Directed by
Pip Broughton |
Writing Credits
Owen Sheers | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
Adrian Bate | ... | producer (produced by) |
Ben Irving | ... | executive producer: BBC |
Rebekah Maher | ... | archive producer |
Llyr Morus | ... | line producer |
Owen Sheers | ... | executive producer |
Music by
Laurence Love Greed |
Cinematography by
Rory Taylor |
Editing by
Kevin Jones |
Casting By
Sam Jones |
Production Design by
Stephen Nicholas |
Set Decoration by
Kate Harman | ||
Ben Stather | ... | (set decoration) |
Costume Design by
Sarah-Jane Perez |
Makeup Department
Joanne McNaughton | ... | key makeup artist |
Caroline Edwards Mua | ... | make-up artist |
Laura Noble | ... | makeup trainee |
Alyn Waterman | ... | makeup designer |
Production Management
Ed Chalmers | ... | unit manager |
Jeff Dearing | ... | unit manager |
Laura Southgate | ... | production manager: Vox |
Second Unit Director or Assistant Director
Michael Curtis | ... | first assistant director |
Aled Ellis | ... | second assistant director |
Jay Salomon | ... | third assistant director |
Art Department
Ruby Clarke | ... | props buyer assistant |
Abigail Foster | ... | art department assistant |
Lily Holbeche | ... | petty cash buyer |
Abi Hubbard | ... | props buyer |
Charlotte Malin | ... | assistant art director |
Dipika Patel | ... | graphic artist / graphic designer |
Alun Lloyd Roberts | ... | stand-by props |
Andy Vowles | ... | stand-by props |
Ffion Vowles | ... | dressing props |
Aaron Haydn Williams | ... | forward dresser |
Alex Williams | ... | stand by art director |
Sound Department
Emma Butt | ... | dialogue editor |
Agustín Casola | ... | foley artist |
Matt Coster | ... | adr recordist |
Robert Edwards | ... | adr mixer |
Freyja Elsy | ... | sound effects editor |
Helen Faulkner | ... | foley editor |
Paul McFadden | ... | dubbing mixer / re-recording mixer |
Steve Miller | ... | foley supervisor |
Patrick O'Boyle | ... | boom operator |
Simon Picken | ... | second sound assistant |
Martín Scaglia | ... | foley mixer |
Doug Sinclair | ... | dubbing editor |
Ian Tapp | ... | pre-mix sound editor |
Shane Tremlin | ... | foley editor |
Camera and Electrical Department
Andrew Barham | ... | electrician |
Jules Blagg | ... | electrician |
Sergejs Bozoks | ... | electrician |
Pat Crawford | ... | gaffer |
Andy Laenen | ... | best boy |
Eva Marloes | ... | camera trainee |
Tyler Parker | ... | 2nd assistant camera: splinter unit |
Ed Stone | ... | dailies focus puller |
Henry Symons Jones | ... | drone pilot |
Stuart Went | ... | Clapper/Loader |
Jason Wood | ... | Camera truck driver |
Editorial Department
Nathan Gibson | ... | on-line editor |
Maria-Luisa Meredith | ... | assistant editor |
Matt Mullins | ... | colorist |
Rhian Rees | ... | post-production coordinator |
Location Management
Megan Sanders | ... | location assistant |
Phil Stewart | ... | location marshall |
George Wilcox | ... | location manager |
Music Department
Hugh Brunt | ... | conductor / orchestrator |
Ananda Chatterjee | ... | additional orchestration / music preparation |
London Contemporary Orchestra | ... | Score Performed by |
Cassandra Gurling | ... | recording projects manager |
Clifton Harrison | ... | musician: viola |
Talia Morey | ... | additional orchestration / music preparation |
Jeremy Murphy | ... | score engineer and mixer |
Nicole Crespo O'Donoghue | ... | musician: violin |
Jamie Philokyprou | ... | music editor |
James Wyatt | ... | score producer |
Script and Continuity Department
Wendy Gruffydd | ... | script supervisor |
Additional Crew
Monique Ennis | ... | covid nurse |
Hanya Gibbins | ... | set runner |
Jessica Hammett | ... | dialect coach: Jerome Flynn |
Richard Price | ... | covid co-ordinator |
Shelley Rees | ... | production coordinator |
Helen Jane Simmons | ... | dialect coach: Victoria Hamilton |
Mari Stewart | ... | assistant production co-ordinator |
Harriet Wilson | ... | publicist |