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Steven Spielberg is coming back with yet another intriguing movie about which only a little is known till now. Earlier rumors claimed Emily Blunt is in talks for the lead role. Now, Netflix’s The Perfect Couple star, Eve Hewson is also in talks for the movie, whether for the same role or a different one is not known yet.

Emily Blunt in a still from Edge of Tomorrow | Warner Bros. Pictures

Blunt’s post-Oppenheimer box office run hasn’t been stellar. The Fall Guy came and went totally overlooked by moviegoers. With the animated movie If in the mix also not having done that great, landing a Spielberg flick could be her chance to turn things around. Missing out on this role would be a real nightmare for her!

Eve Hewson in Talks for Upcoming Steven Spielberg Movie!

Eve Hewson is reportedly eyeing a potential reunion with Steven Spielberg...

Eve Hewson is in early talks to star in Steven Spielberg’s untitled event film, The Hollywood Reporter has learned.

The actress most recently starred opposite Nicole Kidman and Dakota Fanning in Netflix’s limited series, The Perfect Couple. Her other credits include Bad Sisters, Flora and Son, The Knick, Enough Said and This Must Be The Place.

Spielberg’s film would also be a reunion for Hewson and the Oscar-winning filmmaker after they first worked together on his Bridge of Spies. The 2015 film, starring Tom Hanks, follows an American lawyer who is recruited to defend an arrested Soviet spy in court during the Cold War and then helps the CIA facilitate an exchange of the spy for the Soviet-captured American U2 spy plane pilot, Francis Gary Powers.

Though little has been released about his upcoming project’s plot, it’s based on a story by Spielberg, with a screenplay by David Koepp (Jurassic Park,...

Eve Hewson is in early talks to join the upcoming untitled event film set to be directed by Steven Spielberg, TheWrap has learned. If Hewson joins the project, this would be a reunion for the pair, as Hewson was also in Spielberg’s Academy Award-winning “Bridge of Spies.” The untitled Universal project is set for release on May 16, 2026.

The actress most recently starred in the new Netflix limited series “The Perfect Couple” opposite Nicole Kidman and Dakota Fanning and she’s set to return in Season 2 of “Bad Sisters” on Apple TV+ in November. Hewson is also known as the daughter of U2 lead singer Bono.

The untitled Spielberg event film is based on a story by the writer-director with a screenplay by David Koepp, a frequent Spielberg collaborator, who also wrote the scripts for “Jurassic Park,” “War of the Worlds,” “Indiana Jones and the Kingdom of the Crystal Skull...

Eve Hewson and Murray Bartlett are set for two of the lead roles in the Hulu comedy pilot “Downforce,” Variety has learned.

The pilot was originally picked up at the streamer back in May. Per the official logline, “When the owner of a storied racing team’s estranged daughter is thrust back into the family business, they have to find common ground or risk destroying the team’s legacy.”

Bartlett will star as Sir Trevor, described as “the team’s larger-than-life founder and owner.” Hewson will play his daughter, Victoria, said to be “a shrewd and ruthless investment banker who finds her way back into the front office. She knows business, he knows racing, and together they have to figure out the business of racing after years apart.”

Hewson will next be seen in the Netflix limited series “The Perfect Couple” opposite Nicole Kidman, Dakota Fanning, and Liev Schrieber. The show will debut on Sept.

Eve Hewson and Murray Bartlett are set to lead the ABC Signature comedy pilot Downforce for Hulu.

Downforce follows Victoria (Hewson), the estranged daughter of a storied racing team’s owner, Sir Trevor (Bartlett), who is thrust back into the family business, leaving the pair to find common ground or risk destroying the team’s legacy.

Sir Trevor is described as the team’s “larger-than-life founder and owner.” Victoria is “a shrewd and ruthless investment banker who finds her way back into the front office. She knows business, he knows racing, and together they have to figure out the business of racing after years apart.”

Alec Berg will direct the pilot and executive produce alongside Adam Countee, both of who have overall deals at ABC Signature. EPs also include Marty Bowen and Wyck Godfrey for Temple Hill, Daniel Ricciardo,...

It wouldn’t be “The Umbrella Academy” without a soundtrack full of excellent needle drops, and Season 4 is no exception. The final season of Netflix’s superhero comic adaptation has just six episodes to wrap up the wild world of the Hargreeves siblings and their many apocalypses, but the short episode count doesn’t hold it back from dropping catchy song after the next — including one of the world’s most earworm-y songs of all time, “Baby Shark.”

This season’s soundtrack is also a little different because the episodes take place during the holiday season, meaning there are a handful of Christmas classics in the mix as well, from “Santa Baby” to “Carol of the Bells.” They even got the always-coveted rights to a Cher song.

If you’re looking for a handy rundown of the complete “Umbrella Academy” Season 4 song list, here’s a guide to all the...

Sean Penn is giving his take on straight actors playing roles of gay men, saying in a recent interview that he would not play Harvey Milk today.

Penn portrayed the openly gay politician in 2008’s Milk and earned his second Oscar for the film.

