horror film it lacks suspense; and it lacks an engaging storyline and characters, making the almost two-hour film really feel its runtime.

Zombi Child suffers from various problems, although not all at once. It starts off promising, setting up the two storylines quite well with vivid imagery and fantastic cinematography. Almost immediately after, however, the endgame becomes painfully obvious and the rest of the film is merely a slog to that point, watching teen girls be angsty and sighing while speaking to each other in hushed tones under muted sepia lights. The writing is painfully lacklustre, with dialogue woefully inadequate and characters chewing the scenery more than anything else at any given time. Lack of dialogue doesn't bother me; after all, Beanpole does a fantastic job with sparse dialogue; however, the sparse dialogue in Zombi Child, designed to come off as artistic, only presents itself as shallow and vapid.

Unlike The Wave, however, Zombi Child is not a complete loss of cinema. The film works best when it completely gives itself up to the legend, with the mysterious, occult scenes where voodoo is performed a highlight in cinematography. The acting is brilliant: both women (Louise Labeque and Wislanda Louimat) perform admirably in the spotlight, doing the best with what they're given: Labeque playing the vapid, love-lorn teenager filled with angst and hormones, and Louimat playing what appears to be the only person of colour in the film.

The final third of the movie is its saving grace, with beautiful cinematography and displays of Haitian (or is it voodoo?) culture that almost make the slog through the first two-thirds worth it.

Zombi Child could have been so much more if it had focussed its attentions on the tale it was trying to tell. It wastes its time talking high-school romance and pining for faraway lovers, when it could have been trying to build interest and suspense. It also might have helped if we, the audience, weren't aware of how things were going to turn out in the first ten minutes or so. In fact, it might have been better if Zombi Child had been two movies: one exploring the life of a man returned from the grave and forced into slavery, and one where a young woman does everything in her power to keep herself together after her love falls apart.

Instead, what we have is two halves of slightly under-baked pies struggling to be one. I mean, I'd eat it, but I think I'd enjoy it a lot more if it had been something else. At least it looks pretty.

This movie had to be the most boring I have ever seen. I am currently 55 minutes in with 47 minutes remaining. I feel like I am being punished and time has slowed to a crawl. It's rare to be able to make a movie this boring, uneventful, and nonsensical in equal portions. I will finish watching it but I would not recommend this movie to my worst enemy.

Dont watch it if you re not african dont watch it if you dont believe in 'voodoo' africano.

it has nothing to show exceps the voodoo stuff and nice images from their culture

This was Playing at a Independent Movie House in My City and Me and My GF went to see It Today Cause just The Name Made Me want to see It. This is Not a American Zombie Movie Like Night Of The Living Dead and Others. Leave that at the Door. The Movie is Mainly set in 2 Time Periods 1962 Haiti and France of Today and Follows a Man from Haiti and French School Girls. The Action Jumps from Both Time Periods Throughout. You are Left Wondering The Whole Movie about How the Stories are Goin to Come Together. Scenes Are Well Shot and The Tones are Great Through Out. Im Glad we Went to see it and If You Like Off The Wall Stuff. This is a Good One.

This has an interesting concept, but right from the start they are already shooting day for night, and that is simply not going to look good, ever. Just film it at night. Splicing in shots of the moon isn't going to make it more convincing, it's just hard on the eyes and pointless. These sequences could have just been written to take place during the day if it wasn't feasible to shoot at night. Combine this with amazon's ever-intrusive grey x ray overlay that always takes just a little too long to fade away, and i'm basically staring at a solid grey screen with sound effects added. I'm watching this at night, too, so i can't imagine how difficult it would be to see in the daytime.

I think this improves as the setting changes to a more developed region, since it's easy to find street lamps or indoor locations, but the same can't be explained away easily in a night time shot of an undeveloped area without artificial lighting. Still, the film appears to have a reasonably sized budget, so they should just get some filters and standing lights to resemble the moon. Past that, even the most rudimentary productions should be able to find somewhere or some time of day to shoot that has better ambient light.

The subtitles are off time to the point where it's impossible to tell who is saying what, especially due to the rather static and bland delivery of most lines. Often i find this is an issue when the production went off script but was still kept, which happens pretty frequently, the issue being that the script itself is not rewritten for the subtitles, so it's often just wrong or out of order. It should not be difficult to get your subtitles right, but it seems most companies view their accuracy as very low priority and instead outsource the whole thing to some evil gig work company or make a bot do a terrible job at it. As this goes on, there are entire scenes that simply don't have subtitles despite being spoken in the same french as the rest of the film.

Given that it's basically pointless to try to listen to most of the characters while they speak unless there's a monologue, since their individual personalities are impossible to discern when they are in a group, i really just want this film to get on with it and show me the horror stuff if it's going to go there.

