At an elegant Parisian bordello at the dawn of the 20th century exists a cloistered world of pleasure, pain, hope, rivalries--and, most of all, slavery.At an elegant Parisian bordello at the dawn of the 20th century exists a cloistered world of pleasure, pain, hope, rivalries--and, most of all, slavery.At an elegant Parisian bordello at the dawn of the 20th century exists a cloistered world of pleasure, pain, hope, rivalries--and, most of all, slavery.
- Awards
- 6 wins & 15 nominations
Noémie Lvovsky
- Marie-France
- (as Noemie Lvovsky)
Céline Sallette
- Clotilde
- (as Celine Sallette)
Adèle Haenel
- Léa
- (as Adele Haenel)
Judith Lou Lévy
- Une prostituée
- (as Judith Lou Levy)
Maia Sandoz
- Une prostituée
- (as Maïa Sandoz)
Pierre Léon
- Un client
- (as Pierre Leon)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThere's a short epilogue at the end with a view of modern Paris streets, traffic and some streetwalkers, one of whom is a 'twin' to a brothel prostitute. Bertrand Bonello said that Thierry Frémaux, the artistic director of the Cannes Film Festival, asked him to cut it, though the film still made it into the main competition after Bonello refused. "A lot of people thought I was glorifying the brothels of the time, holding them up as an ideal against today's prostitution, but it was actually much simpler than that. I felt I couldn't end inside the brothel but needed a contrast. I wanted to burst this bubble I had created for two hours, to wake the viewer up, and that wake-up is the return to the present", Bonello said.
- GoofsA character says he's been to the inauguration ceremony of the Paris Metro. After that there is a scene where we hear fireworks for Bastille Day (14 July). The opening of the Paris Metro (Line 1) was on 19 July 1900, five days after Bastille Day.
- Crazy creditsDedication before end credits: "For Charlotte"
- ConnectionsFeatured in Ebert Presents: At the Movies: Episode #2.23 (2011)
- SoundtracksPlaisir d'Amour
Written by Jean-Pierre Claris de Florian and Jean-Paul-Égide Martini (as Jean Paul Égide Martini)
Performed by Eloïse Decazes
Piano by Bertrand Bonello
Featured review
This movie is a graphically shocking film about prostitution in France in a mansion of tolerance. It's French ("L'Apollonide") with English sub-titles.
Having researched heavily on this subject for one of my own works, I found it to be an eye-opening film. It's an intimate look behind the closed doors of a house of pleasure focusing on the lives of its mistress, prostitutes, and patrons.
It covers such aspects as registering as prostitutes with the Bureau of Morales, being indebted to mistresses and unable to leave their employ because of it, champagne baths with customers, selection parlors, global fashions worn by prostitutes, opulent client bedrooms, and the regulated visits by the physician examining the workers every 15 days for sign of sexually transmitted disease.
The movie contains naked women, sexually explicit scenes, and is not for the prudish or faint of heart. There are scenes of abuse of one of the girls, which may be disturbing to viewers. It delves honestly into the reality of life as a French prostitute, focusing on the sad and hopeless plight of women in brothels. The particular establishment depicted in this movie catered to aristocrats and rich businessmen, much like the Chabanais, which was one of the well-known brothels of its day.
The movie is two hours, slow moving, and not the best flick you'll ever see. Most of the sexual scenes show the men enjoying their paid visits, while the women merely go through the motions void of emotion. As troubling as the scenes were, I found myself transported into the world I researched and came away shocked at seeing the reality portrayed on screen.
Let's face it, being a prostitute wasn't glamorous. It was a profession that many poor and unskilled women chose in order to survive. It was a dangerous job where women died of syphilis, lived lives with no hope, and sold their bodies in order to eat and have housing. It portrayed a society that found pleasure in sex, living a way of life where brothels were an acceptable form of male entertainment until they were abolished in the early 20th century.
If historical films interest you on all levels, I can attest that this one hits the mark in every way. Being a French film, it adequately portrays the heyday of legalized prostitution.
Having researched heavily on this subject for one of my own works, I found it to be an eye-opening film. It's an intimate look behind the closed doors of a house of pleasure focusing on the lives of its mistress, prostitutes, and patrons.
It covers such aspects as registering as prostitutes with the Bureau of Morales, being indebted to mistresses and unable to leave their employ because of it, champagne baths with customers, selection parlors, global fashions worn by prostitutes, opulent client bedrooms, and the regulated visits by the physician examining the workers every 15 days for sign of sexually transmitted disease.
The movie contains naked women, sexually explicit scenes, and is not for the prudish or faint of heart. There are scenes of abuse of one of the girls, which may be disturbing to viewers. It delves honestly into the reality of life as a French prostitute, focusing on the sad and hopeless plight of women in brothels. The particular establishment depicted in this movie catered to aristocrats and rich businessmen, much like the Chabanais, which was one of the well-known brothels of its day.
The movie is two hours, slow moving, and not the best flick you'll ever see. Most of the sexual scenes show the men enjoying their paid visits, while the women merely go through the motions void of emotion. As troubling as the scenes were, I found myself transported into the world I researched and came away shocked at seeing the reality portrayed on screen.
Let's face it, being a prostitute wasn't glamorous. It was a profession that many poor and unskilled women chose in order to survive. It was a dangerous job where women died of syphilis, lived lives with no hope, and sold their bodies in order to eat and have housing. It portrayed a society that found pleasure in sex, living a way of life where brothels were an acceptable form of male entertainment until they were abolished in the early 20th century.
If historical films interest you on all levels, I can attest that this one hits the mark in every way. Being a French film, it adequately portrays the heyday of legalized prostitution.
- VickiHopkins
- May 3, 2014
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Details
Box office
- Budget
- €4,000,000 (estimated)
- Gross US & Canada
- $19,327
- Opening weekend US & Canada
- $4,766
- Nov 27, 2011
- Gross worldwide
- $1,389,920
- Runtime2 hours 2 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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