“I went 15 years miserable on sets,” Penn told The New York Times. “Milk was the last time I had a good time.”

He continued, “It could not happen in a time like this. It’s a time of tremendous overreach. It’s a timid and artless policy toward the human imagination.”

After starring in the film directed by Gus Van Sant and written by Dustin Lance Black, Penn went on to star in films like Fair Game (2010), The Tree of Life (2011), This Must Be the Place (2011), Gangster Squad (2013), The Secret Life of Walter Mitty (2013), The Gunman (2015), The Professor and the Madman (2019), Licorice Pizza (2021), and many more.

If he has the option between the Croisette or the Lido, Paolo Sorrentino is going to… France. His Cannes journey began with 2004’s The Consequences of Love, followed by 2006’s Friend of the Family, his masterwork Il Divo, his misstep of 2011’s This Must Be the Place, 2015’s Youth and the two-piecer Loro He returns with a piece of cinema that we could equate to the sweet summer breezy demeanor and while Parthenope lays it on thick with its pristine-looking flair, but how did our critics think about it’s center? Celeste Dalla Porta toplines in what will be a complete early career boost.…...

Gary Oldman took the opportunity to clarify his comments about his acting in the “Harry Potter” franchise during the Cannes press conference for his new film, “Parthenope,” on Wednesday.

When asked about a prior comment in which he disses his performance as Sirius Black as “mediocre,” Oldman said he didn’t mean to “disparage anyone out there who are fans of ‘Harry Potter’ and the films and the character who I think is much beloved.”

“What I meant by that is, as any artist or any actor or painter, you are always hypercritical of your own work,” he continued. “If you’re not, and you’re satisfied with what you’re doing, that would be death to me. If I watched a performance of myself and thought, ‘My God, I’m fantastic in this,’ that would be a sad day.”

He continued, “There was such secrecy that was shrouded around the novels,...

Oscar winner Paolo Sorrentino ascended the red carpet here this evening for his latest Cannes competition entry, Parthenope, which was welcomed by a nine-minute standing ovation.

“This movie is a celebration of the journey of my life,” the humbled filmmaker told the crowd.

“The movie is a celebration of the journey of my life” : Paolo Sorrentino says in a speech after the ‘Parthenope’ premiere at #Cannes2024 pic.twitter.com/Z6PhssUcFL

— Deadline Hollywood (@Deadline) May 21, 2024

The movie follows Parthenope, a woman born in the sea of Naples in 1950 who searches for happiness over the long summers of her youth, falling in love with her home city and its many memorable characters. Sorrentino shot the Italian-French co-production between Naples and Capri.

The pic’s breakout star Celeste Dalla Porta was enthralled by the audience reaction, welling up as they applauded.

The cast also includes Dario Aita, Celeste Dalla Porta, Silvia Degrandi,...

Paolo Sorrentino embraced the stars of his latest film “Parthenope,” including Gary Oldman, Celeste Della Porta and Stefania Sandrelli, as the film received a 9.5-minute standing ovation at Cannes Film Festival on Tuesday night.

Tears streamed down the face of Della Porta, who plays the title character, and Sorrentino looked visibly moved as he addressed the crowd.

“For me, this movie is a celebration of the journey of my life,” he said. “I want to thank [Cannes general delegate] Thierry Fremaux for the beginning of my journey in cinema 20 years ago.”

His film “The Consequences of Love” premiered at Cannes two decades ago, and the Italian auteur has certainly made his mark on the festival since. He won the festival’s jury prize in 2008 for “Il Divo” and the prize of the ecumenical jury in 2011 for “This Must Be the Place.” Sorrentino has now had seven films compete for the prestigious Palme d’Or.

Paolo Sorrentino has done a wide range of films but until his most personal, The Hand of God two years ago (a prize winner in Venice), he had not returned to Naples, the land of his youth, except for the very first feature he made, 2001’s One Man Up. Since then though, he has been to Cannes with his films six times, and his impressive list of movies have included The Consequences of Love, Il Divo, Loro and his Oscar-winning The Great Beauty. There have been more mixed reactions for his starry English-language films like Youth and This Must Be the Place, but Italy seems to drive his creative mojo and may be closest to his heart in the current phase of his filmmaking career when he has found new inspiration by going back to his youth, first in Hand of God which closely reflected his own coming of age in Naples,...

Exclusive: Paolo Sorrentino’s anticipated new movie Parthenope has sold around the world for Pathé here in Cannes where the film is playing in Competition.

We broke news of the A24 domestic deal coming into the festival and now deals have closed this past week in UK (Picture House), Germany (Wildbunch – Alamode), Spain (Bteam), Cis (Pasatiempo Pictures), Latin America (Pasatiempo Pictures), Scandinavia (Triart) and South Korea (Aud).

The in-demand project is also heading to Poland (Monolith), Benelux (Cineart), Baltics (Aone Films), Bulgaria (Cinelibri), Czech Republic & Slovakia (Aero), Ex-Yugoslavia (McF), Portugal (Nos), Romania (Independenta), Hungary (Mozinet), Turkey (Bir Film) and Israel (Lev Cinemas).

