53
Metascore
12 reviews · Provided by Metacritic.com
- 75The A.V. ClubIgnatiy VishnevetskyThe A.V. ClubIgnatiy VishnevetskyOf all the great actor/directors, Kitano has probably come the closest to creating a style that parallels his approach to acting.
- 63McClatchy-Tribune News ServiceRoger MooreMcClatchy-Tribune News ServiceRoger MooreBeyond Outrage reaches above and beyond most Hollywood underworld movies to deliver a tale of righteous revenge doled out only after showing us how much it is deserved.
- 63RogerEbert.comMatt Zoller SeitzRogerEbert.comMatt Zoller SeitzUnfortunately, early hints that the the actor-filmmaker's latest will be a brilliant, bloody, sustained workplace satire don't pan out. This is an intelligently composed, crisply edited, sometimes amusing, but otherwise unremarkable cross/double cross gangster picture.
- 50Slant MagazineJesse CataldoSlant MagazineJesse CataldoIf Takeshi Kitano does go forward with the rumored third volume, hopefully he'll conceive of some fresh angle on this increasingly dry material.
- 50The New York TimesNicolas RapoldThe New York TimesNicolas RapoldThe strategy and strategizing of Beyond Outrage still feel like overkill (if you’ll pardon the expression).
- 50New York PostKyle SmithNew York PostKyle SmithBeyond Outrage fails to live up to its title as Japanese superstar Takeshi Kitano can’t find much in the way of fresh ideas for the genre.
- 40Time OutJoshua RothkopfTime OutJoshua RothkopfThe film lacks any kind of human interest, relying instead on our inferred love of lengthy strategy sessions and displays of ruffled pride. When it comes to yakuza cinema, you can do better.
- 40Village VoiceNick SchagerVillage VoiceNick SchagerIt's somewhat surprising to find the filmmaker's sequel marked by such a lack of urgency. The action here seems dutiful, devoid of the indignation at criminal vileness that seethed below Outrage's surface.
- 40The DissolveMike D'AngeloThe DissolveMike D'AngeloKitano’s surreal autobiographical phase was maddening, but it’s depressing to see him stoop to giving audiences what he thinks they really want.