After the Vietnam war, a team of scientists explores an uncharted island in the Pacific, venturing into the domain of the mighty Kong and must fight to escape a primal Eden.After the Vietnam war, a team of scientists explores an uncharted island in the Pacific, venturing into the domain of the mighty Kong and must fight to escape a primal Eden.After the Vietnam war, a team of scientists explores an uncharted island in the Pacific, venturing into the domain of the mighty Kong and must fight to escape a primal Eden.
- Nominated for 1 Oscar
- 1 win & 22 nominations total
Storyline
Did you know
- TriviaSamuel L. Jackson said on a talk show that throughout filming, he and his co-stars didn't know just how big Kong was supposed to be. Whenever they asked, they got conflicting answers.
- GoofsThe establishing shot of the Athena shows a CH-47 Chinook helicopter on the bow, four UH-1 Hueys amidships, and one CH-53 Sea Stallion on the stern. In the helicopter battle with Kong later, at least 10 Hueys are shown.
- Quotes
Hank Marlow: Hey, what happened with the war? Did we win?
James Conrad: Which one?
Hank Marlow: Uh-huh. That makes sense.
- Crazy creditsSPOILER: There is a scene after the closing credits: Brooks and Lin meet Conrad and Weaver and show them records that indicate other monsters existing on Earth; the monsters seen are Rodan, Mothra, King Ghidorah and Godzilla. The scene ends with Godzilla's roar. This leads into Godzilla: King of the Monsters (2019).
- ConnectionsFeatured in Film '72: Episode #46.1 (2017)
- SoundtracksTime Has Come Today
Written by Joseph Chambers and Willie Chambers
Performed by The Chambers Brothers
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Featured review
A strange movie. It is kind of all over the place with its themes and influences but it has a distinct enough personality and some solid setpieces.
This is a straight adventure story with giant monsters, and the way it's shot and the hammy dialogue are mostly B-movie and comic book derived (check out those Dutch angles and blistering colors and 10 times too big sun, moon, aurora...).
But there's also a clunky Vietnam metaphor that's a straight-up over the top "homage" to Apocalypse Now, et al. The song choices even more so. It makes sense in theory (VietKong anyone?) but I don't think it ever really works and it's just an excuse to make Sam Jackson a bad guy to counterpoint Kong's "human" side.
Characters are fine for the most part. They serve their cardboard purposes and that's what's expected. Hiddleston and Larson in particular feel vastly underdeveloped. Everything they say and do fall instantly from memory and their disappearance from the movie all together wouldn't have changed it that much.
But what we want are monsters and we get them. Most of them are wonders to behold (the water buffalo, spider legs, and octo tentacles yum) except the generic Skullcrawers (the scene where Reilly names them is embarrassing - I don't think Larson or Hiddleston had any idea what to do the dialogue is so ferociously dumb. Reilly almost saves it however).
This Kong feels like a very different movie than the new Godzilla. This is very much an entertaining B-movie with strong comic book influences worn loud and proud. It will be interesting to see how these two worlds collide. If any franchises deserve an extended universe, it's these! That's what they're all about.
This is a straight adventure story with giant monsters, and the way it's shot and the hammy dialogue are mostly B-movie and comic book derived (check out those Dutch angles and blistering colors and 10 times too big sun, moon, aurora...).
But there's also a clunky Vietnam metaphor that's a straight-up over the top "homage" to Apocalypse Now, et al. The song choices even more so. It makes sense in theory (VietKong anyone?) but I don't think it ever really works and it's just an excuse to make Sam Jackson a bad guy to counterpoint Kong's "human" side.
Characters are fine for the most part. They serve their cardboard purposes and that's what's expected. Hiddleston and Larson in particular feel vastly underdeveloped. Everything they say and do fall instantly from memory and their disappearance from the movie all together wouldn't have changed it that much.
But what we want are monsters and we get them. Most of them are wonders to behold (the water buffalo, spider legs, and octo tentacles yum) except the generic Skullcrawers (the scene where Reilly names them is embarrassing - I don't think Larson or Hiddleston had any idea what to do the dialogue is so ferociously dumb. Reilly almost saves it however).
This Kong feels like a very different movie than the new Godzilla. This is very much an entertaining B-movie with strong comic book influences worn loud and proud. It will be interesting to see how these two worlds collide. If any franchises deserve an extended universe, it's these! That's what they're all about.
- spencergrande6
- Apr 21, 2017
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Skull Island
- Filming locations
- Ha Long Bay, Quang Bình Province, Vietnam(aerial shots of Skull Island)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $185,000,000 (estimated)
- Gross US & Canada
- $168,052,812
- Opening weekend US & Canada
- $61,025,472
- Mar 12, 2017
- Gross worldwide
- $568,652,812
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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