IMDb RATING
4.8/10
7.6K
YOUR RATING
A real-estate agent finds herself caught up in something sinister when she has to sell a house with a dark past and meets the troubled teen who used to live there.A real-estate agent finds herself caught up in something sinister when she has to sell a house with a dark past and meets the troubled teen who used to live there.A real-estate agent finds herself caught up in something sinister when she has to sell a house with a dark past and meets the troubled teen who used to live there.
- Awards
- 1 nomination
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe red rain coat is an obvious nod to the horror classic "Don't Look Now" starring Donald Sutherland and Julie Christie directed by Nicholas Roeg.
- GoofsShortly after Leigh visits her sister Vera, Leigh gets in her car to leave. When she locks the car door you can hear the locks engaging but the passenger door lock does not move down into the "locked" position.
- SoundtracksBreak Under Pressure
Written by James Curd and Jessica Baldwin
Performed by Jerry's Diner
Published by James Curd Music
ASCAP & Jessica Baldwin APRA
Featured review
A young couple visits the guy's uncle. He's got $500 if the girl plays a game. She picks a happy face pin from a box and has to guess under which of the cups it'll be after the creepy old man spins the cups around. She guesses right 3 times and the third time the pin has an ash cross over it. The uncle tells her she's been chosen and to go to a crossroad and say her name so "he" will know who she is and then gives her the $500.
Back at home the girl hears something and she's lifted in the air and thrown around. She tries to bury the money, then burn it but it keeps appearing in her drawer.
Next we meet a pretty real estate agent. She has a sister who's an artist and is about to do an exhibition. The agent visits an empty house she's going to sell. There she sees the girl from the intro. She tells the owners who think it may their missing daughter who ran away with her boyfriend. But then it turns out the daughter is found. The agent discovers that the girl she's seeing is someone else who committed suicide. But then, the unseen force kills her.
Now her sister, the artist, picks things up. She interviews one of the suicide's friends who tells her all sorts of info on the girl. Then the artist is attacked by the force and ends up in the hospital. When she wakes up from a coma she's told that she's pregnant. During the ultrasound she sees an evil face on the screen and demands the doctors take out the kid. Several years later she visits her creepy-looking daughter.
I had high hopes for At the Devil's Door. I enjoyed the writer/director's previous effort The Pact, although he's yet another male who insists on making movies without any significant male characters. Is that what it takes these days to make it in Hollywood? Unfortunately this movie is a step in the wrong direction. The strongest female, Ashley Rickards, gets only the secondary role of the intro girl, while the weakest actress get the more significant role. The main problem though is the nonsensical story. A movie about a demon looking to procreate should make for a good horror movie actually. But here it's told in too roundabout a way. You can't really care about most of the characters including the main character, which is a terrible flaw. Like most movies, this one, too, goes eventually on mute with no one saying much of anything, certainly the demon doesn't say a whole lot, he doesn't even make a sound.
That said, Nicholas McCarthy is a good director, perhaps not so much when it comes to telling a story, but definitely when it comes to shooting a movie. And he goes for subtlety instead of hyper explicitness--always a good idea in horror. So when we see the demon, it's usually at a distance, unfocused in the background, or in a mirror reflection. That does make the demon less menacing, which is why he should have been given more of a voice. At the Devil's Door is a movie that had potential but most if it was unrealized.
Back at home the girl hears something and she's lifted in the air and thrown around. She tries to bury the money, then burn it but it keeps appearing in her drawer.
Next we meet a pretty real estate agent. She has a sister who's an artist and is about to do an exhibition. The agent visits an empty house she's going to sell. There she sees the girl from the intro. She tells the owners who think it may their missing daughter who ran away with her boyfriend. But then it turns out the daughter is found. The agent discovers that the girl she's seeing is someone else who committed suicide. But then, the unseen force kills her.
Now her sister, the artist, picks things up. She interviews one of the suicide's friends who tells her all sorts of info on the girl. Then the artist is attacked by the force and ends up in the hospital. When she wakes up from a coma she's told that she's pregnant. During the ultrasound she sees an evil face on the screen and demands the doctors take out the kid. Several years later she visits her creepy-looking daughter.
I had high hopes for At the Devil's Door. I enjoyed the writer/director's previous effort The Pact, although he's yet another male who insists on making movies without any significant male characters. Is that what it takes these days to make it in Hollywood? Unfortunately this movie is a step in the wrong direction. The strongest female, Ashley Rickards, gets only the secondary role of the intro girl, while the weakest actress get the more significant role. The main problem though is the nonsensical story. A movie about a demon looking to procreate should make for a good horror movie actually. But here it's told in too roundabout a way. You can't really care about most of the characters including the main character, which is a terrible flaw. Like most movies, this one, too, goes eventually on mute with no one saying much of anything, certainly the demon doesn't say a whole lot, he doesn't even make a sound.
That said, Nicholas McCarthy is a good director, perhaps not so much when it comes to telling a story, but definitely when it comes to shooting a movie. And he goes for subtlety instead of hyper explicitness--always a good idea in horror. So when we see the demon, it's usually at a distance, unfocused in the background, or in a mirror reflection. That does make the demon less menacing, which is why he should have been given more of a voice. At the Devil's Door is a movie that had potential but most if it was unrealized.
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Details
Box office
- Gross worldwide
- $74,624
- Runtime1 hour 31 minutes
- Color
- Aspect ratio
- 2.39:1
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