User reviews

Win Win is a terrific multigenre sleeper. It's funny, even hilarious; it has mystery and action; and it features brilliant performances by the always-reliable Paul Giamatti and Amy Ryan. It's also not a movie that wallows in treacly messages, and it's not a movie that uses sports as a crutch for "finding one's inner strength." In short, it's a wonderful, top-notch movie.

Giamatti plays Mike Flaherty, a small-time lawyer who's running low on cash. He moonlights as coach of the local high-school team, which is, to put it bluntly, terrible. In a burst of fiscal sanity, Mike offers to become legal guardian for Leo, one of his clients (played by the crusty Burt Young), who's just been declared legally incapacitated. Why? Because as his guardian, Mike gets $1500 a month. But since he wants to avoid the extra hassle of actually taking care of Leo, he puts him in a nice home. Seriously, it's a nice home, with nice people and a big flat-screen TV.

At this point, the movie wants us on Mike's side – sort of. He needs the cash, and he doesn't really want to tell his wife Jackie (Ryan) that they're running low, not with two young daughters to care for as well. Plus he's coach of a terrible team and is just swimming in stress. Swimming in it. So much so that while jogging to work off the stress, he suffers a panic attack.

Just when Mike thinks some of his problems have been solved, teenage Kyle (Alex Shaffer) walks into his life. Kyle, it turns out, his Leo's grandson, and they've never met. Kyle's been sent by his mom to visit Leo. At first, this complicates things – especially when Kyle seems awfully reluctant to go back home to Ohio – but then Mike's remaining big problem is solved. It turns out the kid is a gifted wrestler. Who'd have thought that? He looks scrawny, but in practices Kyle shows he has the mettle. And thus things are riding well for Mike.

But this would be a truly dull (if inspirational) movie if things continued to ride well. One thing we learn early on is that Mike intentionally misled the judge in Leo's case, giving the impression that he would be actively taking care of Leo. But things really get going when Kyle's druggie mom (Melanie Lynskey) shows up to bring her boy back – and to take over as Leo's guardian.

Too often, Giamatti has played real sad-sack characters, guys who just can't seem to catch a break, guys who suffer at the hands of fickle fate. Not so here. Mike isn't exactly a conniving mastermind, but he's not an idiot, either, and he deals with each situation with logic and reason, even as they spiral further out of his control. It's a typically masterful Giamatti performance, and for once he's not a total loser who's in over his head. He's even a half-decent coach who simply has a lackluster team to work with.

Giamatti's not alone, though. I really got a kick out of Amy Ryan's performance as his somewhat-exasperated spouse Jackie, who's not terribly fond of suddenly having a teenage boy around at first. A few years back, Ryan turned in an Oscar-nominated performance as a native Bostonian in Gone Baby Gone. Ryan had a thick, believable Boston accent then. Here, she's playing a New Jersey native, but at no point does she go overboard with the Jersey Shore dialect. That's what good actresses can do – they can dial it back when they have to and show a little nuance.

Win Win is not a stand-up-and-cheer movie, although the audience at the screening I attended applauded when it was over. It's not a crime drama, and it doesn't really have a lot of twists to its plot. What makes it work are all of the truly sincere, dead-on performances: by Giamatti, Ryan, Shaffer, Lynskey, Bobby Cannavale, and even Jeffrey Tambor as one of Mike's wrestling assistant coaches. Not a sour note in the bunch, everyone at the top of his or her game.

This might have fared well, critically, if it were released during awards season. It sort of reminded me of last year's Greenburg, starring Ben Stiller, only funnier and sweeter. Win Win is a charming, quiet movie that reminds us that, as the Grateful Dead once told us, once in a while you can get shown the light in the strangest of places if you look at it right.

As in Thomas McCarthy's first film, "The Station Agent", there is an air of loneliness to the characters in "Win Win" but also with an ability to be kind and with a whole lot of humour permeating throughout. Mike (Paul Giamatti) is approaching a mid-life crisis; the monotony of daily life and money troubles colliding. But this is a well written film and it doesn't look or feel like a mid-life crisis. Just as we get to know the characters exceedingly well (despite the short air time for some - Bobby Cannavale's Terry), a plot is introduced. Mike starts acting like a sleazy lawyer just to make some easy money, even though he's anything but a sleazy lawyer. Because he's a good guy, realities quickly catch up, and he starts taking responsibility for a troubled kid. Mostly trying to assuage his guilt of wrong-doing, but this kid happens to be a wrestling phenom and Mike is a struggling high school wrestling coach. This film could easily turn into an underdog sports story, but as I said before, this is a well written film and it doesn't look or feel like an underdog sports story. I found "Win Win" to be a great mix of character study, a mid-life crisis, and an underdog sports story all rolled into something that isn't any of the above. It's a light, funny, enjoyable slice of life that could provide a few lessons on morality but stops itself before it becomes condescending.

