User reviews

This film wasn't terrible. It manages to take a very basic "stuck in a car with a monster outside" plot and inject some character into it. But it was by no means great.

The acting was solid. There are some emotional scenes that elevated the film.

The director manages to create some tension and suspense with the atmospheric lighting, camera movements, and shot composition.

The effects on the monster ranged from pretty okay to sometimes looking slightly silly. It's a practical monster instead of CGI, which is appreciated, but it still looks rubber and fake in certain scenes.

The final act of the movie was pretty strong.

The story is very basic. Two people get stranded on a deserted road and a monster from the woods terrorizes them. The film tries to engage the viewer more by making the primary focus of the story about the strained relationship between the mother and daughter and how this terrifying experience brings them together. In some respects this works, but it's not enough to make the story anything more than average at best.

The dialogue was also very shoddy at points and felt unnatural and forced.

Overall, this is a pretty average horror movie. Nothing special or memorable but not bad. Don't expect anything great. Expect a flawed film with an unoriginal plot with some good aspects scattered throughout.

5/10.

They got stuck somewhere between the saint maud symbolic style and "screw it let's just make a monster movie" because I thought for a second they were going to play on the "addiction is a monster" thing but then where would a monster killing a tow truck driver fit in in that so I 86d trying to interpret it in that way and thought to myself "I'll just enjoy a monster movie" and that worked when all else failed so I gave it 6 stars... with that being said dumb decisions are never good... especially when in a life or death situation where you actually have a minute to think about what your going to do instead of just having to do it... but it executed edge of your seat nevertheless.... if you go into watching with more of a monster movie expectation then it's going to suck for you... enjoy yourself watch a horror movie and stop whining...

There are a lot of strong opinions on this film in its early reviews. I just want to give a practical commentary on what I see.

This is a great horror flick with some heavy symbolism. It is a story about a mother and daughter who are terrorized by a monster when their car gets stuck. A lot of dudes (or women haters) seem to hate it (check the low reviews and notice the colorful words they have for women). As a dude myself, I had no problem watching a film from a female perspective. I rather enjoyed it and found it touching at times.

The characters are both flawed. I related with the daughter at times because I grew up with a flawed father. I acted and reacted a lot of the ways the daughter in the film did too. So from my perspective, there was some heavy realism in the backstory. I found the "boring" moments to be touching.

The practical effects are superb in my opinion. Some will disagree though.

Some of the writing is flawed in regards to character choices. I think discourse could answer some of the choices, but my fellow horror film nerds seem to be either accepting or spiteful of cliché character fails in the genre. I could see past them though for quality story though.

So if you don't get angry being put in a woman's perspective and like horror films, this should be right your alley.

THE MONSTER starts off with Kathy (Zoe Kazan) and her young daughter, Lizzy (Ella Ballentine) getting ready for a trip. This is complicated by Kathy's alcoholic / drug addicted life, making Lizzy far more responsible than most kids her age. Actually, Lizzy is far more mature than her mother. Their relationship appears to be broken beyond repair.

Kathy is taking Lizzy to her father's house for a while. Perhaps, for good. Along the way, as night falls, an accident occurs, and they're stranded in a disabled car in the middle of nowhere. As the title implies, things are about to get a whole lot worse! This will certainly be the longest night of Kathy and Lizzy's lives. That is, if they survive it.

This is a horror / monster movie, set against a backdrop of severe family dysfunction, ultimate sacrifice, and redemption. Great non-CGI creature effects and a solid story make this a worthwhile, low-budget film. Both principal actors were adept at pulling off the mother / daughter dynamic in the midst of sheer terror. Believability in a movie of this sort is a big plus!

The monster itself is quite imposing, like a huge shadow in a nightmare. A shadow with claws and long teeth...

The relationship between the mother and her child is the number one priority here. So while this is a horror movie (mostly in the psychological area), it is also a Drama. And some of the best Horror movies (that are not Slashers or particularly explicitly violent) have been Dramas at heart too.

And while I get that the child may seem annoying to some and some decisions made feel rushed, the casting was good and the script was decent enough giving them all something to play with (no pun intended). The movie is very dark (both in tone and in visual flair) and while it does drift into expected (read cliché territory) and has somewhat of a downfall towards the end (and maybe for some a slow beginning), overall the positive things do win over ...

The Monster (2016) from the same director of The Strangers (2008), my expectations to this film were limited, didn't know what to expect but a scary movie about a monster, fortunately the movie serves way more than this.

The movie discusses the relationship between mothers and daughters in a very beautiful way and how strong that bond is even at the worst times, then it uses the horror factor as a metaphor to show the real bond between them, and whatever problems happen between them just fade away when they're about to lose each other, So I thought this was smart and very nicely done.

The acting in this film is probably one of the best I have recently seen, I was very attached to the characters and actually cared for them, as for the horror there are some effective jump scares and the mood is very dark the whole movie, also the atmosphere of this film sucks you even though when there isn't a lot going on-screen.

In a nutshell, the monster is definitely a great underrated Drama/Horror film that deserves to be watched at least once.

Kathy (Zoe Kazan) is the alcoholic and smoking addicted mother of the young, but mature teenager Lizzy (Ella Ballentine). They live together since Kathy's husband Roy (Scott Speedman) left her, and she neglects her daughter. Kathy is supposed to drive Lizzy to her father's home in the morning, but she sleeps until late afternoon and they have to travel during a rainy night. While driving through a lonely road through the woods, Kathy hits a wolf that breaks her car, leaving them stranded on the empty road. They call 911 and while waiting for the tow truck and an ambulance, the wolf disappears from the road. When the tow truck arrives, the mechanic Jesse (Aaron Douglas) tells that he needs to fix the axle and an oil leakage to tow her car. While repairing the vehicle, a monster attacks him but neither Kathy nor Lizzy note. When they seek Jesse out, they realize that they are not alone in the spot. Further, Kathy learns that monsters do exist. Will they be rescued on time?

