A look at the New York City punk-rock scene and the venerable nightclub, CBGB.A look at the New York City punk-rock scene and the venerable nightclub, CBGB.A look at the New York City punk-rock scene and the venerable nightclub, CBGB.
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Storyline
Did you know
- TriviaThe classic line up at CBGBs famously went into reverse in terms of the band's record sales. Headliners Television had one album which just scraped the Billboard 100 then disappeared, and their sequel Adventure sold poorly. The Ramones had hits and solid album sales, but less than the band below them on the bill, Talking Heads. Bottom of the bill were a band described by the New York Times as a gimmick band who would never sell, despite their moderately 'applealing" lead singer. They were called Blondie, one of the biggest selling bands in pop history.
- GoofsSeveral shots show the corner of Bleecker Street and the Bowery. The street signs have white letters on a green background. In the 1970s, Manhattan street signs had black letters on a yellow background.
- Quotes
Hilly Kristal: [Being introduced to the Ramones] What do you guys have for me?
Joey Ramone: We got four songs. I don't wanna walk around with you, I don't wanna be learned, I don't wanna be tamed and I don't wanna go down to the basement.
Hilly Kristal: Lot of things you don't wanna do.
- Crazy credits"This film is dedicated to... Hilly Kristal and all those who worked at and lived at CBGB. MAY THEY ROCK ON FOREVER! No animals were harmed during the making of this film... The cockroach guts were Fig Newtons. And we know that Iggy Pop never played at CBGB... Just deal with it."
- ConnectionsFeatured in WatchMojo: Top 10 Movie Biopics That Got It Wrong (2020)
- SoundtracksKick Out the Jams
Written by Michael Davis, Rob Tyner (as Robert Derminer), Wayne Kramer, Fred 'Sonic' Smith (as Frederick Smith), Dennis Thompson (as Dennis Tomich)
Performed by MC5
Courtesy of Elektra Entertainment Group
By Arrangement with Warner Music Group Film & TV Licensing
Featured review
As someone who was "there" but as an outsider (14-year-old kid from NJ who idolized Punk magazine and especially the Ramones), I loved this film. Yes, I recognize a number of liberties were taken with the truth, but this film allowed me to relive the thrill I used to experience going to CBGB's (as we called it) back in the day (I started going around 1976 or so). Even more than that, it's great to get a glimpse of how CBGB's came to be.
More than that, the film works great as a film in and of itself -- the directing, pacing, acting and cinematography are all first rate, with nary a dull or dead spot throughout (until the end, but I'll get to that). I'm not generally one for tricks like the use of Holmstrom's art to frame the story, but since it's Punk magazine we're talking about, it makes perfect sense for this film.
The film just sails along -- I suppose partly because it's so much fun to see the various bands, and how much fun the actors had portraying the band members' quirks (the Joey Ramone character is spot on... ). In fact, I would have liked it if the film had been extended to include more of the early groups (they left out Suicide, who were everywhere back then) and more of the live performances. I'm a little torn by the decision to have them lip sync to album material -- on the one hand, it's the music we remember, on the other hand, most of the bands have live material available, even recorded at CBGB's, why not use some of that?
However, by the end... the film runs out of steam a bit. I think that comes partly from the decision to focus a bit too much on the Dead Boys storyline, knowing how doomed that band was, and how entirely outclassed they were by most of the other bands featured (Television, Talking Heads, Ramones, Blondie). Fortunately, the film only sags in the last 15 minutes or so, and it's still not enough to spoil a fine film dealing with a very important part of American -- and world -- music history.
For me, personally, this period shaped my entire life, certainly from an aesthetic point of view.
And great news! There's now a Best of Punk Magazine book available! (I still have my original copies around somewhere, but I can't wait to show this book to my kids!)
More than that, the film works great as a film in and of itself -- the directing, pacing, acting and cinematography are all first rate, with nary a dull or dead spot throughout (until the end, but I'll get to that). I'm not generally one for tricks like the use of Holmstrom's art to frame the story, but since it's Punk magazine we're talking about, it makes perfect sense for this film.
The film just sails along -- I suppose partly because it's so much fun to see the various bands, and how much fun the actors had portraying the band members' quirks (the Joey Ramone character is spot on... ). In fact, I would have liked it if the film had been extended to include more of the early groups (they left out Suicide, who were everywhere back then) and more of the live performances. I'm a little torn by the decision to have them lip sync to album material -- on the one hand, it's the music we remember, on the other hand, most of the bands have live material available, even recorded at CBGB's, why not use some of that?
However, by the end... the film runs out of steam a bit. I think that comes partly from the decision to focus a bit too much on the Dead Boys storyline, knowing how doomed that band was, and how entirely outclassed they were by most of the other bands featured (Television, Talking Heads, Ramones, Blondie). Fortunately, the film only sags in the last 15 minutes or so, and it's still not enough to spoil a fine film dealing with a very important part of American -- and world -- music history.
For me, personally, this period shaped my entire life, certainly from an aesthetic point of view.
And great news! There's now a Best of Punk Magazine book available! (I still have my original copies around somewhere, but I can't wait to show this book to my kids!)
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Details
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $40,400
- Opening weekend US & Canada
- $3,909
- Oct 6, 2013
- Gross worldwide
- $40,400
- Runtime1 hour 42 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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