Metacritic reviews

Alive to pulse-quickening details of body language and the conversational codes by which a dangerous friendship lives or dies, the film is a study in contrasts far beyond the monochromatic.

Hall made many good choices for her debut — her entire crafts department turned in rich period production elements — but the casting of her leads might be the best of the bunch.

Whether this is a one-time passion project or the beginnings of an ongoing move from acting into directing in her career focus, Hall has crafted a work that's thoughtful, provocative and emotionally resonant.

The muted elegance of Passing’s design proves to be a deft feint for a film full of passion and profound longing, highlighted by two controlled but devastating performances.

For all the technique that she demonstrates in Passing, it’s the way Hall mines praiseworthy turns from her cast that will earn her the most acclaim. Mannered in varying degrees, the actresses’ performances strike a delicate balance of emotional nuance and period-specific affectations.

By turns stifling and lucid with seduction, Hall’s debut is impressive, even when its atmosphere sometimes overtakes its pace.

The dreamy images and the simmering passions of the film lingered with me.

It feels like an actor's film: a delicate, melancholy study in black and white, nearly every scene filled with careful silences and subtext.

With an incredible ensemble and an elegant eye, Hall’s Passing is a high-wire act of a debut that tackles its several thorny issues with nary a scratch.

As compelling and as complicated as this fraught friendship might be, Hall’s script can’t quite find a way to take it – and the other pieces of Larsen’s novel – and turn them into something deservedly substantial.