Actor-turned-director Tom McCarthy has put together a fine third feature in Win Win. All of his films tend to have compact stories that are small in scope but feature a very focused lens on the lives of their characters.

One might say that Win Win is perhaps his most conventional dramedy, as it features a normal suburban family with normal suburban problems. Paul Giamatti is "Mike Flaherty" an attorney with a small practice who's also a high school wrestling coach. He's not perfect, but he's doing the best he can. He and his wife "Jackie" (the always wonderful Amy Ryan) are busy raising two kids and leading their quiet life. But when Mike gives into temptation to become the guardian of one his elderly clients (for the $1,500 a month commission) things get to be a little more complicated. The client's grandson, a troubled 16-year-old kid named "Kyle" (Alex Shaffer) comes to stay with his grandfather while his mother goes through her drug treatment. Since his grandfather is living in a retirement home, Kyle ends up staying with Mike and Jackie, who feel compelled to help the kid out.

The film is funny and sweet and paints a really true-to-life portrait of its characters. No one is purely good or purely bad, they're all just human. They make mistakes, whether large or small, and they try to make up for them. In that way, the film will strike a nice honest chord with most of its audience.

Paul Giamatti is great in this, giving a much lower key performance than some of his previous works like American Splendor, Sideways, and even "John Adams." He falls into the suburban dad character very well and wears the character's skin rather nicely. Amy Ryan is always a joy to see on-screen, but I was a bit disappointed that her character was a little one-dimensional, depicting her primarily as a stay at home housewife and mother. Bobby Cannavale and Jeffrey Tambor are fun to watch as well, but serve generally to provide comedic relief (which they do in abundance) and their characters aren't nearly as well painted as Mike or Kyle.

Alex Shaffer, in his very first role, holds his own among some heavyweight actors. I thought some of the emotional scenes were a bit rough for him, but if he decides to continue his acting, more experience will only help to mature his instincts and abilities. Now, outside those heavily emotional scenes, Shaffer is great. His sort of deadpan, monotone delivery works very well for the character.

Kudos go out to Thomas McCarthy's directorial style and talent. He's put together three solid films, all of them equally enjoyable and smart. With Win Win, he's proved he can move past the "loner" archetype of his previous films and move into something more family oriented and encompassing of more characters (although when I think about it The Station Agent had that type of familial quality to it in the friends that Finbar meets). Either way, McCarthy is batting 1.000 in my book and has yet to have a misstep.

When the film releases on March 18th, I'd highly recommend people go and check it out. It's a very sweet and very funny film that deserves the large audience it hopefully will get.

Paul Giamatti is awesome, simple as that. Such a talented actor, I have yet to see him in a film that I haven't enjoyed. So of course Win Win is the next on the list on his impressive resume, the story was surprisingly quite complex but not difficult to keep track of which is the work of a great director.

The character of Jack is very reminiscent of Giamatti's character from Storytelling, a guy somewhat down on his luck who just can't seem to get ahead or on top of things, of course these films are very different but the similarities are definitely there.

Amy Ryan impressed me a lot, I've never seen her in anything before but after seeing this I look forward to catching other films with her, she has a great presence in screen and her and Giamatti work excellently together... Also worth mentioning is the always fantastic Jeffrey Tambor, equally as cool as Giamatti.

The only thing I thought didn't work was Melanie Lynskey, that woman has one of the sweetest faces and personalities, and seeing her playing a gold digging, backstabbing selfish mother just didn't work. I still love her though.

A nice film that is not groundbreaking, but especially entertaining and pleasant to watch.