Pathé will handle distribution in France and Switzerland. Piper Films will release in Italy. The movie debuts today in Cannes. Negotiations are ongoing in the handful of remaining territories.

Plot details have been kept under wraps but the production says the movie will be an “exploration of the relentless pursuit of freedom,...

The Talking Heads Tribute album Everyone’s Getting Involved: A Tribute to Talking Heads’ Stop Making Sense has arrived today, and it begins with a cover of “Psycho Killer” from none other than Miley Cyrus.

The album, announced by A24 Music back in January in the wake of Stop Making Sense’s 40th anniversary re-release, features renditions of the film’s original 16 tracks. Paramore kicked things off with their cover of “Burning Down the House,” Lorde reimagined “Take Me to the River,” The National covered “Heaven,” and girl in red tackled “Girlfriend Is Better.”

Other contributions come from Cyrus, Kevin Abstract (“Once in a Lifetime”), Teezo Touchdown (“Making Flippy Floppy”), Blondshell (“Thank You For Sending Me an Angel”), The Linda Lindas (“Found a Job”), Badbadnotgood and Norah Jones (“This Must Be the Place (Naive Melody)”), and more. Stream the album below.

Miley Cyrus is no stranger to rock covers or “Psycho Killer.

Growing up in Texas in the 2000s, new-generation rap-rock star Teezo Touchdown was largely unfamiliar with Talking Heads. But as he was making his own records and plotting a stage show, some of his colleagues thought he’d be inspired by the band and called up a clip from its 1984 concert movie, Stop Making Sense. “The opening shot of David Byrne coming out with a boombox and doing ‘Psycho Killer’ — I had a true discovery moment,” Teezo recalls. “With what he was doing, and the production and the visuals, they had the total package.

Exclusive: A24 has acquired North American rights to Parthenope, the new film from Oscar winning filmmaker Paolo Sorrentino, ahead of its world premiere at the 77th Festival de Cannes.

Parthenope is the seventh Sorrentino movie to play the Croisette following 2004’s The Consequences of Love, 2008’s Il Divo which won the Jury Prize and the Ecumenical Jury Prize, 2011’s This Must Be the Place starring Sean which also won the Ecumenical Jury Prize, 2013’s The Great Beauty and 2015’s Youth. The Great Beauty would go on to win the Best Foreign Language Film Oscar in 2014.

Sorrentino’s previous directorial, The Hand of God, inspired by his youth, received a 2022 Oscar nomination for Best International Film and was released on Netflix stateside.

Pathe is handling foreign sales and is releasing the movie in France and Switzerland.

The movie follows Parthenope, who born in the sea of Naples in 1950, searches for happiness...

girl in red has shared her cover of Talking Heads’ “Girlfriend Is Better,” from the upcoming A24 compilation album, Everyone’s Getting Involved: A Tribute to Talking Heads’ Stop Making Sense.

Reimagining the funky arrangement of 1983 original in a post-nu-disco setting, girl in red’s take on “Girlfriend Is Better” sees the Norwegian pop star emphasize the song’s grooviest elements while updating it for a modern palette, with an electronic soundscape and heavy-hitting bottom end. Stream the single below.

Along with the single’s arrival, A24 has revealed the full tracklist and release date for Everyone’s Getting Involved. Due on May 17th (and now available to pre-order), the album will span 16 songs, including Miley Cyrus’ cover of “Psycho Killer,” Kevin Abstract’s cover of “Once In a Lifetime,” Badbadnotgood and Norah Jones’ cover of “This Must Be the Place (Naive Melody),” and more. Check out the full tracklist below.

This book is one of the few records that a strip called Please Keep Warm ever existed. Well, there are launch announcements and excerpts elsewhere, but the actual GoComics strip has fallen into the memory hole, never to be seen again.

The strip launched in February of 2017; this book came out in the summer of 2017. When did the strip end? I have no idea. So this is probably the beginning, but it’s unclear how much more more might be lurking in creator Michael Sweater’s files, if anything. So This Must Be the Place declares itself to be A “Please Keep Warm” collection, but my suspicions are that it’s the only one.

Anyway: This Must Be the Place starts with a five-page page-formatted comic – the bit excerpted in Vice – and then turns into a four-tier layout, with each tier (I think) an individual strip, for about eighty pages,...

Acclaimed auteurs Francis Ford Coppola, Yorgos Lanthimos, Paolo Sorrentino and Andrea Arnold are among the filmmakers set to compete for the coveted Palme d’Or at the 77th Cannes Film Festival.

A total of 19 features were revealed today (April 11) that will play in Competition at the festival, set to run May 14-25.

Rarely a festival to veer far from familiar names, the Competition line-up is dominated by directors who have been selected multiple times for Cannes.

They include US filmmaker Coppola with sci-fi epic Megalopolis, which stars Adam Driver and is set in a future version of New York City following a disaster.

Hayley Williams and her Paramore band members have a tape they’d like to play for you. Not long after parting ways with Atlantic Records to become an independent rock band, Paramore is teasing a partnership with A24 to release a 16-track Stop Making Sense tribute album inspired by the life-altering album and concert performance by the Talking Heads. While details remain a mystery, the project teases “16 tracks from 16 artists.”

