User reviews

Life in rural Northern Ontario is a bore.

Especially when you are a young woman, who is coming of age as both a werewolf and a lesbian.

Emma Cooper likes to play hockey; drink with her friends; and is trying to woo her closest mate.

But she has to be careful- particularly around a full moon- because she's liable to turn.

And do something her whole family would regret.

Because she's not the only werewolf in the family.

She inherited the gene from her father.

Who also happens to be her closest confidant.

So...when he dies unexpectedly...everything starts to fall apart for her.

Her family no longer has the glue that kept it together.

Leaving her to deal with her jer brothers, and alcoholic mother.

At the same time her best friend is being pressured to keep distance from her.

Making it even harder for her to show the restraint she was trained to exhibit.

When all is said and done, My Animal is a solid little indie horror effort from director...

And probably the best werewolf film to come out of Canada since Ginger Snaps.

A perfect example of a modern canuxploitation classic!

Even if it is more drama based, and a bit paltry on the action side.

5 out of 10.

Firstly, I appreciate the strong atmosphere and creative take on the horror romance genre as director Jacqueline Castlel does offer strong sense of direction on creating the atmosphere, characters, and narrative. Castel proves she has talents on film directing after creating various music videos for various artists like Zola Jesus, Moon Duo and Jim Jarmusch. Premiered at the 2023 Sundance Film Festival in the Midnight Selection, while ambitious, it was a decent slice-of-life romance horror movie.

Throughout, the production is solid and the camerawork is pretty good on capturing the Canadian landscapes and snowy atmosphere setting. There are some amazing visual presentations as the visuals felt dream-like, strange and colorful which reminded a lot of 80s and giallo horror visuals. Most of the performances were solid as the main leads are pretty good with some decent chemistry between one another.

The narrative and concept about queer lovers and werewolves is pretty awesome as not often LGBTQ themed concepts in horror genres are explored. However, while the narrative does offer some good ideas, the narrative doesn't feel as strong as it was hoping for. Many concepts that could have been explored wasn't really fully utilized which made the characters not fully interesting nor connectable.

There are good themes explored about sexuality, identity and societal expectations as the themes were explored but some themes could have used a little work on fully developing the characters. The musical soundtrack is pretty good which brought a good 80s vibe to it. The dialogue is solid while there were a few dialogue moments that felt kind of rough.

Overall, it's clear the movie has ambition and there are strong direction and good metaphors are explored, yet, needed some improvements. Decent Midnight Flick.

A sad excuse of a movie with everything wasted, besides the two leads who enjoyed very much their time in the movie and the supporting cast having fun in the snow and indoor.

The movie would have benefited from a tight editing bringing the runtime down to 45-50 minutes, to add some transformations, some thrills and some ghastly discoveries from both sides. To have this one categorized as horror and romance is only in Jacqueline Castel's head.

• Screenplay/storyline/plots: 4
• Development: 5
• Realism: 5.5
• Entertainment: 6
• Acting: 5.5
• Filming/photography/cinematography: 6
• VFX: 5
• Music/score/sound: 4.5
• Depth: 3
• Logic: 2
• Flow: 4.5
• Horror/romance: 3
• Ending: 0.5.

My Animal is a movie about a subject matter I already like. Yet I was completely uninterested and bored immediately and throughout. I even stuck it out to the end in hopes of at least one cool scene or even a moment. But nope, it's just nothing, through and through.

There is barely enough substance for a short story, let alone a feature length film. Character motivations and decisions seem random and unearned. And the messaging is heavy-handed and obvious.

The only positive I can think of is the general tone, driven by the music and some cool trippy visuals. But that isn't nearly enough to warrant the time it takes to watch this movie. (1 viewing, 12/13/2023)

Right, well I was under the impression that I would be in for a werewolf movie of sorts, as I sat down to watch the 2023 movie "My Animal" from writer Jae Matthews and director Jacqueline Castel. However, I have to admit that I hadn't even heard about the movie prior to sitting down and watching it, so I didn't exactly know what I was getting into here.

This movie failed to capture my interest, especially since the movie's narrative was slow paced, the visuals were sort of surreal, and it wasn't exactly the type of werewolf movie that I had hoped for. And I have to admit that the way that writer Jae Matthews concocted the script and storyline just didn't appeal much to my liking.

The only familiar face on the cast list for me was Stephen McHattie. The acting performances in "My Animal" were actually fair enough, despite the fact that the movie's plot and script utterly failed to entertain me.

Visually, then director Jacqueline Castel didn't deliver a movie that tickled me in the right places.

My rating of "My Animal" lands on a two out of ten stars. And this is definitely not a movie that I will pick up a second time.

Worth watching. Very 80s vibes. Incredible visuals and camera shots. Indie arthouse themes drive this horror story. Some light x-rated scenes. Actors did a great job. Story is decent. You will be transported back to 1988. I loved most of it.

The action or werewolf sequences are not special effect heavy. Nor need be. The emphasis here is on the characters. Each figuring themselves out in a cold cold world. Cold weather and cold people. Cold family members and cold friends. Many relatable moments. Especially looking back in time from our current acceptances in societies. The suspense builds slowly with each passing full moon.

Only suggestion would be to cut it a bit shorter. I am glad I watched it and really enjoyed it. Very impressed.

This film was only an hour and forty-three minutes but it felt like three hours. As someone who has been a youth in rural Canada I deeply resonated with the depiction of the bleakness and dullness of life in small northern town. It was hopeless and boring as a youth, and it didn't make for a very entertaining film.