Win Win is a charming delightful film about an ordinary family dealing with the struggles of everyday life. Writer/Director Tom McCarthy should be commended for his excellent work. Paul Giamatti – a true everyman actor – delivers a wonderful performance as a lawyer and wrestling coach struggling with the challenges of family and money in New Jersey. In the process of taking guardianship for an elderly client Giamatti's character, Mike Flaherty, becomes enmeshed in the old man's family when the old man's grandson shows up literally on his front doorstep. The teenager turns out to be an incredible wrestler, which is a great asset to Mike's awful wrestling team. And then things begin to get complicated. Giamatti specializes in bringing forth flawed characters that are delightfully human. This is a funny, sweet film that combines comedy and drama. Win Win also reminds us that family goes well beyond blood relatives; family is the constantly evolving circle of people that we love and care about. I literally walked out of theater just feeling much better than when I walked in. That has to be one of the best ways to judge any film.

I enjoy Royal Tenenbaums, Juno, and Little Miss Sunshine because they're about eccentric, witty people whose foibles are made less than tragic, their dialogue hypnotizes, and their personas seduce. Then comes Win Win, not as ingenious or innovative as those films but a winner in its own right because it embellishes little while it stays real and lovingly humane.

A little like my family and other interesting neighbors, Win Win has love to spare. Mike (Paul Giamatti) has a failing law practice, moonlights as a high school wrestling coach, and now becomes custodian of elderly Leo Poplar (Burt Young) because Mike needs the $1500 a month. Soon complication arrives with bleached blond Kyle (Alex Schaffer), Leo's grandson, who wants to live with Leo.

Mike is thus faced with more complications than he bargained for in the caretaker role, yet a bit of light shines through as he deals with the taciturn Kyle, who happens to be an excellent wrestler. Mike's relationship with his wife, Jackie (Amy Ryan), is rich with respect between both and patience on her part as she helps Mike through his ethical challenge and his guidance of Kyle.

Nothing comes easy in this dramedy, as it doesn't for most of us, but the beauty of this film is that it slowly works out all the kinks of life in a slowly distributed narrative with triumphs and setbacks that seem to come naturally. Because the central characters are loving and largely benign, the film has an easy, unforced quality.

Terry (Bobby Cannavale) is especially likable as Mike's old wrestling buddy, recently split from his wife, and full of energy to channel as assistant coach helping with their new wrestling star. Cannavale brings an easy charm to the film; he's an enjoyable foil for the schlubby, depressive Giammatti.

Although a few swear words, mostly "f bombs," are dotted in the dialogue, it is essentially a family where the characters live to love.

Like enduring friendships, "Win Win" grows and deepens as it unfolds. The characters become more dear, the laughs get louder and the plot thickens.

Writer, director Thomas McCarthy (who also wrote and directed one of my all time favorite movies, "The Station Agent") has created a group of characters as strange and wonderful as real people, but with better lines. Paul Giamatti and Amy Ryan are perfect. New-comer Alex Shaffer as a troubled teen wrestler creates a whole new kind of cool. Bobby Cannavale (also from "The Station Agent) sparkles in every scene.

If you want to see writing, directing and acting at it's best go see "Win Win." You'll win too.

The story-line of Win Win brings difficult and realistic moral issues before us, which engage our interest and challenge our sympathies. But the film is not a ponderous work of moral theory, fortunately. Instead, it has many humorous moments which keep the tone quite light, even as the film raises some darker problems.

The first dilemma concerns the subterfuge that lawyer Mike Flaherty (Paul Giametti) employs to win the maintenance award for looking after his elderly client Leo who suffers from Alzheimers disease. The dilemma is not so much his (he needs the money too badly and he has a family to provide for), as ours - should we sympathise or not? Mike is a lawyer, yet he deceives the court and thus breaks the law. Yet, at the same time, Leo does not really lose out because the home that Mike puts him in is very comfortable. In a way, Mike's deceit is a win-win solution that solves Mike's financial problems and also provides proper care for Leo. But surely deceit cannot be condoned? Or can it? While we are still dealing with that issue, an entirely different one looms up and takes over the story. Leo's grand-son arrives, looking for his grand-father, Leo, who is now in the care home. Not only does this plot development add a lot of tension (because Mike's deceit is in danger of being exposed), it also adds further complications on the moral front. The first is, should Mike tell Kyle the truth, or is it better to try and help Kyle personally while leaving him in the dark? Should we really expect Mike to confess, when the result will be disastrous for so many people and achieve very little, apart from establishing the truth about Leo's transfer to the care home? Once again, we are just beginning to settle one problem when another arrives to add further complications, this time in the shape of Kyle's mother, Leo's daughter, who has never shown any interest in her father, but now shows a mercenary interest in his state of dependency.

