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Paris-based sales agent Indie Sales has boarded “Maya, Give Me a Title,” a stop-motion project directed by Michel Gondry (“Eternal Sunshine of the Spotless Mind”) and narrated by Pierre Niney (“The Count of Monte Cristo”).

The film revolves around Gondry’s long-distance relationship with his daughter. As they live in two different countries, Gondry asks his daughter every evening, “Maya, give me a title.” Based on her answer, he creates a short animated reply in which Maya is the hero. Gondry’s long-time partner, Georges Bermann at Partizan Films, is producing, while The Jokers Films will release it in France.

Besides “Eternal Sunshine of the Spotless Mind,” Gondry’s well known films also include “The Science of Sleep,” “Be Kind Rewind” and more recently “The Book of Solutions.”

Stop-motion has been a personal trademark of the director since his early music videos such as Björk’s “Human Behaviour” and The...

Feats of derring-do, bouts of inspiration and a hearty show of strength for Nordic animation are but three of many motifs underscoring this year’s Cartoon Movie, which runs over March 5 – 7 in Bordeaux.

For this year’s 26th edition, the European animation sector’s flagship co-production and pitch forum will spotlight 55 overall projects while welcoming north of 800 industry delegates, with many making inaugural visits.

Boasting 22 new studios and producers alongside representatives from 42 sales companies and 76 distributors, the sterling attendance sheet also reflects animated fare’s growing importance in sales lineups and in festival curation – a fact echoed by the programers from Cannes’ Directors’ Fortnight now attending for the first time.

Nearly finished titles such as Kristina Dufková’s stop-motion teen toon “Living Large” and the Yuletide adventure “SuperKlaus” will screen as sneak-peaks, while Italian auteur Alessandro Rak (“Cinderella the Cat”) will present his latest project, “The Little Prince of Shangri-La,...

The César Awards are always the biggest night of the year for French cinema, but the massive award season impact of “Anatomy of a Fall” ensured that this year’s event took on additional importance for Oscar watchers around the globe. When the 49th César Awards took place in Paris on Friday night, all eyes were on Justine Triet and her Palme d’Or-winning film.

Predictably, “Anatomy of a Fall” swept many of the night’s biggest categories. In addition to winning the top prize of Best Film, Triet was honored with Best Director and shared Best Screenplay with her partner Arthur Harari. Stars Sandra Hüller and Swann Arlaud also won Best Actress and Best Supporting Actor, respectively.

The night’s other big winner was Thomas Cailley’s “The Animal Kingdom,” which won awards for Cinematography, Visual Effects, Costume Design, and Sound.

Keep reading for a complete list of winners from the 2024 César Awards.

Thomas Cailley’s fantasy drama The Animal Kingdom topped the nominations for France’s César Awards, which were announced in Paris on Wednesday.

The drama picked up 12 nominations with Justine Triet’s Oscar hopeful Anatomy Of A Fall coming in second with 11 nominations, followed by Jeanne Herry’s All Your Faces, which nine, and The Goldman Case, with eight.

Set in a world where human beings start transmuting into animals, The Animal Kingdom world premiered as the opening film of Cannes Un Certain Regard in 2023 and went on to make $8.5M at the box office last fall.

The Animal Kingdom and Anatomy of a Fall are competing in eight categories spanning Best Film, Director, Original Screenplay, Male Revelation, Editing, Sound, Cinematography and Production Design.

The high nomination count for Herry’s ensemble drama All Your Faces was thanks to the fact it dominated the Supporting Actress category with separate nominations for cast members Leila Bekhti,...

Justine Triet’s Anatomy Of A Fall continued its prize-winning run on Monday at France’s 29th Lumière Awards clinching Best Film and Best Screenplay, while its German star Sandra Hüller won Best Actress.

The Lumières fete the best films, performances and technical achievements of French cinema across 13 categories.

The French equivalent of the Golden Globes, they are voted on by the Académie des Lumières which is made up of France-based international journalists representing 36 countries.

In other key prizes, Thomas Cailley won Best Director for Cannes 2023 Un Certain Regard opener The Animal Kingdom, while Arieh Worthalter won Best Actor for his performance in Cédric Khan’s Cannes Directors’ Fortnight opener The Goldman Case.

Triet’s Cannes Palme d’Or winner Anatomy of a Fall, which was nominated in six Lumière categories, is on an award-winning streak.

The movie swept the board at the European Film Awards in Berlin last December...

Running Jan. 19-Feb. 19, this year’s MyFrenchFilmFestival, an online showcase organized by France’s film-tv promotional body UniFrance, will mark its 14th edition with an accent on young talent, both in front of and behind the camera, and an emphasis on female empowerment.

With a mix of heritage docs like Agnès Varda’s “Jane B. for Agnès V.,” and a nine-film competition that spotlights auteurist animation like Alain Ughetto’s “No Dogs or Italians Allowed” alongside outré dramatic fare, the 11 features and 15 shorts that make up this year’s selection will be available on 80 partner platforms as well on MyFrenchFilmFestival.com, where all the shorts will be available to screen free of charge.

All films will be subtitled in 11 languages, including Arabic, English, Japanese, Korean, Mandarin, Portuguese, Spanish and Ukrainian, while the feature section will also be available for free in many Latin American, African and Middle Eastern territories.

“No...

France’s awards season has officially kicked off with Justine Triet’s “Anatomy of a Fall” landing six nominations at the Lumières Awards, including best film and director.

