Directed by
Audrey Cummings |
Writing Credits (in alphabetical order)
Richard Taylor |
Cast (in credits order)
Heather Graham | ... | Pandora | |
Tom Hopper | ... | Bear John | |
Corin Nemec | ... | Calhoun | |
Brielle Robillard | ... | Hester | |
Donald Cerrone | ... | Minor Wilson | |
Gattlin Griffith | ... | Cherokee Jack | |
Zachary Keller | ... | Little Pete | |
Ray Abruzzo | ... | Lester | |
David Lipper | ... | Ed Singleterry | |
Jeanette Schock | ... | Sadie | |
Isabella Blake-Thomas | ... | Lilith |
Produced by
Isabella Blake-Thomas | ... | associate producer |
Robert A. Daly Jr. | ... | producer |
Eric Gozlan | ... | producer |
Joe Heath | ... | executive producer |
Richard Iott | ... | executive producer |
David Lipper | ... | producer |
Denise Loren | ... | co-producer |
Matt O'Neill | ... | executive producer |
Christina Saliba | ... | associate producer |
Kipp Tribble | ... | co-producer |
Lawreen K. Yakkel | ... | co-producer |
Music by
Jim McGrath |
Cinematography by
Andrzej Sekula |
Editing by
Michael P. Mason |
Production Design by
Alessandro Marvelli |
Art Direction by
Taylor Mahoney |
Costume Design by
Sylvester Cetina |
Makeup Department
Sheila Bond | ... | special makeup effects artist |
Priscilla Castro-Preciado | ... | hair department head |
Phillip Nathaniel Saunders | ... | key hair stylist |
Kristy Strate | ... | makeup department head |
Production Management
Denise Loren | ... | unit production manager |
Second Unit Director or Assistant Director
Mazzin Chaudhari | ... | first assistant director |
Judd Greener | ... | second assistant director |
David Lipper | ... | second unit director |
Art Department
David De Caprio | ... | set dresser |
Evan Foster | ... | set dresser |
Jimmy Kinslow | ... | Leadman |
Prianna La Chance | ... | props |
Guy Levine | ... | construction coordinator |
Marco Schiazza | ... | set dresser |
Skye Sweet | ... | Lead Scenic Painter |
Sound Department
Justin Garcia | ... | boom operator |
Jon Lawless | ... | re-recording mixer/sound effects editor |
Jennifer Megli | ... | boom operator |
Chris Russell | ... | adr recordist / dialogue editor |
Jimmy Sieczka | ... | boom operator |
Brett Ulery | ... | sound mixer |
Special Effects by
Sheila Bond | ... | special effects makeup |
Nelson Cooper | ... | special effects supervisor |
Visual Effects by
Jacqueline Derteano | ... | visual effects production manager |
Stunts
Samantha Epstein | ... | Stunt Double: Brielle Robillard / Stunt Double: Heather Graham |
Tad Griffith | ... | stunt coordinator |
Camera and Electrical Department
Alexis Castillo | ... | second assistant camera |
Michael Cotaya | ... | key grip |
Halle Cottle | ... | DIT |
Michah Harrison | ... | Dolly Grip |
Thi Lam | ... | gaffer |
Daniel Parrack | ... | second assistant camera |
Joey Skaggs | ... | first assistant camera |
Scott Srch | ... | Best boy electric |
Ethan Tschida | ... | first assistant camera |
Christopher Alan Vaughan | ... | stedicam opreator |
Costume and Wardrobe Department
Alexis Chaney | ... | assistant costume designer |
Editorial Department
Michael P. Mason | ... | title design |
Script and Continuity Department
Tatiana Lynn Turner | ... | Continuity |
Transportation Department
Kaylon Damazio | ... | transportation coordinator |
Additional Crew
Daniel Bachner | ... | production counsel |
Warner Loughlin | ... | acting coach |
Courtney M. Moore | ... | wrangler |
Joe Sisto | ... | executive producer |
Mike Tristano | ... | Western Firearm Supplier |
Thanks
Paul W. Hazen | ... | the producers wish to thank |
John Paizs | ... | special thanks |