Interior. Leather Bar.

I love reconstructions, forensic investigations and film mysteries, so I was really looking forward to this. Alas this film lost me about five minutes in, when Mathews casually declares they haven't got the money or the time (nor, I imagine, the discipline or the ability) to reconstruct the missing footage, so they are going to do a bit what they want. Ah, great -- not. It goes downhill from there, pretty much. In reality it isn't even a re-imagination: it's more like a making-of of itself. A big theme is the squeamishness of the straight actors, which is so very 2005. Perhaps at the time it was still a big deal for a straight guy to play gay, I am not sure. In any case, this is pretentious, meaningless rubbish.