A cryptic message from James Bond's past sends him on a trail to uncover the existence of a sinister organisation named SPECTRE. With a new threat dawning, Bond learns the terrible truth abo... Read allA cryptic message from James Bond's past sends him on a trail to uncover the existence of a sinister organisation named SPECTRE. With a new threat dawning, Bond learns the terrible truth about the author of all his pain in his most recent missions.A cryptic message from James Bond's past sends him on a trail to uncover the existence of a sinister organisation named SPECTRE. With a new threat dawning, Bond learns the terrible truth about the author of all his pain in his most recent missions.
- Won 1 Oscar
- 8 wins & 37 nominations total
Stefano Elfi DiClaudia
- Gallo's Accomplice
- (as Stefano Elfi-DiClaudia)
Storyline
Did you know
- TriviaFollowing the success of this movie, Mexico City held its first The Day of the Dead parade, complete with floats, dancers, and giant marionettes, in 2016. Prior to this, no parade had ever been held, despite the movie scenes.
- GoofsIn the train, Bond and Madeleine order dirty martinis (a break from his normal routine), but when the drinks arrive, they are perfectly clear. Dirty martinis contain olive juice, so they would be cloudy. The International Bartenders Association standard recipe requires Olive Juice/brine. The traditional number of olives is that it should be odd, with 5 seen as excessive and 3 the norm.
- Crazy creditsThe gunbarrel sequence has returned to the start of the movie.
- Alternate versionsThe UK release was cut, this film was originally seen for advice in an unfinished version. The distributor was advised it was likely to be classified 15 but that their preferred 12A could be obtained by making reductions in a scene of violence and in another scene showing the aftermath of a violent act. When the film was submitted for formal classification, acceptable reductions had been made in both scenes and the film was classified 12A.
- ConnectionsEdited into Omega 'Spectre' Television Commercial (2015)
Featured review
First off, let me get something out of the way here: I like to be entertained. Entertainment, as we all know, comes in different shapes and sizes; it can be smart, profound, intellectually stimulating and so forth – or it can just be escapist fun. Now what kind of entertainment you expect from a James Bond film is up to you; as for me, I go with fun. Regrettably, the last three 007 instalments fell a bit short in that department (at least for my taste), and since I expected this new film to be more of the same, I didn't exactly get my hopes up.
Well, I can only say I was pleasantly surprised (although judging from most reviews here, I seem to be in the minority). Instead of further exploring the somewhat dark, dramatic route the previous three films took - which, I must admit, worked very well in Casino Royale - Spectre unexpectedly goes in the exact opposite direction. Sam Mendes and John Logan apparently came to the conclusion that it was time to bring back one of the most crucial ingredients for Bond's success with audiences over the years: the fun.
Don't get me wrong; it's not suddenly ALL fun and games for Her Majesty's finest spy (and Craig still portrays him as a character driven by inner rage) - but the new film is a virtual celebration of the whole James Bond universe, from past to present, including the less grounded and over-the-top elements from the older films. In fact, after a stand-out intro sequence in classic fashion, the spy with a license to kill takes us on a ride which - tonally - feels like travelling back in time to the glory days of such classics as You Only Live Twice, Goldfinger or From Russia With Love (and it's a ride back in time in more senses than one).
This is supposed to be a spoiler-free review, so I won't go into any of the story details, but what unfolds after the introduction plays like a combination of the more grounded, serious Bond we've come to associate with Daniel Craig's films, and the more self-aware spy-romps of the Roger Moore era. It's a mix that doesn't always work and tone and pacing can be a bit uneven at times (especially during the third act), but Spectre largely succeeds in paying homage to many of the classic Bond films while still delivering the gritty action people come to expect from the newer instalments and staying true to the character Craig has so successfully made his own. And despite all the references and callbacks to classic 007 adventures, Spectre still manages to continue the storyline of the three previous films. So while his second entry in the world's longest living franchise is far from a perfect film, I believe Sam Mendes achieves exactly what he wants: he intentionally embraces the old Bond formula, but he also plays with it, twists it and introduces new story elements.
So my verdict: Spectre is a love letter to the classic Bond films, and while it might not be the masterpiece many people seem to have expected, there is a lot to enjoy here. It's a solid, almost classic Bond film with insane action, great set-pieces and a fantastic cast; upon first viewing, I'd rate it 7 stars out of 10.
Rare Film Gems For Cinephiles: http://www.imdb.com/list/ls070242495/
Well, I can only say I was pleasantly surprised (although judging from most reviews here, I seem to be in the minority). Instead of further exploring the somewhat dark, dramatic route the previous three films took - which, I must admit, worked very well in Casino Royale - Spectre unexpectedly goes in the exact opposite direction. Sam Mendes and John Logan apparently came to the conclusion that it was time to bring back one of the most crucial ingredients for Bond's success with audiences over the years: the fun.
Don't get me wrong; it's not suddenly ALL fun and games for Her Majesty's finest spy (and Craig still portrays him as a character driven by inner rage) - but the new film is a virtual celebration of the whole James Bond universe, from past to present, including the less grounded and over-the-top elements from the older films. In fact, after a stand-out intro sequence in classic fashion, the spy with a license to kill takes us on a ride which - tonally - feels like travelling back in time to the glory days of such classics as You Only Live Twice, Goldfinger or From Russia With Love (and it's a ride back in time in more senses than one).
This is supposed to be a spoiler-free review, so I won't go into any of the story details, but what unfolds after the introduction plays like a combination of the more grounded, serious Bond we've come to associate with Daniel Craig's films, and the more self-aware spy-romps of the Roger Moore era. It's a mix that doesn't always work and tone and pacing can be a bit uneven at times (especially during the third act), but Spectre largely succeeds in paying homage to many of the classic Bond films while still delivering the gritty action people come to expect from the newer instalments and staying true to the character Craig has so successfully made his own. And despite all the references and callbacks to classic 007 adventures, Spectre still manages to continue the storyline of the three previous films. So while his second entry in the world's longest living franchise is far from a perfect film, I believe Sam Mendes achieves exactly what he wants: he intentionally embraces the old Bond formula, but he also plays with it, twists it and introduces new story elements.
So my verdict: Spectre is a love letter to the classic Bond films, and while it might not be the masterpiece many people seem to have expected, there is a lot to enjoy here. It's a solid, almost classic Bond film with insane action, great set-pieces and a fantastic cast; upon first viewing, I'd rate it 7 stars out of 10.
Rare Film Gems For Cinephiles: http://www.imdb.com/list/ls070242495/
- Fan-of-Rare-Movies
- Nov 4, 2015
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- 007: Spectre
- Filming locations
- Erfoud, Morocco(SPECTRE lair, desert)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $245,000,000 (estimated)
- Gross US & Canada
- $200,074,609
- Opening weekend US & Canada
- $70,403,148
- Nov 8, 2015
- Gross worldwide
- $880,707,597
- Runtime2 hours 28 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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