I really enjoyed this film. There is a lightness in the telling of the story, which makes the whole experience a pleasure, but it is a story with some difficult issues to set before us, issues such as the care of the elderly and the rights of birth-parents over foster-parents, which give us food for thought. Above all, however, the film is very well acted and the characters are brought to life very effectively, persuading us of the reality of the issues which it raises, but also coaxing us to temper our judgment of our fellow human beings. The film reminds us that life is rarely as clear-cut as our stern guilty-or-innocent judgments would require.

Name the film: A well-to-do Southern family takes in a homeless teenager. His talent in football and the love of a family lead him to a better life in this heartwarming and uplifting crowd-pleaser. ( I hope I didn't blindside you with the obviousness of my clues.) Now, let's follow that same formula with a few changes in tow. Name this film: A well-to-do ( middle class ) Southern ( New Jersey ) family takes in a homeless teenager. His talent in football ( wrestling ) and the love of a family lead him to a better life in this heartwarming and uplifting crowd-pleaser. The answer: Win Win, the latest independent film written and directed by Thomas McCarthy ( The Visitor, The Station Agent ) follows the Flaherty family, an average all-American family who are trying to eke out a living in today's economy. Mike ( Paul Giamatti ) is a small town lawyer and Jackie ( Amy Ryan ) is his loyal loving wife. Also part of this slightly clichéd family unit are two cute little girls, but, alas, no dog! Mike finds an aimless young boy at the doorstep of an elderly client and gives him a place to stay. The boy, Kyle, is the silent brooding type, a loner who has had a hard-knock life. Escaping his drug-addicted mother ( Melanie Lynskey ), he begins to befriend this family and build a more positive self-image through his wrestling skills. Oh, yes, Mike is also the high school wrestling coach, hence the title. This low key film has a very slow start, introducing minor characters as comic relief which does nothing to advance the storyline. It's not until the character of Kyle enters the film that the plot begins to cohere. That bond is due to the fine acting of newcomer Alex Shaffer who is perfectly cast in that role and Giamatti as his adoptive father figure. In fact, all of the acting has a genuine honest sincerity that helps the film tremendously avoid the pitfalls of sentimentality and mawkishness. McCarthy wisely sidesteps those obvious moments with his well written screenplay, giving the film's characters depth and nuance with his artful way with conversational dialogue. Even though its familiar plot structure follows the tried-and-true win-winning formula of other feel-good films of this genre, Win Win is an entertaining enough film that benefits from its talented cast and its interesting characters. And when you tally it all up, that still makes it a win-win situation for any moviegoer. GRADE: B-

Win Win is the third film from talented writer/director Thomas McCarthy, and like his past indie gems The Visitor & The Station Agent he finds a way to bring out an unexpected humor from the scenes in unique ways. Although his third film isn't necessarily a step up from his past endeavors, it's obvious McCarthy knows how to tell a good story.

Win Win is blessed with a talented cast, and although there isn't any major stretches or performances to be blown away by, it's a talented cast from top to bottom who are very comfortable bringing these characters to life. Paul Giamatti (Sideways, American Splendor) showcases his usual mastery of the lovable loser schlub that most real people can relate to. Amy Ryan, playing the Jersey wife and protective mother with a love of Jon Bon Jovi, continues to show off her acting range from her role as Michael Scott's soul mate Holly on The Office, to her tour de force Academy Award nominated role in 2007's Gone Baby Gone.

Newcomer Alex Shaffer displays a subtle maturity as a teenager hiding the pain from a neglectful childhood. Burt Young, best know for his role as Paulie in the Rocky movies, is terrific as Leo, an aging man dealing with the early stages of dementia. He says so much with just the smallest grin across his face.

Melanie Lynskey, probably best known as the crazy neighbor Rose on the popular sitcom Two and a Half Men, playing the greedy daughter and washed up, absentee mother continues to find ways to shine with the smallest of character parts. From her bit roles in Up in the Air, The Informant & Away We Go…it's only a matter of time before she gets her shot at some starring roles.

