In New York City, a young girl is caught in the middle of her parents' bitter custody battle.In New York City, a young girl is caught in the middle of her parents' bitter custody battle.In New York City, a young girl is caught in the middle of her parents' bitter custody battle.
- Awards
- 3 wins & 8 nominations
Jesse Stone Spadaccini
- Martin
- (as Jesse Spadaccini)
Diana García
- Cecelia
- (as Diana Garcia Soto)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn an interview on the NPR program "Fresh Air", Julianne Moore said that she drew on Courtney Love and Patti Smith for inspiration for her character in this movie, who is (like Love and Smith) a rock star who is also a mother.
- ConnectionsFeatured in At the Movies: Episode #10.26 (2013)
- SoundtracksRockabye Baby
Performed by Julianne Moore
Featured review
Greetings again from the darkness. An ultra-modern update of the 1897 Henry James novel introduces us to parents we know, but wish we didn't. Steve Coogan plays Beale, a self-absorbed art dealer. Julianne Moore plays Susanna, a self-absorbed rock star. OK, you and I may not know art dealers and rock stars, but we know self-absorbed types and we know they make terrible parents. So not only do we know it, but it's also what Maisie knows.
Five outstanding performances and strong work by co-directors Scott McGhee and David Siegel prevent this one from spinning off into the neverlands of melodramatic muck. Onata Aprile is a wonder as Maisie. She displays none of the typical "movie kid" precociousness. The movie (and James novel) are told from her point of view. We see the fragmented bits and pieces she experiences as her parents fight. Rather than a full story, we share her moments of late pick-ups, early drop-offs and forgotten trips.
Soon enough Beale and Susanna are divorced and the real wars begin. These despicable adults make little effort in hiding their hatred of each other from 6 year old Maisie. It becomes background noise to her life. Further proof of the epic narcissism from both, Beale soon marries Margot the nanny (played by Joanna Vanderham) and Susanna reacts by marrying Lincoln, a band gopher and bartender played by studly Alexander Skarsgard. The most startling moment of the movie occurs when Lincoln first begins playing with Maisie ... it's as if we had almost forgotten what it means to give your attention to a child.
This is not an easy film to watch ... at least if you understand that parenting means putting yourself second. The directors do a wonderful job of showing us how Maisie takes in moments and what memories she makes from these. The neglect and false moments of caring from her parents make her acceptance of the attention to her step-parents even more poignant. We can't help but hope things work out for this little girl and it's a reminder that childhood innocence cannot be recaptured once lost ... and it's worth hanging on to for as long as possible.
Five outstanding performances and strong work by co-directors Scott McGhee and David Siegel prevent this one from spinning off into the neverlands of melodramatic muck. Onata Aprile is a wonder as Maisie. She displays none of the typical "movie kid" precociousness. The movie (and James novel) are told from her point of view. We see the fragmented bits and pieces she experiences as her parents fight. Rather than a full story, we share her moments of late pick-ups, early drop-offs and forgotten trips.
Soon enough Beale and Susanna are divorced and the real wars begin. These despicable adults make little effort in hiding their hatred of each other from 6 year old Maisie. It becomes background noise to her life. Further proof of the epic narcissism from both, Beale soon marries Margot the nanny (played by Joanna Vanderham) and Susanna reacts by marrying Lincoln, a band gopher and bartender played by studly Alexander Skarsgard. The most startling moment of the movie occurs when Lincoln first begins playing with Maisie ... it's as if we had almost forgotten what it means to give your attention to a child.
This is not an easy film to watch ... at least if you understand that parenting means putting yourself second. The directors do a wonderful job of showing us how Maisie takes in moments and what memories she makes from these. The neglect and false moments of caring from her parents make her acceptance of the attention to her step-parents even more poignant. We can't help but hope things work out for this little girl and it's a reminder that childhood innocence cannot be recaptured once lost ... and it's worth hanging on to for as long as possible.
- ferguson-6
- Jun 8, 2013
- Permalink
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Arada Kalan
- Filming locations
- The High Line, Manhattan, New York City, New York, USA(Maisie and Lincoln play at the High Line)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $1,066,471
- Opening weekend US & Canada
- $21,480
- May 5, 2013
- Gross worldwide
- $2,711,379
- Runtime1 hour 39 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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