A multi-dimensional interface between a comic book artist, a novelist, and a film director. Each lives in a separate reality but authors a story about one of the others.A multi-dimensional interface between a comic book artist, a novelist, and a film director. Each lives in a separate reality but authors a story about one of the others.A multi-dimensional interface between a comic book artist, a novelist, and a film director. Each lives in a separate reality but authors a story about one of the others.
- Awards
- 1 win & 5 nominations
Don McKellar
- Horowitz
- (voice)
Jennifer Irwin
- Marissa
- (voice)
Moonlyn
- Candi the Receptionist
- (as Moonlyn Coumont)
Giselle Batista
- Twin Girl 1
- (voice)
- (as Giselle Baptista)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe animated segment used the rotoscoping technique. This was done frame by frame, using 12 frames per second, so the team had to draw more than 20.000 frames.
- GoofsIn one scene, a camera is dropped, causing the film to fall out, exposing it to sunlight. Gael García Bernal then inspects the film, which appears to be fully developed with images intact. This is impossible, because all images would be lost immediately once exposed to any light.
- Quotes
Moustache Guy: [while ordering a RealDoll] Perfect. And you can make her look exactly like my wife?
Emma: We can make it - her - look identical. But better!
- ConnectionsFeatured in 2016 Canadian Screen Awards (2016)
- SoundtracksDrawn And Quartered
Written and performed by The Slew
Featured review
Even though only a section of the film is animated using rotoscope, the whole movie has an indi comic feel, like Love and Rockets of Ghost World (which was made into a film)
The animation looks like it's the same as A Scanner Darkly, possible done by the same animation team, but in A Scanner Darkly it seems like the animation was a bigger arch.
It's an interesting circle about three people. Emma who works at a Factory that makes sex dolls, draws pictures of herself being a beautiful busty femme fatale, an image that the guy she's sleeping with finds absurd. In retaliation, she draws her dream guy, Eddie, a hot Spanish action film director who's doing a film he plans to use to take himself serious, but comes across a little problem when Emma, unhappy with her new boobs decides to get rid of the "package" that made him a hot commodity in Hollywood, and effects the making of his film about Michelle, a Brazilian model tired of being judge on her looks, who goes home to write a novel that just so happens to be about Emma.
It's a nicely layered story and becomes very surrealistic, as all three story tellers take us through their creative process, and if anyone knows anything about the creative process, the story goes through constant changes which switches the tone in order to make the story work.
It's a very unformulated movie that goes from the tame to the outrageous, and keeps me captivated with some very interesting personas moving on the screen.
cinemagardens.com
The animation looks like it's the same as A Scanner Darkly, possible done by the same animation team, but in A Scanner Darkly it seems like the animation was a bigger arch.
It's an interesting circle about three people. Emma who works at a Factory that makes sex dolls, draws pictures of herself being a beautiful busty femme fatale, an image that the guy she's sleeping with finds absurd. In retaliation, she draws her dream guy, Eddie, a hot Spanish action film director who's doing a film he plans to use to take himself serious, but comes across a little problem when Emma, unhappy with her new boobs decides to get rid of the "package" that made him a hot commodity in Hollywood, and effects the making of his film about Michelle, a Brazilian model tired of being judge on her looks, who goes home to write a novel that just so happens to be about Emma.
It's a nicely layered story and becomes very surrealistic, as all three story tellers take us through their creative process, and if anyone knows anything about the creative process, the story goes through constant changes which switches the tone in order to make the story work.
It's a very unformulated movie that goes from the tame to the outrageous, and keeps me captivated with some very interesting personas moving on the screen.
cinemagardens.com
- subxerogravity
- Sep 5, 2016
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Details
Box office
- Gross worldwide
- $2,784
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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