Paramore is singer Hayley Williams, guitarist Taylor York, and drummer Zac Farro. Recently, the band created a panic among its fanbase when rumors about them breaking up circulated online. The nail-biting occurred when the band removed its website and scrubbed its social media platforms. However, the band has no intention of parting ways—quite the opposite. In addition to announcing the Stop Making Sense tribute album, Paramore will support Taylor Swift on her sold-out Eras arena tour in 2024.

In a...

The ominous task that faced Eve Hewson when she first read John Carney’s script for Flora and Son had been accepted before she even realized it.

Sure, she knew Carney’s work, almost exclusively delivering features that baked music into the very fabric of their construction. She’d seen Glen Hansard belting at the top of his lungs in Carney’s debut, Once; Keira Knightley and Mark Ruffalo making sweet music together in Begin Again; Ferdia Walsh-Peelo embracing ’80s pop in Sing Street. She knew what was coming, but still hoped it never would.

She fell madly in love with Flora, a single mum living in a Dublin apartment block with her delinquent teenage son Max, turning each page as Flora salvaged a guitar from a skip, had it tidied up, and gifted it to Max. She followed along as the character started taking guitar lessons by Zoom with...

The classic Talking Heads concert film “Stop Making Sense” has generated $5 million at the box office since returning to theaters in the fall.

With this benchmark, the “Stop Making Sense” re-release has generated more coinage than the film’s entire initial 41-week run ($4.95 million) in 1984. Of course, this milestone comes with a massive caveat: Ticket sales aren’t adjusted for inflation, and prices were significantly less expensive four decades ago. So, attendance was higher during the original release.

Still, it’s an impressive turnout for a 40-year-old documentary about a band whose members are currently in their 70s. (Concert films don’t need to sell at the level of Taylor Swift’s “Eras Tour” to be successful.) According to its distributor A24, it’s not just old fans of Talking Heads who are returning to the big screen. More than 60% of audience members were not alive when the film was originally released,...

If you’re the Talking Heads, you may find yourself at the top of the Imax charts after the Toronto International Film Festival Imax screening of Stop Making Sense, the band’s legendary concert film. The Stop Making Sense 40th Anniversary TIFF screening, courtesy of A24, earned $640,839 and sold out 25 screens across 165 Imax markets in North America and the BFI Imax in London.

Fans lucky enough to attend the world premiere at Cineplex’s Scotiabank Imax Theatre in Toronto experienced a special Q&a live stream from TIFF, moderated by Spike Lee. The band’s four original members reunited for the event: David Byrne, Tina Weymouth, Chris Frantz, and Jerry Harrington.

“The unforgettable Stop Making Sense looks and sounds even more incredible in Imax, and we’re excited to share this event with TIFF and our audiences everywhere,” said CEO Rich Gelfond. “This further establishes our ability to deliver live...

Jonathan Demme’s classic Talking Heads concert film “Stop Making Sense” returned to theaters for its 40th anniversary and became Imax’s highest-grossing live event. The film earned $640,839 and sold out 25 screens across 165 Imax locations in North America, according to the company.

All things considered, this is a pretty niche record within Imax. The previous benchmark for Imax Live — which consists of early screenings followed by live Q&As with stars and filmmakers — was Brandi Carlile’s “In the Canyon Haze,” which earned $505,000 in September 2022. Prior events have included director Peter Jackson’s Disney+ documentary “The Beatles: Get Back” and Olivia Wilde’s “Don’t Worry Darling.”

The world premiere of A24’s 4K restoration of “Stop Making Sense” was held on Monday at the Toronto International Film Festival at Cineplex’s Scotiabank Theatre. It was followed by a Q&a live-streamed from TIFF and moderated by filmmaker Spike Lee with...

Talking Heads have released the new, deluxe edition of the soundtrack to their seminal 1983 concert film, Stop Making Sense. Stream the album below.

Commemorating the 40-year anniversary of the original concerts that were filmed for Stop Making Sense, the new soundtrack features remastered audio of the full setlist, as well two previously unreleased recordings, “Cities” and “Big Business / I Zimbra.” Physical copies also come with new liner notes from the band’s four members, in which David Byrne explains that the energy of the songs was lifted by the excitement of the audience. “In many ways, these versions are more exciting than the studio recordings,” he wrote.

The release comes as A24 is gearing up to bring the film version of Stop Making Sense back to theaters next month, on September 22nd. The news of the movie’s theatrical return broke this past March, and arrived with a trailer showing...

Fresh off his appearance on IndieWire’s Best Performances of the 80s list, David Byrne will be bringing down the house — hopefully packed movie theater houses.

A24 is gearing up for its re-release of Jonathan Demme’s adored Talking Heads concert documentary “Stop Making Sense” at TIFF and in a Global IMAX Live event on September 11, with the film rolling out to the general public in the weeks after. Watch the trailer below.

