Two years after the afterlife is scientifically proven, a man attempts to help a young woman break away from her dark past.Two years after the afterlife is scientifically proven, a man attempts to help a young woman break away from her dark past.Two years after the afterlife is scientifically proven, a man attempts to help a young woman break away from her dark past.
M.J. Karmi
- Janice
- (as MJ Karmi)
Willie C. Carpenter
- Hospital Janitor
- (as Willie Carpenter)
Adam Khaykin
- Oliver
- (as Adam Morrison Khaykin)
Colin Allen
- Green Jumpsuit Person
- (uncredited)
Paul Bellefeuille
- Pat Phillips
- (uncredited)
Jim Boyd
- Man in Red 1
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaCharlie McDowell directed his then girlfriend Rooney Mara and his mother Mary Steenburgen in this film.
- GoofsWill rules out the possibility of the image retrieved from a corpse being a memory of the deceased person, on the grounds that it does not match the events that took place in real life. Science has discovered, however, that memory is in fact not an accurate record of what one perceives but rather a distorted and malleable one, and Will, being a neurologist, must have been aware of this.
- SoundtracksA Fancy Place to Cry
Written by Billy Hayes
Performed by Patsy Maples
Courtesy of Fervor Records
Featured review
The idea behind the premise of The Discovery is an interesting one but its implementation isn't as refined as expected and only works in bits n pieces. It's a thoughtful feature that experiments with existential elements and poses some intriguing questions but it neither presents it in a convincing manner nor remains thoroughly gripping.
Set in the near-future, the story of The Discovery takes place in a world where suicide rate is at an all-time high after a scientist's breakthrough research proved the existence of an afterlife. The plot follows his son who is skeptical of his father's discovery and a mysterious young woman he meets on a ferry who wants to find out more about the afterlife.
Co-written & directed by Charlie McDowell, the film opens with a prologue that skilfully sets up the future the rest of the plot unfolds in. For a while, it appears as if the director is taking more time to properly establish the characters & explore the metaphysical elements but the longer it continues to ponder over the same stuff, the more tedious it becomes.
The script is where the problem lies, for the brilliant hypothesis that the writers came up with isn't meticulously explored as if they couldn't figure out what to do with it, plus none of the characters inhabiting its future-setting are compelling enough. The plot wrapped around its theory begins on a promising note but by the time it ends, it finds itself in a familiar territory.
The cold colour palette, overcast ambiance & muted textures evoke a grim, hopeless future which fits the story requirements. Pacing is an issue as the movie plods through its 102 minutes runtime before concluding with a rushed ending. Rooney Mara, Robert Redford & Jesse Plemons play their part well but Jason Segel is severely miscast, and his chemistry with Mara is absolutely flat.
On an overall scale, The Discovery is one of those sci-fi flicks that teases with a fascinating idea but is unable to fill a compact & captivating narrative structure around it. Deficient in storytelling department and further marred by its cluelessness & lack of vision, it is a dull & sterile mess that had the opportunity to offer a sensory & stimulating experience but what it ultimately delivers is a cinematic ride that's as frustrating as it is hollow.
Set in the near-future, the story of The Discovery takes place in a world where suicide rate is at an all-time high after a scientist's breakthrough research proved the existence of an afterlife. The plot follows his son who is skeptical of his father's discovery and a mysterious young woman he meets on a ferry who wants to find out more about the afterlife.
Co-written & directed by Charlie McDowell, the film opens with a prologue that skilfully sets up the future the rest of the plot unfolds in. For a while, it appears as if the director is taking more time to properly establish the characters & explore the metaphysical elements but the longer it continues to ponder over the same stuff, the more tedious it becomes.
The script is where the problem lies, for the brilliant hypothesis that the writers came up with isn't meticulously explored as if they couldn't figure out what to do with it, plus none of the characters inhabiting its future-setting are compelling enough. The plot wrapped around its theory begins on a promising note but by the time it ends, it finds itself in a familiar territory.
The cold colour palette, overcast ambiance & muted textures evoke a grim, hopeless future which fits the story requirements. Pacing is an issue as the movie plods through its 102 minutes runtime before concluding with a rushed ending. Rooney Mara, Robert Redford & Jesse Plemons play their part well but Jason Segel is severely miscast, and his chemistry with Mara is absolutely flat.
On an overall scale, The Discovery is one of those sci-fi flicks that teases with a fascinating idea but is unable to fill a compact & captivating narrative structure around it. Deficient in storytelling department and further marred by its cluelessness & lack of vision, it is a dull & sterile mess that had the opportunity to offer a sensory & stimulating experience but what it ultimately delivers is a cinematic ride that's as frustrating as it is hollow.
- CinemaClown
- Apr 10, 2017
- Permalink
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Khám Phá Thế Giới Bên Kia
- Filming locations
- Aquidneck Island, Rhode Island, USA(Newport, Rhode Island)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 42 minutes
- Color
- Aspect ratio
- 2.35 : 1
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