Madeline’s Madeline, Maze among roster to draw buyers.
Visit Films has announced further deals that closed in the run-up to and during Afm on a slew of films including Locarno Golden Leopard winner A Land Imagined, Tribeca Film Festival triple winner Diane, and SXSW selection 1985.
Chinese mystery A Land Imagined has closed in Taiwan (Cineplex) and China (Jetsen), while cinesky picked up airline rights to the drama Diane, which stars Mary Kay Place (pictured) and won best narrative feature and best dramatic screenplay honours in New York for Kent Jones, as well as best cinematography honours.
Family drama 1985 starring Cory Michael Smith,...
Visit Films has announced further deals that closed in the run-up to and during Afm on a slew of films including Locarno Golden Leopard winner A Land Imagined, Tribeca Film Festival triple winner Diane, and SXSW selection 1985.
Chinese mystery A Land Imagined has closed in Taiwan (Cineplex) and China (Jetsen), while cinesky picked up airline rights to the drama Diane, which stars Mary Kay Place (pictured) and won best narrative feature and best dramatic screenplay honours in New York for Kent Jones, as well as best cinematography honours.
Family drama 1985 starring Cory Michael Smith,...
- 11/14/2018
- by Jeremy Kay
- ScreenDaily
San Sebastian — Denmark’s Snowglobe is teaming with Argentina’s Rei Cine to produce writer-director Pablo Fendrik’s “Hermano Peligro” (Brother Danger).
Currently at first-draft screenplay, the title weighs is as one of the big potential crossover project propositions at this year’s San Sebastian Europe-Latin America Co-production Forum, which tales place Sunday Sept. 23.
The co-production also links two of the most prestigious and internationally energetic upscale film companies currently working in the Spanish-speaking world.
Headed by Benjamin Domenech, Santiago Gallelli, and Matías Roveda, Buenos Aires-based Rei Cine, “Hermano Peligro’s” lead producer, has over the last year produced Lucrecia Martel’s “Zama” and Natalia Garagiola’s “Hunting Season,” both 2017 Venice hits, then Sundance-selected “The Queen of Fear,” from Valeria Bertuccelli and Fabiana Tiscornia, and Gonzalo Tobal’s 2018 Venice competition player “The Accused.”
A Copenhagen-located co-producer of some of the highest-profile and boldest Latin American movies in the last two years – Carlos Reygadas’ “Our Time,...
Currently at first-draft screenplay, the title weighs is as one of the big potential crossover project propositions at this year’s San Sebastian Europe-Latin America Co-production Forum, which tales place Sunday Sept. 23.
The co-production also links two of the most prestigious and internationally energetic upscale film companies currently working in the Spanish-speaking world.
Headed by Benjamin Domenech, Santiago Gallelli, and Matías Roveda, Buenos Aires-based Rei Cine, “Hermano Peligro’s” lead producer, has over the last year produced Lucrecia Martel’s “Zama” and Natalia Garagiola’s “Hunting Season,” both 2017 Venice hits, then Sundance-selected “The Queen of Fear,” from Valeria Bertuccelli and Fabiana Tiscornia, and Gonzalo Tobal’s 2018 Venice competition player “The Accused.”
A Copenhagen-located co-producer of some of the highest-profile and boldest Latin American movies in the last two years – Carlos Reygadas’ “Our Time,...
- 9/23/2018
- by John Hopewell
- Variety Film + TV
The 2018 Sundance Film Festival drew to a close this evening with the announcement of the annual fest’s award winners, care of a free-wheeling ceremony hosted by Jason Mantzoukas, who stars in Hannah Fidell’s Sundance comedy “The Long Dumb Road.”
The Grand Jury Prizes, considered Sundance’s biggest honor, went to Desiree Akhavan’s “The Miseducation of Cameron Post” (U.S. Dramatic), Derek Doneen’s “Kailash” (U.S. Documentary), Tolga Karaçelik’s “Butterflies” (World Cinema Dramatic), and Talal Derki’s “Of Fathers and Sons” (World Cinema Documentary).
Read More:The 2018 IndieWire Sundance Bible: Every Review, Interview, and News Item Posted During the Festival
Each year, the festival’s juries give out directing prizes in each of the four competition categories. This year, each directing prize went to a female filmmaker, including Sara Colangelo, Alexandria Bombach, Sandi Tan, and Isold Uggadottir. The festival’s dedicated screenwriting prize, the Waldo Salt Screenwriting Award,...
The Grand Jury Prizes, considered Sundance’s biggest honor, went to Desiree Akhavan’s “The Miseducation of Cameron Post” (U.S. Dramatic), Derek Doneen’s “Kailash” (U.S. Documentary), Tolga Karaçelik’s “Butterflies” (World Cinema Dramatic), and Talal Derki’s “Of Fathers and Sons” (World Cinema Documentary).
Read More:The 2018 IndieWire Sundance Bible: Every Review, Interview, and News Item Posted During the Festival
Each year, the festival’s juries give out directing prizes in each of the four competition categories. This year, each directing prize went to a female filmmaker, including Sara Colangelo, Alexandria Bombach, Sandi Tan, and Isold Uggadottir. The festival’s dedicated screenwriting prize, the Waldo Salt Screenwriting Award,...
- 1/28/2018
- by Kate Erbland
- Indiewire
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