IMDb RATING
5.4/10
1.3K
YOUR RATING
Follows Diabolik and his accomplice Eva Kant in a new adventure against a more combative Inspector Ginko than ever.Follows Diabolik and his accomplice Eva Kant in a new adventure against a more combative Inspector Ginko than ever.Follows Diabolik and his accomplice Eva Kant in a new adventure against a more combative Inspector Ginko than ever.
- Awards
- 6 nominations
Storyline
Did you know
- GoofsGinko Citroen car plate (CLV 991466) has been later used also on a police motorbike.
- ConnectionsFollowed by Diabolik: Who Are You? (2023)
Featured review
When the first movie came out, I reviewed it as an interesting experiment with its evident flaws, but not worthy of the way too harsh comments from both critics and viewers.
With this 2nd one, I didn't know what to expect: for various reasons I couldn't watch it in theaters, and also I couldn't find it anywhere 'til now, but still I was very curious to see if I would've found the same results as the first one, if not better, or I would've come to agree with its detractors.
And now that I've finally seen it, I can say ... that there's still too much severity in judging movies that surely are not as good as they could've been, but that still manage to stay far away from total disaster
Starting with the good things, the technical side is always perfectly staged; and also, while in the first one I couldn't picture Mastandrea as Ginko, here he manages to give the role a bit more credibility, and Miriam Leone is still good as Eva, though less impactful and magnetic than before.
But alas, for the rest I cannot really say much more: the first movie tried to balance, not always perfectly, a more grounded approach with a more stylized one, directly referencing the 60s-70s Italian action movies ( the so called "poliziotteschi")
Here, they want to embrace a fully comic book-like atmosphere, and sadly it doesn't build up, resulting too alienating and difficult to accept, even for ones like me more used to movies like this (to quote another Italian title, "5 è il Numero Perfetto" managed to do this way better).
This is reflected especially in the dialogues and the acting of the supporting cast, way too set and "artificial", not to say too marked by dialects that just don't appeal to this kind of story.
Even newcomers like Alessio Lapice and especially Linda Caridi, an actress I grew to admire with each movie I saw her in, are heavily limited by this approach, resulting too much caricatured.
Special Mention to Ester Pantano which appears just at the beginning with a scene that wants to quote as I said a certain kind of movie, but in the end is just a waste of time and characters that could've used way more.
And of course, the most evident change: unfortunately my biggest fear became true, and Giacomo Gianniotti doesn't manage to be as charismatic as the King of Terror should be, nor as cold and lethal, despite many not agreeing with this either.
So, definitely a step back from the imperfect but intriguing and much better built first chapter, but despite anything still nice enough to watch.
With this 2nd one, I didn't know what to expect: for various reasons I couldn't watch it in theaters, and also I couldn't find it anywhere 'til now, but still I was very curious to see if I would've found the same results as the first one, if not better, or I would've come to agree with its detractors.
And now that I've finally seen it, I can say ... that there's still too much severity in judging movies that surely are not as good as they could've been, but that still manage to stay far away from total disaster
Starting with the good things, the technical side is always perfectly staged; and also, while in the first one I couldn't picture Mastandrea as Ginko, here he manages to give the role a bit more credibility, and Miriam Leone is still good as Eva, though less impactful and magnetic than before.
But alas, for the rest I cannot really say much more: the first movie tried to balance, not always perfectly, a more grounded approach with a more stylized one, directly referencing the 60s-70s Italian action movies ( the so called "poliziotteschi")
Here, they want to embrace a fully comic book-like atmosphere, and sadly it doesn't build up, resulting too alienating and difficult to accept, even for ones like me more used to movies like this (to quote another Italian title, "5 è il Numero Perfetto" managed to do this way better).
This is reflected especially in the dialogues and the acting of the supporting cast, way too set and "artificial", not to say too marked by dialects that just don't appeal to this kind of story.
Even newcomers like Alessio Lapice and especially Linda Caridi, an actress I grew to admire with each movie I saw her in, are heavily limited by this approach, resulting too much caricatured.
Special Mention to Ester Pantano which appears just at the beginning with a scene that wants to quote as I said a certain kind of movie, but in the end is just a waste of time and characters that could've used way more.
And of course, the most evident change: unfortunately my biggest fear became true, and Giacomo Gianniotti doesn't manage to be as charismatic as the King of Terror should be, nor as cold and lethal, despite many not agreeing with this either.
So, definitely a step back from the imperfect but intriguing and much better built first chapter, but despite anything still nice enough to watch.
- FelNetti96
- Aug 22, 2024
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Diabolik: ¡Ginko al ataque!
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €7,700,000 (estimated)
- Gross worldwide
- $1,376,312
- Runtime1 hour 56 minutes
- Color
- Aspect ratio
- 2.35 : 1
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