A married couple preparing to celebrate their wedding anniversary receives shattering news that promises to forever change the course of their lives.A married couple preparing to celebrate their wedding anniversary receives shattering news that promises to forever change the course of their lives.A married couple preparing to celebrate their wedding anniversary receives shattering news that promises to forever change the course of their lives.
- Nominated for 1 Oscar
- 21 wins & 62 nominations total
Martin Atkinson
- Smoking Chef
- (uncredited)
Rachel Banham
- Waitress
- (uncredited)
Alexiane Cazenave
- Katya
- (uncredited)
Michelle Finch
- Niece
- (uncredited)
Paul Andrew Goldsmith
- Brewery Security
- (uncredited)
Peter Dean Jackson
- Jarrolds Shopper
- (uncredited)
Kevin Matadeen
- Waiter
- (uncredited)
James O'Mara
- Street Charity Fundraiser
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe movie was shot in chronological order.
- GoofsThe morning when Rampling's character enters the kitchen, the clock reads 7:32. Later, being concerned about the passage of time, we see Rampling check her watch as she follows Courtenay into the storage area. Afterwards we see them once again in the kitchen concluding a conversation and going outside to have a smoke. To account for the time that had passed, the clock reads one hour later: 8:32. (Of course the odds are 1 in 60 that it be exactly 1 hour later, but such are the elements of master strokes!) Another morning the clock reads 8:25, and in the afternoon it reads 1:00. There are no goofs with the clock.
- Quotes
Geoff Mercer: What? You really believe you haven't been enough for me?
Kate Mercer: No. I think I was enough for you, I'm just not sure you do.
Geoff Mercer: Oh Kate - that's terrible!
- Crazy creditsThe opening credits play like a slide show. Every time before a new name appears on the screen, there is the unmistakable click of a slide projector.
- ConnectionsFeatured in Close Up with the Hollywood Reporter: Actresses (2016)
- SoundtracksMy Autumn's Done Come
Written by Lee Hazlewood
Performed by Lee Hazlewood
Courtesy of Polydor Records (United States)
Under licence from Universal Music Operations Ltd
Published by Universal Music Publishing Ltd
Featured review
45 Years is a almost a theatrical film, with not many characters and a slow-burning, subtle but powerful exploration of couple dynamics, the nature of love and trust, the weight of the past on the present, and who truly are those people with whom we share our lives. There is also a pointy finger to the social façade that many couples show to the world, which is not always as rosy or perfect when they are behind closed doors.
We get to know this apparently exemplary couple, Geoff and Kate Mercer, who have been married for 45 years and are approaching the celebration of their 45th wedding anniversary, content with their lives, caring, and loving. Until some news related to Geoff's past arrive and open a Pandora's box filled of smells of another woman, a love story that was more powerful that initially seems, and the ramifications that the story had on Geoff's marrying Kate. After the box in open, we get to see the real nature and strength of their relationship.
One of the main virtues of the film is, paradoxically, one of its most bugging disappointments: the ambiguity of feelings the viewer experiences about the unfolding events.
We get to know the past story, and some of the ramifications on the Swiss love story on Geoff & Kate's love story. However, we don't know why a story that happened so long ago, before the couple met, is hitting Kate so harshly. We get to live, in a way, the same doubts and mixed feelings she feels about the sincerity and integrity of her husband's love, feelings, and openness in their relationship: was she a rebound or was he really in love with her when they married? Why did he hide everything? Why is he's still hiding things and laying about everything? Why is he so distressed about a person he met 40+ years ago? Can she really trust him?
On the other hand, we don't really know what is behind Geoff's secrecy and moodiness either: Did Geoff hide his past to Kate on purpose? Did he just want to put the past behind and move on afresh with her? Is his current behavior the result of his inability to deal with his emotions? Or is it a reminder of what life was and would have been like with the other woman? Does he really love Kate? Did he love Kate when he married her?
These annoying doubts create a subtle emotional tension that bugs you inside, without any dramatic scene needed to be created. After all, things that destroy a relationship the most aren't always the fights or dramas, but the unsettling feelings of distrust, disrespect, lack of communication and lack of openness of those people with whom we share our lives. At the end of the film, I found that it was OK for us not to know anything for sure. The lack of knowledge produces an unsettling feeling in the viewer, and you get to say (or at least I did) you can never get to know anybody fully, no matter s/he is your partner, parent or offspring, there is always more to any person than meets the eye, and you should never ask people for their secrets as you might not be able to deal with their answer.
Charlotte Rampling and Tom Courtenay are great in their respective roles, looking their age and playing being elderly with grace and verisimilitude.
We get to know this apparently exemplary couple, Geoff and Kate Mercer, who have been married for 45 years and are approaching the celebration of their 45th wedding anniversary, content with their lives, caring, and loving. Until some news related to Geoff's past arrive and open a Pandora's box filled of smells of another woman, a love story that was more powerful that initially seems, and the ramifications that the story had on Geoff's marrying Kate. After the box in open, we get to see the real nature and strength of their relationship.
One of the main virtues of the film is, paradoxically, one of its most bugging disappointments: the ambiguity of feelings the viewer experiences about the unfolding events.
We get to know the past story, and some of the ramifications on the Swiss love story on Geoff & Kate's love story. However, we don't know why a story that happened so long ago, before the couple met, is hitting Kate so harshly. We get to live, in a way, the same doubts and mixed feelings she feels about the sincerity and integrity of her husband's love, feelings, and openness in their relationship: was she a rebound or was he really in love with her when they married? Why did he hide everything? Why is he's still hiding things and laying about everything? Why is he so distressed about a person he met 40+ years ago? Can she really trust him?
On the other hand, we don't really know what is behind Geoff's secrecy and moodiness either: Did Geoff hide his past to Kate on purpose? Did he just want to put the past behind and move on afresh with her? Is his current behavior the result of his inability to deal with his emotions? Or is it a reminder of what life was and would have been like with the other woman? Does he really love Kate? Did he love Kate when he married her?
These annoying doubts create a subtle emotional tension that bugs you inside, without any dramatic scene needed to be created. After all, things that destroy a relationship the most aren't always the fights or dramas, but the unsettling feelings of distrust, disrespect, lack of communication and lack of openness of those people with whom we share our lives. At the end of the film, I found that it was OK for us not to know anything for sure. The lack of knowledge produces an unsettling feeling in the viewer, and you get to say (or at least I did) you can never get to know anybody fully, no matter s/he is your partner, parent or offspring, there is always more to any person than meets the eye, and you should never ask people for their secrets as you might not be able to deal with their answer.
Charlotte Rampling and Tom Courtenay are great in their respective roles, looking their age and playing being elderly with grace and verisimilitude.
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- 45 años
- Filming locations
- Norfolk Broads, Norfolk, England, UK(Where Kate goes on a boat)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $4,247,285
- Opening weekend US & Canada
- $65,775
- Dec 27, 2015
- Gross worldwide
- $14,430,249
- Runtime1 hour 35 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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