The courtroom drama, which won the Palme d’Or at Cannes, is the season’s frontrunner. The Lumières are voted on by Paris-based correspondents working for foreign outlets across 36 countries.

Sandra Huller, who stars in the film as a German novelist put on trial after her French husband dies mysteriously, is nominated for best actress, while Milo Machado Graner, who plays her astute, low-vision son, is nominated for best male newcomer.

“Anatomy of Fall” has been on a roll, garnering a raft of international prizes at the European Film Awards, Gothams, as well as Los Angeles and the New York Film Critics Circle Awards, along with four Golden Globe nominations for best film, screenplay, actress and foreign film. The movie that was...

As Annecy rounds the final bend on its biggest edition to date, with a tantalizing promise of a brighter future for animation in much of Europe, Marjolaine Perreten’s 29-minute film “Pebble Hill” (“La Colline aux cailloux”), part of its TV Films competition, has been one of the multiple gems to come out of it.

Minimalist in design, a trademark of the young Swiss filmmaker’s unique style, the animation, which has already won an award at Hamburg’s Mo & Friese Kinder Kurzfilm Festival, is charming and tender, the 29-minute film, produced by renowned Swiss production company Nadasdy Film in Geneva, a producer on “No Dogs or Italians Allowed,” and France’s Les Films du Nord, tells the story of a family of shrews that after loosing their home due to the breaking of an upstream dam embark on a journey alongside an old shrew to find the Pebble Hill.

“My Life As a Zucchini” director Claude Barras has set up his latest stop-motion animated feature, “Savages!”

Production company Gebeka International — a Hildegarde-Goodfellas company formed in 2021 — and production, financing and sales studio Anton are behind the project, which will be written by Barras and Catherine Paille (“Magnetic Beasts”). The project will be shopped to buyers in Cannes next week.

“Savages!” follows the emotional journey of a girl, her father and a rescued baby orangutan. The film has a strong environmental and conservationist message, exploring the crisis of the destruction of rainforests.

An official synopsis for the film reads as follows: “In Borneo, at the edge of the tropical forest, Kéria is given a baby orangutan that has been rescued from the palm oil plantation where her father works. At the same time, Kéria’s younger cousin Selaï comes to live with her and her father as he seeks refuge from...

Cartoon Movie, the European animation sector’s flagship co-production and pitch forum, closed out its 25th edition besting pre-pandemic attendance numbers, welcoming just below 900 industry participant and noting a 40% increase in buyers. Overall, 58 feature projects were presented (and 16 countries encompassed), and — in a testament to France’s robust animation ecosystem — Gallic outfits had a hand in nearly half of them. The forum also reflected the enduring strength of the family market, with 59% of all projects aimed at that demographic.

Here are four takeaways from this year’s session, which ran from March 7 – 9 in Bordeaux.

A Marquee Event

No film drew greater buzz than “Julián” (pictured above). Led by Ireland’s Cartoon Saloon and listing Sun Creature (Denmark), Folivari (France), Aircraft Pictures (Canada) and Wychwood Media (U.K.) as co-producers, the family title benefits from the accrued pedigree of titles like “Flee,” “The Breadwinner” and “Ernest and Celestine.” Throw in Wychwood...

Attendees at the 25th edition of the pitching and co-production forum returned to pre-pandemic levels.

The 25th edition of Cartoon Movie wrapped on March 9 in Bordeaux, returning to pre-pandemic levels of attendance - in spite of a French general strike.

The pitching and co-production forum for animated feature films registered 876 attendees, including 282 buyers from 35 different countries. 58 animated features were presented.

The pitching sessions that registered the highest attendance from buyers this year were: Back To Tomioka, lead-produced by France’s Foliascope­; Julián, a co-production led by Ireland’s Cartoon Saloon; and Ninn by France’s TeamTo.

Children’s animation Back...

Capping a milestone Cartoon Movie showcase that saw Europe’s animation sector in rude and robust form, the sprawling team behind continental co-production “No Dogs or Italians Allowed” shared the Producer of the Year prize, “Oink” auteur Mascha Halberstad claimed the Director trophy and Paris-based Kmbo took top honors in Distribution at this year’s 25th edition of Cartoon Movie, which ran over March 7 – 9 in Bordeaux.

An audience and jury favorite at last year’s Annecy Animation Film Festival, and winner of the most recent European Film Award, the stop-motion feature “No Dogs or Italians Allowed” comes courtesy of director Alain Ughetto and a whopping five production countries. France’s Les Films du Tambour de Soie, Vivement Lundi, and Foliascope joined Italy’s Graffiti Film, Switzerland’s Nadasdy Film, Belgium’s Lux Fugit Film, and Portugal’s Ocidental Filmes to bring this claymation immigration saga to life. Most parties were...

Alain Ughetto’s ‘Interdit aux chiens et aux italiens’ scoops two awards.

Amandine Fredon and Benjamin Massoubre’s French-Luxembourgish 2D animation Little Nicholas – Happy As Can Be won the Cristal for a Feature Film at Annecy International Animation Festival, which held its awards on Saturday, June 18.

Produced by France’s Foliascope and Luxembourg’s Bidibul Productions, the film follows the adventures of a mischievous boy and his schoolmates, teacher and parents in 1960s Paris.

Scroll down for the full list of winners

The story is by Anne Goscinny, Michel Fessler and Massoubre, with Julien Maret leading the animation. France’s Charades is handling world sales,...