The distributor had previously released a 40-second teaser that showed Byrne picking up his laundry and getting back… the big suit! The comically oversized, boxy suit the buttoned-down singer/songwriter wears during the latter part of the concert during songs like “Girlfriend Is Better.” In that teaser, he put it on again and did his trademark wiggle, the awkward-chic moves that, along with many other things, have endeared him to audiences the past four decades.

This is a 4K restoration,...

Talking Heads’ “Psycho Killer” is one of the band’s most famous classic rock songs. Selena Gomez’s “Bad Liar” reuses the bassline of the song. Subsequently, Talking Heads’ David Byrne revealed what he thought about Gomez’s track.

Why Talking Heads’ David Byrne was alright with Selena Gomez sampling ‘Psycho Killer’

During a 2018 interview with Rolling Stone, Byrne was asked if he was upset with Gomez for decontextualizing “Psycho Killer.” “No, no, not at all,” he responded. “I mean, I would have an issue if somebody took, say, ‘This Must Be the Place,’ which is a very personal love song — if somebody repurposed that and made it into some kind of horrible violent thing, I would probably say, ‘No, you do not have permission to do this.’

“Other than that, yeah, repurpose the stuff,” he added. “That’s totally fine. And, you know, we get paid for it too.

Exclusive: Lucy J. Mukerjee has joined Stanley Nelson and Marcia Smith’s media company Firelight Media, geared toward nonfiction cinema by and about communities of color, as the new director of its flagship Documentary Lab.

An 18-month fellowship that provides emerging filmmakers of color with customized mentorship from prominent leaders in the documentary world, as well as funding, professional development workshops and networking opportunities, the Documentary Lab has thus far helped to advance the careers of over 100 filmmakers, including Dawn Porter, Yoruba Richen and Peter Nicks.

Mukerjee succeeds Sabaah Folayan, who for the past year has served as the Lab’s Interim Director. She comes to Firelight Media with over 20 years of experience producing films, programming festivals, and overseeing artist development programs. Her previous roles include Senior Programmer at Tribeca Festival, Director of Programming at Outfest Los Angeles LGBTQ+ Film Festival, Outfest Fusion Qtbipoc Festival and NewFest New York’s LGBTQ+ Film Festival,...

How did it all end for Tully and Kate? The final seven episodes of Netflix’s Firefly Lane are now streaming, bringing to a conclusion the emotional, decade-spanning story of the two best friends. From the outcome of Kate’s battle with breast cancer to Tully’s romance with Danny, here are the answers to the biggest questions we had heading into Firefly Lane Season 2.

[Warning: This article contains spoilers for Firefly Lane Season 2 Part 2.]

Does Kate die in ‘Firefly Lane’? ‘Firefly Lane’ | Netflix

We’ll get the saddest question out of the way first. Yes, Sarah Chalke’s Kate does die in the final episode of Firefly Lane, titled “This Must Be the Place.” The mom and aspiring author learned she had stage IV inflammatory breast cancer in the show’s mid-season finale, “Hart-Shaped Box.” Despite early encouraging signs, treatment was ultimately unsuccessful.

Kate’s death was devastating for her husband Johnny (Ben Lawson), daughter...

We hope you had your Kleenex handy. The final episodes of Netflix’s Firefly Lane have arrived, and they packed a serious emotional punch. The time-hopping drama about the decades-long friendship between bookish and awkward Kate Mularkey (Sarah Chalke) and the outgoing and ambitious Tully Hart (Katherine Heigl) went out with a heartbreaking episode that brought the two besties’ story to a fitting close. We break down the ending of Firefly Lane Season 2 and what happened in episode 16, “This Must Be the Place.”

[Warning: This article contains major spoilers for Firefly Lane Season 2 Part 2.]

The ‘Firefly Lane’ series finale reveals Marah is the one getting married in 2016

The first half of Firefly Lane’s second (and final) season concluded with a serious teaser for the show’s last seven episodes. A flash-forward to 2016 at the end of episode nine showed Kate’s husband Johnny (Ben Lawson) and Tully preparing for a wedding at Kate and Johnny’s gorgeous waterfront home.

Mubi has announced its lineup of streaming offerings for next month, including a Béla Tarr double bill, with new 4K restorations of Damnation and Sátántangó, Léa Mysius’ The Five Devils, Radu Jude’s short The Potemkinists, and Kira Kovalenko’s Unclenching the Fists.

They will also present a series on past Cannes Film Festival selections with films by Abderrahmane Sissako, Alice Rohrwacher, Djibril Diop Mambéty, Jeremy Saulnier, and more. Ana Vaz’s The Age of Stone and most recent work It is Night in America will arrive on the service, plus a Merchant Ivory series.

Check out the lineup below and get 30 days free here.

May 1 – Blind Spot, directed by Claudia von Alemann | What Sets Us Free? German Feminist Cinema

May 2 – Heat and Dust, directed by James Ivory | Gilded Passions: Films by Merchant Ivory

May 3 – Damnation, directed by Béla Tarr | Béla Tarr: A Double Bill

May 4 – The Bostonians, directed by...

HBO Max’s It prequel series has found its first potential victims.

