Like the fast-moving train, the screenplay also paces itself swiftly without boring the audience. The entire film is about this one episode, and action blocks are lined up in most scenes, coupled with a few montage sequences to elevate the emotions. The action choreography is brilliant and cinematographer Rafey Mehmood executes them seamlessly, and the set pieces deserve special mention.
Kill has the visual narrative of an action video game, with each level becoming more challenging, and promising an interesting episode. The linear screenplay also helps in keeping the audience hooked on the plot. The violence does escalate as the story progresses, staying true to its tagline of being the 'most violent' Indian film. In short, Kill is mostly an entertaining film for fans of the action genre.
