Two boys meet at school in Gothenburg 1939. They become friends. One is a Jew and one is supposed not to be. One is upper middle class and one comes from a working class background.
Quite much is foreseeable here, but the greatest problem is the acting. Not that it's disastrous or even bad during the circumstances, but there are plenty of anachronisms here. From the laboring father, who is something out of the 60s, more than 1939. To the boys, who have a way of staring into the camera, which is common-piece in every Swedish movie, which tries to portrait harsh times. Especially if it's the 40s. "Something is going on inside that boy". The problem is that we know exactly what, when he has those eyes.
That is disturbing and takes quality out of this film.