The acting was great, but too many long drawn out fantasy sequences that didn't really add to the film. It looked good. I liked the lighting and the setting, but...nothing happens. It needed more story and fewer music videos.

It was tagged as horror and romance, but it did not have enough of either. It had barely any of either really.

Finally, why is Canada only allowed to make werewolf movies now?

This was an excellent movie. I wasn't sure what to expect going in, but it absolutely delivered. The pacing was interesting, like the idea was to make you focus so much on the relationships between the characters that you forget the lead has a problem most young adults probably won't encounter.

The atmosphere is brilliant and dreadful. The plot is absolutely wild, and the acting was far, far better than it had any right to be. I got serious Meryl Streep vibes from Bobbi Salvör Menuez.

If you're considering it, give it a chance. Some of the scenes were a bit weird but overall, I really enjoyed it.

What's with all the hate? I loved this film. It reminded me of Near Dark meets Ginger Snaps with its low budget Indie film raw grittiness. I found it original with great visuals and a fantastic musical score that will take you back in time with its sultry retro vibes. Trust me, I'm a tough crowd, so give it a try because there's a high chance you might just love it a little too. I can imagine this gathering a small cult following such is it's nature. True horror fans will certainly appreciate this particular offering.... Ps, there's a post credits bit, even though it's very little it might make you smile.

There are so many good things about this movie, which premiered at Sundance 2023. This is a story of becoming - and there are so many layers to uncover about identity, sexuality, and societal expectations. It's a sapphic tale directed by a female, for one. And all sensuality is focused on facial expressions and real connections between the characters, not gratuitous scenes for shock value. Not to mention the chemistry between the leads.

The creatures are not in-your-face either; more psychological with transformations demonstrated in visions and colors. As a whole, with a beautiful nostalgic score, ethereal cinematography, superb performances, and a deliberate color palette to demonstrate passion, this is an impressive feature debut from Jacqueline Castel.

Trying to live with a deadly secret, a teenage girl struggling with her sexuality and the monstrous secret within her tries to strike up a romance with a new girl in town that shares her interests, but as the dark secret threatens to put everything in danger forcing her to fight for what she wants.

This was a fairly enjoyable if somewhat difficult to label as a genre outing. The main focus here is on the stellar coming-of-age storyline, managing to balance a fantastic setup involving the series of issues presented to her as a series of obstacles to overcome. With the build-up here involving the struggles of being a loner teenager in a small town such as this, growing up in that type of conservative environment while balancing the growing realization of her feelings for her neighbor with the usual trial and tribulations of growing up, and doing all that while trying to keep as dark a secret as her lycanthropic origins come to the forefront is a massively engaging way to go about this. Combining it all with the other family dynamics utilized here generates the kind of immersive drama that gives this a stand-out storyline to start with. On top of that, there's also a lot to like with the influx of artfully-accomplished scenes that focus on the inner nature of the werewolf within her. Taking place in neon-soaked sequences in a blank, black space where her carnal desires and experiences are presented, the hallucinatory approach taken here is masterfully accomplished. This ends up creating a genuinely enthralling series of setpieces that bring about a more erotic tone than expected even if they bring about the main issue with the film in that it's hard to call this a genuine genre effort. The dramatic approach and lack of traditional genre thrills for such an unwieldy running time cause this to drag on way too much rather than focus on the desired carnage and bloodletting most would desire. It's entirely the wrong attitude since it has different aspirations in mind but that should still be mentioned here.

Rated R: Graphic Language, Nudity, sexual scenes, and Violence.

I guess everybody expected a lesbian werewolf version of "Twilight" here? But honestly this movie has more to offer than a simple cheesy love story. First and foremost a very strong performance from lead actress Bobbi Salvör Menuez. They carry the film all by themselves and their acting is always engaging and believable.

Also, the small town atmosphere adds to the depression and emptiness on the whole. And the werewolf idea is actually the icing on the cake.

A true hidden gem that by the end feels a bit too rushed in my opinion. Still, go watch it, if you appreciate proper slice of life/coming of age dramas.

Some notes:

• If it's to put everything at risk - whether you're a man, a woman, or a werewolf - let it be for Amandla Stenberg. Probably, the prettiest person on Earth.

• There's homophobia among werewolves. There doesn't seem to be racism, which is already a positive point.

• Romance + Horror is becoming one of my favorite genres. It warms and chills the heart in a short amount of time.

• For a coming-of-age story with seemingly little plot, it's incredible how much this film addresses thematically.

• These two have chemistry, like really good chemistry. I could watch them for hours. Don't be perverse. I don't mean it in sexual terms.

• But, by the way, there is one of the most artistic sex scenes in the history of cinema.

• The score, filled with synthesizers reminiscent of the late '80s or early '90s, is magnificent. The colours are fantastic. The direction is very confident.

• In the second act, it meanders a bit, but I won't complain much because I could get lost in that little world for hours just because.

• An opportunity was missed to have Heather's mother wet Jonny's bed, who should learn to follow her feelings.

• We need a sequel where Jonny joins Heather on a road trip, and they meet the cannibals (survivors or not) from the world of Bones & All. Please.

I can't understand the low reviews for this. The score alone is incredible, composed by Augustus Muller from Boy Harsher whos bandmate Jae Matthews wrote the script.

The film itself is dark and brooding and so full of red imagery one would think Nicolas Winding Refn was behind it. It never really explodes into outright horror but just keeps everything simmering beneath the surface and the movie is all the better for it in my opinion.

It is primarily a love story and the chemistry between the two lovers is portrayed very well on screen in the cold Canadian winter. This is definitely a movie I'll be recommending to others...