Chris Chalk (Gotham), James Remar (Black Lightning), Taylour Paige (Hit the Floor) and Jovan Adepo (Sorry for Your Loss) have joined the cast of Welcome to Derry, the upcoming prequel to the supernatural horror film based on Stephen King’s 1986 novel, our sister site Variety reports. No character details are currently available.

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Two-time Academy Award winning filmmaker Chloé Zhao will direct “Hamnet,” an adaptation of the critically acclaimed, award winning novel by Maggie O’Farrell, Amblin Partners, Hera Pictures, Neal Street Productions and Book of Shadows announced on Tuesday.

Zhao and O’Farrell will write the script together.

The New York Times Bestselling historical fiction novel imagines the story of Agnes – the wife of the world’s most famous writer, William Shakespeare – as she struggles to come to terms with the loss of her only son, Hamnet. The novel charts the emotional, familial and artistic consequences of that loss, bringing to life a human and heart-stopping story as the backdrop to the creation of Shakespeare’s most famous play, Hamlet.

Also Read:

The 40 Best Movies on Hulu Right Now

Hamnet won the 2020 Women’s Prize for Fiction and the Fiction Prize at the 2020 National Book Critics Circle Awards, and was also shortlisted for...

Exclusive: After dominating the Oscars in 2021, Nomadland writer-director Chloé Zhao looks to be building out her future slate. Sources tell Deadline that she is set to direct an adaptation of Hamnet for Amblin Partners, Hera Pictures, Neal Street Productions and Book of Shadows. The film is based on the novel by Maggie O’Farrell, who will adapt the script with Zhao.

The New York Times bestselling historical fiction novel imagines the story of Agnes – the wife of the world’s most famous writer, William Shakespeare – as she struggles to come to terms with the loss of her only son, Hamnet. The novel charts the emotional, familial and artistic consequences of that loss, bringing to life a human and heart-stopping story as the backdrop to the creation of Shakespeare’s most famous play, Hamlet.

Related: Maggie O’Farrell Novel ‘Hamnet’ Headed For Screen From Amblin Partners, Sam Mendes’ Neal Street, Hera Pictures...

There are concert films, and then there's Jonathan Demme's "Stop Making Sense," incorporating footage from the final shows of Talking Heads' 1983 "Speaking in Tongues" tour. There are only a handful of concert documentaries that even come close to the intense brilliance of "Stop Making Sense," among them Martin Scorsese's "The Last Waltz," Saul Swimmer's "The Concert for Bangladesh," and Spike Lee's "David Byrne's American Utopia." Now, 40 years after the concert and 39 years after the film released, A24 will be bringing "Stop Making Sense" back to theaters with a glorious 4K restoration, which is just about the best news for music fans because it's the ultimate concert movie.

"Stop Making Sense" takes the concert experience and gives audiences a closer look at the performances without ever showing the behind-the-scenes magic that makes those performances come alive. While many concert docs focus on personal turmoil in the...

After sweeping the 95th Academy Awards with seven monumental wins for Everything Everywhere All At Once, A24 plans to release the Talking Heads concert film Stop Making Sense in 4K for a theatrical release! Director Jonathan Demme’s first concert film is my favorite concert experience ever captured on film. The phenomenal performance by the Talking Heads changed how I listen to music. I’ll never forget the first time I watched Stop Making Sense on my way to All Tomorrow’s Parties 2008, curated by My Bloody Valentine.

Stop Making Sense stars core band members David Byrne, Tina Weymouth, Chris Frantz, Jerry Harrison, P-Funk Bernie Worrell, Alex Weir, Steve Scales, Lynn Mabry, and Edna Holt. Shot over three nights at Hollywood’s Pantages Theatre in December 1983, the elaborate set features memorable Talking Heads songs like “Psycho Killer,” “Life During Wartime,” “Found a Job,” “Slippery People,” Burning Down the House,” “Making Flippy Floppy,...

A24 has acquired worldwide rights to the classic Talking Heads concert film “Stop Making Sense.” A 4K restoration of the movie will be released in theaters globally later this year.

Jonathan Demme, the acclaimed filmmaker of “Silence of the Lambs” and “Philadelphia,” directed 1984’s “Stop Making Sense,” which is regarded as one of the greatest concert films ever.

If the suit still fits… This year, we’re bringing Jonathan Demme’s groundbreaking 1984 Talking Heads concert film Stop Making Sense (newly remastered in 4K!) back to theaters worldwide. #StopMakingSense2023 pic.twitter.com/Kh2Nevaf2X

— A24 (@A24) March 16, 2023

In the New York Times’ 1984 review of “Stop Making Sense,” critic Janet Maslin says the rock concert film “looks and sounds like no other.”

“The film’s visual style is as coolly iconoclastic as Talking Heads itself,” she wrote. “Mr. Demme has captured both the look and the spirit of this live performance...

In the wake of delivering Talking Heads frontman David Byrne his second Oscar nomination with Everything Everywhere All at Once, A24 has acquired worldwide rights to his former band’s 1984 cult hit concert pic Stop Making Sense for theatrical release later this year.

