Wonder Woman finds herself battling two opponents, Maxwell Lord, a shrewd entrepreneur, and Barbara Minerva, a friend-turned-foe. Meanwhile, she also ends up crossing paths with her love int... Read allWonder Woman finds herself battling two opponents, Maxwell Lord, a shrewd entrepreneur, and Barbara Minerva, a friend-turned-foe. Meanwhile, she also ends up crossing paths with her love interest.Wonder Woman finds herself battling two opponents, Maxwell Lord, a shrewd entrepreneur, and Barbara Minerva, a friend-turned-foe. Meanwhile, she also ends up crossing paths with her love interest.
- Awards
- 27 wins & 48 nominations
Storyline
Did you know
- TriviaLilly Aspell (Young Diana) performed all the required physical stunt work herself at the age of 12, because it was deemed that she did a job better than her own stunt doubles.
- GoofsWhen Diana and Steve arrive at the Smithsonian air museum to steal a plane, the Panavia Tornado jet they steal is first shown with its correct inline seating configuration from the exterior, but once they climb inside, it switches to a side-by-side seating configuration.
- Quotes
Wonder Woman: [in tears] I can't say goodbye. I can't say goodbye.
Steve Trevor: You don't have to. I'm already gone.
- Crazy creditsThere is a scene in the closing credits involving the Amazon warrior Asteria (Lynda Carter).
- ConnectionsFeatured in La noche de...: La noche de... Wonder Woman (2020)
- SoundtracksWelcome to the Pleasuredome
Written by Peter Gill, Holly Johnson, Brian Nash & Mark O'Toole
Performed by Frankie Goes to Hollywood
Licensed courtesy of ZTT Records Limited
Under exclusive license to Union Square Music Limited a BMG Company
Featured review
The follow-up chapter to Wonder Woman and the ninth instalment in the DC Extended Universe, Wonder Woman 1984 is devoid of everything that was refreshing about the original. Poorly envisioned, shoddily scripted & lazily directed, the film neither has the heart nor the honesty of its predecessor, and is a bland, banal & bloated mess that's further marred by its soulless drama, insipid action, cartoonish effects & lame performances.
Co-written & directed by Patty Jenkins, there are far too many cracks in the script that the writers never bother to remedy, and the sloppy execution on screen only results in a nightmare that's all over the place. Despite the plot being set in the 1980s, the era's vibrant spirit is nowhere to be found in the final print and the gleefully fun vibe & escapist qualities that the trailers promised is sorely missing as well. Jenkins does aim for it but her attempts simply fall flat.
Its 151 mins runtime is strongly felt and is in no way justified. The new characters are thinly sketched, have no meat on their arcs, and are never for once convincing. Gal Gadot utters her lines as if reading from the script for the first time and while that helped add to Diana's cluelessness in the first film, it only exposes Gadot's limited range in this sequel. Kristen Wiig however tries to make something of her sidelined role while Pedro Pascal just decides to have fun in return for an easy payday.
Overall, Wonder Woman 1984 is vastly inferior to the first film and is undeniably amongst the weakest entries in the DCEU. Just about nothing works in this latest addition to the franchise, for the plot is dull & derivative, the direction is sluggish, the action is uninspiring, the CGI is cringeworthy, the pacing is tedious, the acting is forgettable, and even Hans Zimmer fails to deliver the goods. In short, Wonder Woman 1984 is a Suicide Squad-level offering wrapped in bright colours. One of the dullest films of 2020.
Co-written & directed by Patty Jenkins, there are far too many cracks in the script that the writers never bother to remedy, and the sloppy execution on screen only results in a nightmare that's all over the place. Despite the plot being set in the 1980s, the era's vibrant spirit is nowhere to be found in the final print and the gleefully fun vibe & escapist qualities that the trailers promised is sorely missing as well. Jenkins does aim for it but her attempts simply fall flat.
Its 151 mins runtime is strongly felt and is in no way justified. The new characters are thinly sketched, have no meat on their arcs, and are never for once convincing. Gal Gadot utters her lines as if reading from the script for the first time and while that helped add to Diana's cluelessness in the first film, it only exposes Gadot's limited range in this sequel. Kristen Wiig however tries to make something of her sidelined role while Pedro Pascal just decides to have fun in return for an easy payday.
Overall, Wonder Woman 1984 is vastly inferior to the first film and is undeniably amongst the weakest entries in the DCEU. Just about nothing works in this latest addition to the franchise, for the plot is dull & derivative, the direction is sluggish, the action is uninspiring, the CGI is cringeworthy, the pacing is tedious, the acting is forgettable, and even Hans Zimmer fails to deliver the goods. In short, Wonder Woman 1984 is a Suicide Squad-level offering wrapped in bright colours. One of the dullest films of 2020.
- CinemaClown
- Jan 3, 2021
- Permalink
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Mujer Maravilla 1984
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $200,000,000 (estimated)
- Gross US & Canada
- $46,801,036
- Opening weekend US & Canada
- $16,701,957
- Dec 27, 2020
- Gross worldwide
- $169,601,036
- Runtime2 hours 31 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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