David Easteal serves as writer, director, producer, editor and actor on the project. A Melbourne-based barrister and film maker, Easteal would give Rakowski a lift to and from work, their commute conversations served as the basis for the film, which were then scripted and filmed. Drone shots in Horsham, Victoria are also used as well as commuter traffic in Melbourne. And Richard Kuipers in Variety described it as "thematically rich and quietly compelling". Ben Kenisberg in The New York Times said that "fans of structural film, Jeanne Dielman and Google Maps will find much to treasure. Luke Buckmaster in The Guardian described it as a "tremendous achievement and, in a subtle way, an amazing work of art" and that it demonstrates that "drama can exist without the dramatic and that engaging narratives are everywhere around us, observable with the right eyes."He later included it as number one in his list of the top ten Australian films of the year.