A24 will give the director Jonathan Demme’s first concert pic a 4K restoration. If the company can polish this up in time, boy, this would be a fun midnight film for Cannes. The news comes off the heels of A24 acquiring and re-releasing Darren Aronofsky’s Pi.

Stop Making Sense stars core band members Byrne, Tina Weymouth, Chris Frantz and Jerry Harrison along with P-Funk Bernie Worrell, Alex Weir, Steve Scales, Lynn Mabry and Edna Holt. The live performance was shot over three nights at Hollywood’s Pantages Theatre in December 1983 and features such memorable Talking Heads songs as “Burning Down the House,” “Life During Wartime,...

Apple has confirmed Deadline’s scoop on winning an all-night bidding battle for the John Carney-directed Flora and Son, as Apple’s Heads of Worldwide Video Zack Van Amburg and Jamie Erlicht and their head of features Matt Dentler burned the midnight oil to make the label’s biggest Sundance Film Festival deal since they acquired Coda in 2021. That film went on to establish Apple as the first streamer to win the Best Picture Oscar, with the film also winning Best Adapted Screenplay for director Sian Heder and Best Supporting Actor for Troy Kotsur.

The three-year old Apple film label paid 25 million for Coda, and Flora and Son came in underneath that but it is certainly a pricey purchase — near the 20 million Netflix paid Monday for another festival favorite, Fair Play. That is more than the 15 million Apple paid at last Sundance for the Grand Jury Prize winner Cha Cha Real Smooth.

Paolo Sorrentino, the Oscar-winning director of “The Great Beauty” and “The Hand of God,” is set to preside over the jury of the Marrakech International Film Festival. The popular fest will make a comeback this year after a pair of editions were canceled due to the pandemic. The upcoming fest will take place Nov. 11-19.

Sorrentino’s jury will award the Étoile d’Or to one of 14 feature-length films set to compete at the festival, which aims at showcasing rising filmmakers from around the world. The helmer follows the footsteps of prestigious directors and talents such as Martin Scorsese and Tilda Swinton, who presided over previous years.

“The Marrakech Film Festival is for me the place where the dream of watching numerous films with Martin Scorsese, and of spending days talking about cinema with him and other talented colleagues, came true,” Sorrentino said in a statement. “I believe — I want...

Paolo Sorrentino, fresh off his Grand Jury Prize win in Venice for “The Hand of God,” in which he decided to tell his own story, picked up another statuette at Zurich Film Festival.

“It comes as a bit of a surprise as I am such a young Italian director,” joked the 51-year-old. “I am honored to receive this award for the first part of my career. I hope I will receive another one in about 20 years.”

During his masterclass, conducted in Italian, “The Great Beauty” helmer opened up about latest film, which saw him return to his hometown of Naples. A Netflix production, it delves into his family, the tragedy that ripped it apart but also soccer legend Diego Maradona, unveiled as a Napoli player in 1984.

“For me, and for many people from Naples, he represented a moment of joy, of sudden freedom after years of difficult times. His arrival had given us hope,...

Contemporary filmmakers clearly have an enormous bee in their bonnet for the coming-of-age film and poetic youth memoir—even Steven Spielberg is currently getting in on the action with his cutely named The Fabelmans, reminiscing on his Eisenhower-era boyhood in Arizona. There are a handful of potential explanations for this: the adjacent popularity of autofiction (that modish literary form initially popularised in France) has found authors—from Norway’s Knausgaard to Ferrante in Naples—deep-mining their own backstories, reinventing what we know to be realism. So there’s something in the air. Can it also be the self-publicising spree of social media platforms? For this writer’s money, climate anxiety seems relevant: the urge to preserve, to scan past memories before a great erasure. Even James Gray, often impervious to fashion, is setting up Armageddon Time, about his upbringing in ‘80s Queens.

This is all eternally relevant for Paolo Sorrentino’s new film,...

In movies as disparate and vividly imagined as Il Divo, Loro, the Oscar winning The Great Beauty, as well as English language efforts like This Must Be The Place, Youth, and his TV miniseries The Young Pope and The New Pope Paolo Sorrentino has always seemed to be a director with a large brush and even more of a Fellini influence in some cases. That is why his latest, a largely autobiographical coming of age film called The Hand Of God which just had its World Premiere at the Venice Film Festival, and is next headed this weekend to Telluride, is such a departure, one absent the usual flourish the director often favors. Instead is an enormously effective and touching personal memoir of growing up in Naples circa the 1980’s. In many ways this is Sorrentino’s Amarcord, Day For Night, Cinema Paradiso,Pain And Glory, but first and foremost...

"Do you have a story to tell??" Netflix has revealed the first teaser trailer for The Hand of God, the latest film from acclaimed Italian filmmaker Paolo Sorrentino. This is premiering in just a few weeks at the upcoming 2021 Venice Film Festival and it's easily one of my most anticipated. This trailer is so good that final shot of him yelling out "Si!!" gives me chills. Sorrentino is telling his own story of growing up in Naples, as his desire to be a filmmaker grows. He shot this in Naples last year and it looks absolutely magical, capturing the glory and beauty of cinema and what makes it so enrapturing. The story of a boy in the tumultuous Naples of the 1980s. Sorrentino's most personal film yet is a tale of fate and family, sports and cinema, love and loss. Starring Filippo Scotti, with Toni Servillo, Teresa ...

