The true story of the Puccio Clan, a family who kidnapped and killed people in the 80s.The true story of the Puccio Clan, a family who kidnapped and killed people in the 80s.The true story of the Puccio Clan, a family who kidnapped and killed people in the 80s.
- Awards
- 15 wins & 38 nominations
Santiago Privitera
- Eduardo Aulet
- (as Juan Santiago Privitera)
Tomás De Las Heras
- Benito
- (as Tomás de las Heras)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaGuillermo Francella is more well known in Argentina as a famed comedian, in contrast with the dark character he portrays in this film.
- GoofsScenes involving trains were filmed near the Urquiza line, the only one of the Buenos Aires metropolitan network using the same electric rolling stock from the 70s. However, in one scene a train passes by rightward and it can be seen it's painted mustard with a gray strip, which is the painting scheme of the current private operator and not of the former Ferrocarriles Argentinos. However, other scenes do show trains with the characteristic "colibrí" yellow-blue-red scheme.
Other than that, the rail tracks show Pandrol clips fastening them to concrete sleepers. Neither of those were used until the 2000s.
- Quotes
Arquímedes Puccio: I'm innocent.
Featured review
Greetings again from the darkness. It seems inherent within human nature for kids to want to make their parents happy and proud. Most of the time the reverse is also true: the majority of parents want to be good role models for their kids. However, when the latter is not true, things can get pretty ugly
even frightening. Such is the case with the real life story of the Puccio family in Argentina.
Acclaimed Argentinean director Pablo Trapero (Carancho, 2010) gives us a look at the Puccio crime family, and in the process draws parallels between the political turmoil and re-structuring of Argentina as it returned to a democracy in the early 1980's.
The façade of the happy family makes for perfect public cover as horrendous crimes are perpetuated often in the basement of the family home. Arquimedes (Guillermo Francella, The Secret in Their Eyes 2009) is the father who often seizes on the celebrity of his rugby star son Alex/Alejandro (Peter Lanzani) to catch their victims off-guard. The family Modus Operandi is pretty simple: kidnap-collect ransom- kill. Arquimedes was known for his hospitality, often offering home-cooked meals to the victims as they were chained in the family basement. Quite a contrast to the brutality involved in the crimes.
The film raises many questions, and makes us wonder where the line of guilt is drawn between committing a crime, and simply looking the other way. It's presented as if Alex felt compelled to support his father's endeavors even though it caused major internal struggles for him. Certainly the mother/wife (an excellent Lili Popovich) made the conscious decision to do what was necessary. It's especially unsettling to see Arquimedes helping his daughter with her school work, while the most recent victim is shackled in the cellar.
As Argentina's Oscar submission for Best Foreign Language film, it didn't make the final cut, but it's absolutely at the level of the five nominated films. Fans of Scorcese and Coppola crime films will see the influences, and the film rates with such crime gems as A Prophet (2009) and Animal Kingdom (2010).
Acclaimed Argentinean director Pablo Trapero (Carancho, 2010) gives us a look at the Puccio crime family, and in the process draws parallels between the political turmoil and re-structuring of Argentina as it returned to a democracy in the early 1980's.
The façade of the happy family makes for perfect public cover as horrendous crimes are perpetuated often in the basement of the family home. Arquimedes (Guillermo Francella, The Secret in Their Eyes 2009) is the father who often seizes on the celebrity of his rugby star son Alex/Alejandro (Peter Lanzani) to catch their victims off-guard. The family Modus Operandi is pretty simple: kidnap-collect ransom- kill. Arquimedes was known for his hospitality, often offering home-cooked meals to the victims as they were chained in the family basement. Quite a contrast to the brutality involved in the crimes.
The film raises many questions, and makes us wonder where the line of guilt is drawn between committing a crime, and simply looking the other way. It's presented as if Alex felt compelled to support his father's endeavors even though it caused major internal struggles for him. Certainly the mother/wife (an excellent Lili Popovich) made the conscious decision to do what was necessary. It's especially unsettling to see Arquimedes helping his daughter with her school work, while the most recent victim is shackled in the cellar.
As Argentina's Oscar submission for Best Foreign Language film, it didn't make the final cut, but it's absolutely at the level of the five nominated films. Fans of Scorcese and Coppola crime films will see the influences, and the film rates with such crime gems as A Prophet (2009) and Animal Kingdom (2010).
- ferguson-6
- Mar 27, 2016
- Permalink
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Details
Box office
- Gross US & Canada
- $201,227
- Opening weekend US & Canada
- $12,519
- Mar 20, 2016
- Gross worldwide
- $20,381,995
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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