In 1967 Los Angeles, a widowed mother's daughter tries to communicate with her late father through a Ouija board, but unleashes a demon instead.In 1967 Los Angeles, a widowed mother's daughter tries to communicate with her late father through a Ouija board, but unleashes a demon instead.In 1967 Los Angeles, a widowed mother's daughter tries to communicate with her late father through a Ouija board, but unleashes a demon instead.
- Awards
- 2 wins & 7 nominations
Blumhouse Horror Films, Ranked by IMDb Rating
Blumhouse Horror Films, Ranked by IMDb Rating
Storyline
Did you know
- TriviaThe film was shot digitally, but director and editor Mike Flanagan, in order to add a retro feel to the film, added elements in post-production to give the appearance of a movie shot on film. Those include the 'cigarette burns', marks that appear every 20 minutes or so in the upper right corner of the frame, which were used to signal a change of reels for film projected.
- GoofsIn order to make the film appear more authentic for the time in which it is set (1967), cue marks, or "reel change" marks, are inserted at approximately every 20 minutes. However, the marks are oval when they should actually be circular, since this is a film presented in a 1.85:1 aspect ratio and not in a 2.39:1 aspect ratio. The only time the marks should be oval is if a film is projected with an anamorphic lens. On an anamorphic film print, the cue marks are circular, but the anamorphic lens makes the circle look like an oval when projected on a screen.
- Quotes
Doris Zander: Wanna hear something cool?
Mikey: Sure.
Doris Zander: Do you know what it feels like to be strangled to death? First, you feel the pressure in your throat. Your eyes water, and you start to taste something very, very sour in your mouth. Then it's like someone lights a match right in the middle of your chest, and that fire grows. It fills your lungs, and your throat, and all the way behind your eyes. And finally, that fire turns to ice; like pins and needles of ice are sticking into your fingers, your toes, your arms. You see stars, then darkness. And the last thing you feel... is cold.
[Mikey looks confused and horrified]
Doris Zander: [smiles] Goodnight, Romeo.
- Crazy creditsThere is a post-credits scene with Lin Shaye.
- SoundtracksYou Gotta Move Me
Written by Dennis Michael Lacey
Performed by Mike Lacey
Courtesy of Crucial Music Corporation
The film was in better hands when it was announced that Mike Flanagan would be directing but I was still mixed. Oculus was actually pretty great. A creative idea that was actually pretty emotional and investing. Flanagan's followup was the Netflix film Hush. I know a lot of people loved Hush but maybe these people don't watch movies often or are lenient to what they see on Netflix. Hush was terrible. I don't want to go into it here but maybe some other time I can explain how improbably dumb it really is. Anyways, this film is a prequel of sorts to the first and is based on a family who help people move on from their passed loved ones by staging seances. A ouija board causes dark spirits in the house to possess a young girl leading to trouble and at times, some wicked fun.
The film is set in the 60s and you can immediately tell by the film style. The style is of a film you'd see from that era; they even used the old Universal Pictures logo at the start of the film. Its not just the post production editing of the film but the costume, music, and just all around aura is done very well. No one knows her well yet but Lulu Wilson made this film. She does a great job and there are a few moments (where the script was fantastic) and she was able to come off as unsettling, just from saying her lines. She is without a doubt the strongest point of the film.
The film isn't without flaws. The third act isn't exactly fantastic as some questionable things happen and you scratch your head wondering if there could have been a better resolution. There definitely could have been. Also, the CG does look ropy at times but I think that can be forgettable as the film offers decent entertainment value. Here's a film that sacrifices scares for build up, good performances, and focus on the story of why spirits have possessed Doris and the circumstances surrounding whats going on. I can respect that.
I'm usually extremely critical of horror films because these days so many films go for jump scares and have no substance. There are exceptions that are becoming smart, nostalgic, or reinventing the horror genre. I don't think there is anything innovative about Ouija: Origin of Evil but its a massive improvement over its predecessor and is a film has a good amount going for it to make for a good time.
7/10
- rockman182
- Jan 4, 2017
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Ouija: el origen del mal
- Filming locations
- Clark Residences - 306 Loma Drive, Los Angeles, California, USA(the girl's school)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $9,000,000 (estimated)
- Gross US & Canada
- $35,144,505
- Opening weekend US & Canada
- $14,065,500
- Oct 23, 2016
- Gross worldwide
- $81,705,746
- Runtime1 hour 39 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1