A quiet pawnshop keeper with a violent past takes on a drug-and-organ trafficking ring in hope of saving the child who is his only friend.A quiet pawnshop keeper with a violent past takes on a drug-and-organ trafficking ring in hope of saving the child who is his only friend.A quiet pawnshop keeper with a violent past takes on a drug-and-organ trafficking ring in hope of saving the child who is his only friend.
- Awards
- 19 wins & 17 nominations
Baek Su-Ryun
- Old Woman
- (as Soo-ryeon Baek)
Nam Kyung-eup
- Section Chief
- (as Kyeong-eup Nam)
Kwak Do-won
- Detective Kim
- (as Kwak Byung-gyu)
Son Sang-kyung
- Bear
- (as Sang-Kyeong Son)
Han Cheol-woo
- Loan Shark Company Worker
- (as Cheol-woo Han)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- Quotes
Tae-Sik Cha: You live only for tomorrow.
Man-seok: What?
Tae-Sik Cha: The ones that live for tomorrow, get fucked by the ones living for today.
Man-seok: What are you babbling about?
Tae-Sik Cha: I only live for today. I'll show you just how fucked up that can be.
- ConnectionsFeatured in WatchMojo: Top 10 Movie Fights in Bathrooms (2014)
- SoundtracksDear
by Mad Soul Child
Featured review
This movie threatens to be a run-of-the-mill action movie, but manages to create its own identity. The sameness is how it shows most of its bad guys, and there are plenty, as one dimensionally evil. There are children who are put in harm's way, but not gratuitously--for the most part--providing the hero with a chance to be human.
It's very Korean in its thinking, which is always refreshing to me. Saying that, I was surprised by how much it reminded me of TAXI DRIVER. It's not a re-tread by any means, but it almost felt like the director was paying tribute to the earlier film in a couple of scenes. I have no idea if this is true. Most people I have talked to about this movie have never seen the other.
This is an action film and it does not disappoint on that level. Some of it is pretty brutal, but by the finale you will most likely feel that everyone gets what they deserve and, if anything, a few deserved more. This is because they manage to build characters we care about with out slowing down too much. The pacing is nicely done with properly placed comic moments as well. Some of the humor was a bit dark, which was also nice.
What surprised me was how much I cared for the main characters. The child was sweet but not overly so. I'm used to the child being inserted for sentimental or "Ahhhh" effects--like in the first RUSH HOUR--but that is mostly avoided here and it feels much more genuine over all.
There are cruel moments in the film but the film itself did not feel cruel. That is why I liked it. So often films are either mindless, or mean-spirited, and this one avoided these pit-falls.
It's very Korean in its thinking, which is always refreshing to me. Saying that, I was surprised by how much it reminded me of TAXI DRIVER. It's not a re-tread by any means, but it almost felt like the director was paying tribute to the earlier film in a couple of scenes. I have no idea if this is true. Most people I have talked to about this movie have never seen the other.
This is an action film and it does not disappoint on that level. Some of it is pretty brutal, but by the finale you will most likely feel that everyone gets what they deserve and, if anything, a few deserved more. This is because they manage to build characters we care about with out slowing down too much. The pacing is nicely done with properly placed comic moments as well. Some of the humor was a bit dark, which was also nice.
What surprised me was how much I cared for the main characters. The child was sweet but not overly so. I'm used to the child being inserted for sentimental or "Ahhhh" effects--like in the first RUSH HOUR--but that is mostly avoided here and it feels much more genuine over all.
There are cruel moments in the film but the film itself did not feel cruel. That is why I liked it. So often films are either mindless, or mean-spirited, and this one avoided these pit-falls.
- bearofspades
- Aug 22, 2010
- Permalink
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Details
Box office
- Gross US & Canada
- $528,175
- Opening weekend US & Canada
- $35,751
- Oct 3, 2010
- Gross worldwide
- $44,723,232
- Runtime1 hour 59 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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