"The Monster" is an atmospheric, tense and melancholic low-budget horror movie. The dramatic story is supported by top-notch performances of Ella Ballentine and Zoe Kazan and a beautiful and sad cinematography. Scott Speedman participation is limited to a short cameo only to give his name to the credits. The slow-paced plot helps to create the creepy atmosphere and to show the relationship of Kathy and Lizzy. My vote is six.

Title (Brazil): Not Available

I respect where Bryan Bertino was trying to go with this film, but he falls short. While he does gets a decent start on character development that mostly works despite some overwrought writing and acting, the static set piece and drawn out end battle bleed away any real tension. Flashbacks are overused and ultimately come too late and the well shot and creepy final locations overstay their welcome. Few films are able to pull off this Babadook-esque having your cake and eating it too morality monster mash, and despite a good college try, the Monster fails along with all the others.

As children, we often have irrational fears of things we have not being given a proper introduction to - We are told numerous stories, some still ignoring the lingering question we harbor deep within - Our Monsters Real? - Or an allegory of our very existence? This idea is effectively used in recent films such as, 'The Babadook', 'It Follows', 'The Witch' and 'Under the Shadow'. Director Bryan Bertino ('The Strangers') shares a similar notion of this with 'The Monster'.

Kathy (Zoe Kazan) a divorced alcoholic and inexperienced mother is taking her young and mature of age daughter, Lizzy (Ella Ballentine), to permanently relocate with Lizzy's father. While driving at night through a remote, rain-lashed forest, Kathy crashes into a wolf, which wrecks their car leaving them stranded for help - Waiting for a tow truck and ambulance. From here on, questions are raised - Where did the wolf come from? What was it running from? Where'd it get those deep cuts on its body? Or where did the body disappear too? Strangely these questions are not justifiably asked by Kathy, but by Lizzy.

The only voice of reason!

Ella Ballentine is the standout here - reminiscent of a young Reese Witherspoon. Inquisitive, timid, fearful and courageously carrying the weight of 'The Monster', as she has spent much of her youth taking care of herself - and her mother - Through flashbacks provided. One in particular truly showing her acting chops. Zoe Kazan also great as Kathy tries to maintain her sobriety while navigating and understanding the needs of her daughter - Yes an overused device in Hollywood - But effective still none the less.

Scott Speedman shows us halfway through the movie with little to say or do, perhaps a favor to Bertino, whom he directed in 'The Strangers'.

Cinematographer Julie Kirkwood offers very little to appreciate here - With Bertino not fully utilizing her until the third act - With a beautiful shot of the enclosed woods. The monster itself plays a minor role - As the full look of it seems rather cheap.

Overall 'The Monster' may not hold up well with most allegory horror films, but it will stand on its own merit for Ella Ballentine - As she comes face to face with the monster - Or are understanding of what it means to let go and grow up - Afterall monsters are only what we make of them.

I remember three years ago watching the trailer for this and being a little excited. It looked like an interesting creature feature, something we just don't have enough of these days.

Telling the story of a mother and daughter who are involved in a car crash in the middle of nowhere. When helps comes they learn that there is something sinister stalking them from the darkness.

Okay, solid concept what did they do with it? Not much actually, in fact arguably the threat from the beastie isn't even the primary theme of the film. Mother and daughter have issues, they don't get along due to the mothers poor life choices and the constant flashbacks dominate the film.

I wanted a creature feature not a Lifetime melodrama! Sadly alike said melodramas we have serious character issues, the daughter is frustratingly annoying and the mother is so detestable that all efforts of redemption were lost on me.

So half the movie isn't even the creature feature, our two characters are really unlikable and the film actually manages to be rather boring despite having a big flesh eating monster in it.

Speaking of the monster that is one thing I appreciated, it reminded me of the generic beasties we commonly got in the 80's. I liked this, it was old school and very welcome.

The Monster is not a creature feature and you'll likely be disappointed if that's what you're seeking. It's a mix of that and a very drab melodrama with characters you'll actually want to see get ripped apart by the monster.

The Good:

Old school beastie

Decent setting

The Bad:

One protagonist is awful, the other is just plain annoying

More melodrama than creature feature

Manages to do most things poorly

I recommend it. The whole monster aspect and horror sequences are a little generic - nothing ground breaking- but you get invested in the two leads and the acting is top notch IMO. I cared about their characters which made the movie work. It has some decent jump scares and a nice dark setting. I thought it was well written and works as more than just a horror film. It is a limited theatrical release with a fairly small budget and does a great job creating atmosphere. I know some were disappointed in the moving looking at other reviews but I think maybe they were expecting a more traditional horror movie. I myself found it to be quite tense, if anything from an emotional aspect.

This film is not horrible. Zoe Kazan and Ellie Ballantine are both talented actresses. Like the Babadock, the movie uses a creature as a metaphor for a human condition - in this case, alcoholism and the fear of it. The monster scenes are interspersed with flashbacks between the volatile relationship between mother and daughter, characterized by screaming, hiding, hating, loving, and helping. The film may not please everyone - less so hardcore horror fans I believe. But those who can relate to single parenthood, addiction, the challenges between mother and daughter, may find it poignant.

Brian Betinos 2008 flick 'The Strangers' was as simple as a film can get, and was well seasoned with some simple character backstory that added to the sense of tragedy and added to the tension of the film. In this film the heavy handed addiction sublot diffuses the tension of the film, and makes it difficult to empathise with the relationship at the core of the film. Its well shot, well acted but I felt myself getting detached from the action early on.