Paolo Sorrentino will receive the Tribute to… Award at the 17th Zurich Film Festival.

Italian director, writer and screenwriter Paolo Sorrentino will receive the Tribute to… Award at the 17th Zurich Film Festival (Zff) which takes place from 23 September to 3 October 2021.

The award that recognises auteur filmmakers for their contribution to film history will be presented to Sorrentino in person on September 29 at the gala premiere of his autobiographical film The Hand Of God.

The festival will also screen a retrospective of his work.

Films by the Naples-born filmmaker that have previously been feted at Zff include This Must Be The Place...

Maisie Williams To Exec Produce UK Animation

Exclusive: Maisie Williams and her production company Rapt are partnering with UK indie Delaval Film on a short stop motion animation from The Sparks Brothers animation director Joseph Wallace. The pic, Salvation Has No Name, began production in 2020 at Aardman in Bristol and has since moved to Media City in Manchester to re-mount the shoot safely during Covid; it is due to wrap in September. The film will explore themes of xenophobia and the refugee crisis and is told through a dynamic mixture of color and black with a dramatic narrative and international all-female voice cast, including Money Heist star Itziar Ituño. In the film, a troupe of clowns gather to perform a story about a Priest and a refugee but as their misguided tale unfolds, the boundaries between fiction and reality begin to fray. Animators on the film include Tim Allen...

Sean Penn defiantly swims against the Hollywood current with “Flag Day,” a labor of love that harkens back to another era of moviemaking. Jennifer Vogel’s memoir “Flim-Flam Man: A True Family History,” published in 2004, resisted film financing over 18 years, said producer William Horberg (“The Queen’s Gambit”) at the Cannes afterparty at the Martinez. Back at the start, producer Michael De Luca loved the project, and after many detours and obstacles, when the MGM studio head saw the nearly finished film, enthusiastically acquired it for release in 2021 (just as the studio was acquired by Amazon). Horberg was joyful at the film’s good fortune.

Like many other well-reviewed films at Cannes, a robust theatrical future is by no means assured for this old-fashioned ’70s-’80s father-daughter story, which marks Penn’s first time acting in his own film, after helming six features. Thanks to Matt Damon, Penn said at Sunday’s press conference,...

Sean Penn defiantly swims against the Hollywood current with “Flag Day,” a labor of love that harkens back to another era of moviemaking. Jennifer Vogel’s memoir “Flim-Flam Man: A True Family History,” published in 2004, resisted film financing over 18 years, said producer William Horberg (“The Queen’s Gambit”) at the Cannes afterparty at the Martinez. Back at the start, producer Michael De Luca loved the project, and after many detours and obstacles, when the MGM studio head saw the nearly finished film, enthusiastically acquired it for release in 2021 (just as the studio was acquired by Amazon). Horberg was joyful at the film’s good fortune.

Like many other well-reviewed films at Cannes, a robust theatrical future is by no means assured for this old-fashioned ’70s-’80s father-daughter story, which marks Penn’s first time acting in his own film, after helming six features. Thanks to Matt Damon, Penn said at Sunday’s press conference,...

Exclusive: Amblin Partners, Hera Pictures, Neal Street Productions are teaming on a film adaptation of the Maggie O’Farrell novel Hamnet. They’ve set Chiara Atik to write the script.

Liza Marshall, Sam Mendes and Pippa Harris are producing.

The bestselling historical fiction novel imagines the story of Agnes – the wife of the world’s most famous writer William Shakespeare – as she struggles to come to terms with the loss of her only son, Hamnet. The novel charts the emotional, familial and artistic consequences of that loss, bringing to life a human and heart-stopping story as the backdrop to the creation of Shakespeare’s most famous play, Hamlet. Hamnet won the 2020 Women’s Prize for Fiction and the Fiction Prize at the 2020 National Book Critics Circle Awards, and was also shortlisted for the Walter Scott Prize and longlisted for the Andrew Carnegie Medal for Excellence in Fiction.

Atik has previously worked...

Netflix psychological thriller Behind Her Eyes, adapted from Sarah Pinborough’s hit novel of the same name, sets its cast an unenviably tough task (and not just because almost everyone’s having to do a regional accent). Through subtleties and shifts in their performances, Eve Hewson, Tom Bateman, Simona Brown and Robert Aramayo need to keep the audience invested while keeping us guessing. What is it we’re watching? Is this six-part series the tale of Adele and David’s brittle marriage and the secrets that bind them? Or the story of single-mother Louise (Simona Brown) getting in over her head with this glamorous new couple? Could it be something else entirely?

While you’re asking yourself those questions, you’ll likely be asking another: where have I seen that guy before? While we can’t help with the former and stay spoiler-free, we can answer that one…

Eve Hewson...