User reviews

This one surprised me, because I had seen very little advertising or hype for this movie. My friend and I watched the trailer and I thought, "Eh, kinda looks like another 'Taken' or 'Death Sentence.' I'm so glad I was wrong.

This is not another "father goes on rampage to kill the guy that kidnapped/murdered his child." It's actually a very involved thriller that has a fair few twists and turns around a conspiracy Gibson's daughter was involved in. Gibson actually does not go all gung-ho like Neeson did; rather, he was very careful in his investigations. His performance was brilliant, as was Ray Winstone's, though I found myself wishing he had a bit more screen time.

The pacing is pretty quick in some places, so it keeps you interested. Sometimes the plot may be a little convoluted, but it makes sense if one pays enough attention.

Also, I should note that there isn't nearly as much action as the trailer makes it seem. There is FAR more drama, though it's still plenty tense.

First movie of 2010 I've seen, and it's off to a great start. "Edge of Darkness" is well worth it, and certainly not the movie its advertising makes it out to be. Go see it, you won't regret it.

Some people have bagged out this icon, but his performance in this movie was as good as ever. It was convincing, honest, and true to script.

I worked with Mel on this movie so feel that any review I give will be biased - reviews are best left to the viewers, after all, they are the ones who determine its success or failure - but I can assure you he was the ultimate professional - his career has many years left!

Bad reviews are of course as welcome as positive ones - as long as they are constructive - they are an avenue not only for others to ascertain the value of a movie but also an avenue for those involved to learn and improve (as well as gather praise where praise is due) - but I would highly recommend you see this one and make up your own mind. It is highly relevant to the current economic stasis in this country and a hint of what may be behind the scenes.

I saw this movie at an early screening and was delighted.

I give this movie three stars out of four, or 8 of ten points for great characters, intrigue, and some startling action scenes. It looses the 2 points because it does tend to slow down a little and become more dramatic at times but if you are a Mel Gibson fan you probably won't mind that at all. This movie reminded me a little of Taken, with a whole lot of Enemy of the State, and just a touch of Jason Bourne. Mel Gibson is engaging in his first acting role in years, although he definitely looks older now. It's hard to watch Gibson here without thinking of Martin Riggs in Lethal Weapon and there is some carryover but here Craven played by Gibson is the older, caring, Father who is also a cop although there is still some of of the craziness that made Mel so dynamic in a number of his roles. In some ways Mel reminded me here a little of Clint Eastwood in movies like Absolute Power and In the Line of Fire as the more mature protagonist who combines maturity and cunning with a fierce side that comes out in battle.

It's not giving anything away to say that the story is about Mel Gibson's character trying to find out who killed his daughter as that much is in the trailer. Mel plays a veteran detective and so has skills and resources we civilians don't. The movie takes a while to develop and takes great pains to show the love of Craven for his daughter in the opening scenes and then periodically remind us in flashbacks. There are a lot of characters which seem to be critical to building the intrigue of the movie; activists, defense contractors, government officials and various henchmen. The movie does a good job for a while of hiding who is working for whom. Suspense does build for most of the movie but a good bit before the end it is evident what is going on and the movie shifts from an action thriller to more of an pure action movie.

Ray Winstone plays an intriguing role as Jedburgh, deftly showing protagonist and antagonist sides at different times in a mysterious role. Danny Huston plays a multi-dimensional character, Jack Bennet, that is fun to watch. Bojana Novakovic as Emma Craven is a sweetheart. Jay O. Sanders plays a solid role as Detective Whitehouse.

The movie is definitely heavy on violence and acting independent of authority although I don't remember any swearing or sex scenes. Still it requires a mature audience as the hero's actions are probably not ones you want your kids emulating in your house. As with so many movies it portrays sides of business and government at their worst. So,since it is light on sexuality and vulgarity I would suggest that if you let your older kids go that you still discuss the extreme portrayals of the police, use of force, business and government.

It's good to see Mel back in action.