Although Win Win isn't as deep as McCarthy's past films, and didn't leave a lasting impression and keep me thinking about the movie long after the credits rolled, it found a way to accomplish something most films don't. It tells an entertaining, realistic, believable story…and I'm okay with that.

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This turned out to be a more than decent dramedy. I didn't know anything about it going in but based on the rave reviews decided to give it a shot. I have to be honest I'm not a fan of Paul Giamatti, I appreciate that's he's a great actor but for (whatever) reason I've never enjoyed him in a movie until now.

He was just superb in this and even though he was involved in some questionable business dealings you were still on his side the whole time. The entire cast was fantastic here, really rich (and real) characters) working through an entertaining and very human feeling story. The films pacing was perfect too with a tone that goes seamlessly from dramatic to comedic.

The story follows a struggling small time lawyer and moon-lighting wrestling coach who makes an unethical decision to earn some extra money by becoming the guardian to an elderly client (Burt Young) suffering from dementia. Unexpectedly this decision also soon results in Mike having to care for the old mans troubled grandson when he shows up needing a place to stay. Kyle just happens to be a brilliant wrestler though, and in need of a real break in the stable family department. Everything is win-win until Kyle's mother turns up, fresh from rehab and flat broke, threatening to derail everything. 1/3/16

Many films (for better or worse) portray an idealized form of life/drama to combat the current economic malaise. "Win Win" is not that kind of film; instead choosing to revel in the struggles of day-to-day life and work through them.

For a basic plot summary, "Win Win" sees Mike Flaherty (Paul Giamatti) struggling to make a living for himself and his family. His law practice is hemorrhaging funds, the bills are piling up at home, and his health is even failing due to the anxiety. After becoming personally involved with a client (Burt Young), Mike "inherits" a son (Alex Shaffer) who provides a spark for his high school wrestling team and lifts his spirits. That is, of course, until life intercedes once again.

In better times, this might be the kind of movie that people would stay away from due to the fact that is is so down-to-earth in its portrayal of life's struggles. In tough times, though, "Win Win" really resonates on a personal level. The struggles of life are not black-and-white, but full of shades of grey and ambiguity.

Also, while the film is well-acted as a general rule, Giamatti's performance is especially moving. Giammatti is one of the great character actors of our time and never fails to shine on the big screen. There's no one who can match his style of acting in terms of combining over-the-top physical/verbal acting with dramatic intensity.

About the only thing that prevents this movie from being a true classic is that the climax doesn't necessarily live up to the build-up. Don't worry, though, as the rich characters and believable circumstances are more than enough to provide compelling drama and entertainment.

"Win Win" is a movie very much like "Easy A" - in that it can't make up its mind what kind of movie it is going to be. A serious movie about the wonders and frustrations of being a father, mother, son, lawyer, wrestler or coach. and/or a movie that makes light of the many obstacles and difficulties of ordinary life. I thought that Alex Shaffer was outstanding as the teenager wrestler with immense talent and a troubled background. Paul Giamatti and Amy Ryan were terrific as a couple trying to deal with each new challenge in their marriage, and in their family. Each of these two actors becomes the character and then builds upon their respective roles with powerful acting skills.

This film acted like one that was badly edited and/or one that richly deserved to go back into post-production so that it could be allowed a more well-developed ending.

I thought that the role of Bobby was more of a distraction than a help.

And yet there were moments of greatness in this film, very heart-warming scenes in which good story, good writing and good acting all dove-tailed.

I would truly like to watch the director's cut of this one.

Alex Shaffer will be heard from again. He displays a fierce, intense, compassionate stage presence - many times without uttering a word. His contribution alone would make the film worth watching or watching again as I will do.

In an effort to clear out our DVR in time for a gazillion hours of Summer Olympics coming up, my husband and I went on an Indie film bender and watched about 10 flicks that we had recorded. Out of all of them, only two really stood out -- Win Win and In a Better World, a small Danish film. I had resisted seeing Win Win in the theater, honestly, because it didn't look like something I'd like based on the trailer. I thought it was going to be one of those feel-good, high school sports movies with the troubled kid and the coach who turns everything around and everyone goes home happy. This had many more layers to it, as all of the other positive reviews posted here will attest to.