The rap sequences are pointless, probably meant to appeal to young adults. A group of teenage girls singing pop music about pop music topics in an abandoned building is not witchcraft or occult or anything of the sort. The song they chose wasn't particularly bad, but they absolutely did not need to sing the entire thing. It just feels like hamfisted filler to establish some kind of connection between the girls, since their characters are not really very fleshed out. "do you have a favorite rihanna song?" since when does a billionaire pop star who was not born poor have anything to do with the experiences of a haitian immigrant in a predominately white setting? I understand if that music is relatable to people who haven't been exposed to more relevant material, but it's far from poignant for the protagonist to be into rihanna in a way that the film reinforces.

Imo there is a good film in here, but it's slow and wasted with filler. Someone else should adapt the script into a more concise and finished project.

Please don't watch this movie, when you expect a typical monsterous Horror movie,because this is not it.

No bloodthirsty Zombies, eating up people, splatter everywhere...No sir, it is not like this.

But if you free your mind, and you go along with it, you might like it. I really loved it, the acting was great, the landscape was amazing, and somehow the story touched me way more, than the gore Zombie movies, which I like, too.

Just don't expect a Horror movie, more of a slowly evolving mystery with a touch of voodoo.

Zombi Child is told in two alternating timelines. In 1962, we see a man in Haiti named Clairvius (Mackenson Bijou) fall suddenly and some short time later is buried at a funeral. That evening he is dug up by some men who awaken him into a half-dead-half-alive zombi state. He and others are corralled like animals, led to a plantation, and used to perform laborious tasks as slaves. They moan in agony, their existence a curse.

In modern-day France, Mélissa (Wislanda Louimat), who moved from Haiti after the 2010 earthquake, becomes friends with Fanny (Louise Labèque). The other kids think Mélissa is a bit odd, but Fanny likes her. She likes the way she dances. Unbeknownst to Fanny, Mélissa harbors a dark secret about her family that ties the two intersecting timelines together.

Zombi Child is one of those frustrating movies that has such an intriguing premise, it's such a disappointment that it never comes together. Haitian culture and voodoo historically get a bad rap on film. Here, you have a movie that wants to present a bit more accuracy to zombis (making sure to drop the "e" at the end, because these supposed undead are not the same as George Romero's creatures), but it never does anything else beyond that. It believes that its premise is strong enough to float an entire movie that has no story.

I've seen comparisons of Zombi Child made to Jacques Tourneur's I Walked with a Zombie, which is fair on a totally surface level because they both deal with the ritual of resurrection to enslave a victim in their own body, as opposed to the ghoulish figure we have in film now. But I Walked with a Zombie is a crash course in economic filmmaking. It boasts about four times as much story in a significantly shorter overall run time than Zombi Child. In Jacques Tourneur's film, we're introduced to a rich history, both to an island and its inhabitants, their rituals, but also a number of characters, their relationships to each other, and a story that takes twists and turns until it all leads to a shocking ending.

Zombi Child director Bertrand Bonello could take a few lessons from Tourneur. His film has two parts, both of which commit the ultimate cinematic sin by being excruciating in their boredom. One half is the story of an escaped zombi aimlessly wandering scenic locations; the other half is a dull "girls at a boarding school" story that dedicates so much of its time to the tedium of actually being a student at this school. In most other films, when a teacher is giving the kids a lesson, it will either A) Be short and sweet to give us a passing understanding that, hey, these kids are in school and this is what their daily life is like. Or, B) Something the teacher says will be an ominous piece of foreshadowing. Here, it is neither. We simply have to sit through one agonizing lecture after another, as though we had enlisted in some virtual reality simulation where we are the student. Boredom is the emotion most effectively conveyed by this film.

Worse yet, when the film finally discovers itself and takes a turn toward the interesting, the results are unintentionally hilarious. Since this reveal occurs in the final fifteen minutes, I don't want to give too much away, but there's a scene where an evil presence speaks through someone else, and the lip syncing doesn't work correctly. It's like those videos on TikTok with someone mouthing along to a movie quote and doing a really bad job of it. But that's the least of the film's problems. The evil voice, oh lord, the evil voice. Instead of some deep, booming, terrifying voice from another realm, it's this high-pitched, whining cackle, like Dave Chappelle doing his impression of Rick James.

And then it all sort of unceremoniously ends without many crucial questions being answered. There are basic rules for filmmaking and storytelling that are made to be broken, but there's a caveat: You have to know what you're doing. If you're breaking these rules, it has to be for a reason. If you can pull it off, you're a rebel of cinema. You've rewritten these rules and showed what you're capable of. If you don't pull it off, it just looks like you never understood the craft to begin with.

Zombi Child feels so half-assed. There are these momentary glimpses into a better film and what could have been, but it's all on autopilot. We never have any emotional attachment to the story or given a reason to care.