Mel Gibsons first stab at a lead role since...wait for it....2002's Signs. He went behind the camera for the graphic Passion of the Christ and the beautiful Apocalypto. With Edge of Darkness he's back with the gun in his hand and on a quest to find answers. His daughter was shot dead right in front of him on their porch. The gunman yelled her last name and fled. Craven, being a cop, thought it was for him, not his daughter. He quickly discovers that there was more to his little girl than he originally thought and is determined to find out who killed her and why.

Everyone loves a good mystery film right? A detective is solving clues to find the truth behind some kind of cover up? Edge of Darkness thinks it's one of those films. Gibson goes to people, looking for answers. He gets little in return. People are scared, there is something big going down and only MEL Gibson can stop it. For Craven, he has nothing left to loose. His only daughter died in his arms, he's not afraid to die. A bit of a revenge tale like Death Wish, but the Chinatown aspect of it sets it apart enough to make it enjoyable.

Gibson throws on a Boston accent, nothing too irritating. There are a few scenes that you'll have to suspend reality for, like when someone gets hit by a car at the right place at the right time. A little far fetched just for the sake of shock value. Edge of Darkness is good enough to keep your attention for the running time, but not great enough to have you keep talking about it days later. It's a well made time waster for those looking for something that will entertain.

Thomas Craven (Mel Gibson) is a good cop whose only daughter Emma (Bojana Novakovic) returns for a visit. While she initially appears to be fine, she turns out to be incredibly sick. On the way to see a doctor, Emma is gunned down in Craven's front doorway. His fellow detectives think the hit was meant for him, but Craven digs deeper and believes the nuclear manufacturing company she worked for may have something to do with it.

When Edge of Darkness was released this past January, it was marketed as a return for Gibson to the action thriller genre he has always excelled at. Except the film was actually more of a slow burn thriller, much like last year's fascinating and incredibly well done State of Play, and both based off a BBC mini-series. Albeit, this film is punctuated with scenes filled with incredibly graphic violence. But that initial flub is not the only thing working against the film.

The film masquerades as being break-neck paced, and uses this as an excuse to never really develop anyone. Emma is killed off less than ten minutes after the film begins, and the film never really lets up afterwards with Craven's search for the truth about his daughter's murder. We get very little on who Craven is, outside of a few dialogue inferences and his "nothing to lose" attitude. In a way, he is very similar to Liam Neeson's absent minded character in last year's Taken, except Craven actually takes the time to talk to people and not just kill them off. We get even less on Emma, outside of seeing her as a child in home video footage that appears to be haunting Craven.

If that were not enough, the film throws multiple characters at the audience almost at random, and very few of them stick. I found it incredibly hard to keep track of at least a handful of them, because they were so similar. Outside of Ray Winstone's Jedburgh and Danny Huston's Bennett, most of the characters are of no particular significance other than to move Craven's investigation along. I imagine this issue is largely the fault of the original six-part mini-series, which had the time to bring in a plethora of characters and develop them as opposed to a two-hour film. But State of Play managed to both keep its focus for the majority of time and develop its main stable of characters fairly well. How could this film not follow suit?

The film also suffers from a fairly ridiculous third act. Getting into specifics would ruin the film, but what can be said is that it ruins everything that came before it. It betrays everything the film has going for it, and boils itself down into a rather goofy actioner. The film is never really a revenge thriller, but more of a thriller about a man trying to find out why his daughter was killed. I really enjoyed the film and its last half when I first saw it theatrically a few months ago. But watching it again at home, it almost comes off as having gone totally off the rails much too quickly. The film's penchant for hyper violence gets far too ahead of itself, and it feels almost like the filmmakers wanted to please the audience with something totally different than what the film sets up for (plus, it feels a bit too close in similarity to the ending of another of William Monahan's previous scripts).

Despite all this, the film is still great when it is playing itself as the slow burn thriller it actually is. It is taut, suspenseful, and a touch unpredictable. For its problems, I really enjoyed the conspiracy filled storyline, and really liked some of the twists it took. It did remind me a lot of State of Play, but never feels like it is trying to steal its thunder or underrated greatness. It does have moments where you are on the edge of your seat, and does have moments where it makes a genuine attempt at making you think.