My big takeaway from this film is that I really trust Paul Giamatti's choices of roles, and until he proves otherwise, I will see him in anything he does. I am also amazed at the range of characters he can play, and his ability to make a huge difference in a film even if the part he plays doesn't seem that significant in terms of screen time. Win Win was truly a vehicle for him (as the film Barney's Version was a year or so ago), and he carries it with no problem. Great supporting performances here by Amy Ryan, Bobby Cannavale (who I currently love hating in Nurse Jackie), Jeffrey Tambor, and newcomer Alex Schaffer as the kid.

I thought this was going to be a comedy...

This likeable, if rather nondescript drama fills its running time pretty well. It's characters are mostly well imagined and likeable (except the mother; she annoyed me).

There's a comedic tone but they never let it distract from the substance. There's at least a couple of coincidences in its plot and it doesn't have the courtesy to really give the viewer what they want as it takes some predictable routes only to kind of end with its middle finger in our faces but it isn't half bad.

A laconic youth manages to make something of himself through sport. So yes it's a sports movie which like any adequate sports movie isn't really about sport but what Stallone calls "the journey". It's nice enough to not climax with a fight but the distinctly less interesting plot line of the lawyer doing something necessary but apparently unscrupulous. The problem is that it's crucial to the plot that what this guy does is apparently so heinous but you kind of empathize.

There's a cute child actor who is frankly a bit wasted but the talent all round is pretty admirable in handling a rather dry story with pathos and personality.

The movie never tries to be a comedy like I said but even then isn't as funny as it thinks it is. ("Oh s$#!")

Not memorable but I didn't feel like switching it off.

A small-town lawyer fallen on hard times sees a way to exploit a rich client and help his family out of a financial hole. The plan works well till the client's grandson turns up, and then begins a process of unravelling and recrimination. Paul Giamatti is perfectly cast as the well-intentioned lawyer, a good man in an indifferent universe trying to keep it all together. Alex Shaffer absolutely nails the taciturn teenage Kyle. The offspring of a drug-addicted single mother, he gives off that world weariness and flinty edge that emanates from a child that has seen too much too young. The script is full of finely observed little moments, touches of pathos and humour, dotted with those little reversals that life lobs at us like hand grenades. When Kyle's mother shows up suddenly with legal representation, you can feel the knots in your stomach beginning to form. Genuine in its intentions, and stripped of sentimentality, this is a rewarding, entertaining film with no discordant notes.

I loved some of the other reviews I read, so am not going to say much about what's already been covered. We thoroughly enjoyed this film. We were in a pretty full theater with adults of all ages (youthful, but no teens) and everyone seemed to enjoy it.

It was a charmer about what could be real people in real circumstances feeling their way through the exigencies of normal lives without the need for sex, violence, car chases, and other special effects to keep your interest. I'm not saying that those type movies can't be fun and/or good, but you don't need them for every film. We went into the theater with no expectations and came out enchanted.

Doesnt Paul Giamatti ever get tired of selecting good scripts, roles, and films? I have seen almost every film he has made, and I cannot remember one bad one in the substatial lot. Win, Win is another in his long line of successes. With a fine supporting cast, including Bobby Cannavale, who made his bones in "Boardwalk Empire", and Amy Ryan, who is completely believable as a Jersey girl (I have known a few), and especially newcomer Alex Shaffer, who has great potential. This film has it all, starts slowly, and then gradually grabs you in emotoionally until the conclusion. Beautifully conceived, written with authenticity, and acted to perfection by a good cast. Who could ask for more?

This film is exactly the thing I rail most against in cinema. More so than crappy low-budget films, or bad genre films or obviously tinny dialog... it's this kind of thing. Where obviously capable, talented people pretend to be artistically ambitious by tackling very real lives and very human situations, then turn around and create the most fake, trite, saturated approximation of life you can imagine. This is what I call the Sundance Factor. Movies that claim to be about life but are really less true in their minutia than a "Lord of the Rings" movie. Every glance, every human interaction, every performance, every depiction of struggle, misunderstanding and realization, every character is acted up, tarted out, over cooked and absolutely full of crap. Which would be alright if it was funny. But it's not funny. Not at all, despite the terribly stereo-typical, shallow, cringe-inducing, comic-relief character played by Bobby Cannavale.

If you as a filmmaker are going to have this much of a disregard for the way people really act, speak and think then for god's sake, have someone in your film pull a gun out so at least I won't be bored.

Suck Suck.