But this whole film would mean nothing if it were not for Gibson. This film was his first in a significant starring role since M. Night Shyamalan's last good film, Signs. Despite having been off the scene for eight years, this does not seem to have made Gibson lose any of his intensity or gravitas. He owns the screen in every scene he is in, and brings a certain immediacy to the role. It was interesting seeing him in such a wounded and devastating role, but he plays it with such strength and ferocity that you almost forget this was a guy who once cracked jokes as a suicidal cop and helped take down the British as a legendary Scottish commoner. He is a man who knows his craft, and knows just the right amount of seriousness to bring to the role.

Although not nearly as well showcased, both Winstone and Huston pull off great performances in their underwritten roles. Both were clearly much better developed in the series (and remain rather enigmatic throughout the film), but are still equally good here despite being overshadowed by Gibson. I would have enjoyed a whole lot more emphasis on both of them than the multiple other characters thrust at the audience over the course of the film.

Edge of Darkness is not a bad film, but it is not a good enough film to hold up on multiple viewings. I really enjoyed it the first time I saw it, but I found it less entertaining and much more problematic the second time round. But watch it for the driving force of Gibson above anything else. Time away definitely helped him become a stronger performer, and I can only hope his intensity will continue to shine.

7/10.

(Portions of this review originally appeared on http://www.dvdfanatic.com).

I enjoyed this a lot, especially Gibson's role and Ray Winstone's portrayal of the ambiguous fixer. The ending is satisfying and a bit surprising. Someone said the ending was corny, which it may be, but I actually think it's true to life and what really happens at the end.

Plenty of guys you love to hate, and the flashbacks of the hero with his child were lovely. I really doubt a US Senator would be so sleazy, but what do I know?

Man, they sure want a lot of characters. Minimalism is my preferred style, so it's hard to think of things to say. I like Gibson, despite his personal problems, which are none of my business.

This movie was a huge surprise. I don't ever remember seeing it come through the movie theaters. So glad I found it and watched it via our "On Demand" option at home.

I don't see enough Mel Gibson these days. I think he may have been blacklisted in Hollywood but he is still tops in my book.

I am not going to spoil the movie for anyone but will say I was REALLY captivated with this one. It grabbed my attention and kept throwing in some neat twists. This is a movie for those of us who enjoy using our mind and understanding the nuance the directors/writers invest for our enjoyment! If you haven't watched this one you need to. :)

I can't really describe the feeling when I watch this film, I neither love it or hate it...I just feel really mixed. Like it just exists. Coming hot off of Casino Royale, Martin Campbell revisits the BBC series and turns it into a feature film that incorporates shadowy organisations, conspiracies and vengeance. A good conspiracy leaves you on the edge of your seat, this does not...but it's actually rather mature and intelligent. Sure, remove the improbable ending and slow beginning, and what we are left with is a very mysterious plot that I'm certain probably does happen in reality with big governmental organisations (less extreme of course, I'm looking at you Apple!). Whilst our lead character is playing the detective role and following the bread crumbs so to speak, he is also a father mourning the tragic death of his daughter which definitely brings in some much needed emotion and motive. Crazy Mel Gibson, who hadn't had a lead role since Signs, plays the Boston detective who...can hear the voice of his deceased daughter and engage in conversations with her...maybe he is crazy after all. To be fair, he was pretty decent and was able to hold my attention. Ray Winstone was strange casting and didn't really work for me, who plays a shady agent with his own motives. Danny Huston though, always a good choice although slightly underused. Martin Campbell's directing style felt like it was made for TV, nothing snazzy or spectacular...just functional. Perhaps a well intentioned choice to keep it in the roots of the TV series. Two scenes though, absolutely magnificent or what I like to call "Oh My God" moments. One involves the detective's daughter and the other a collision with a car. Literally happened out of nowhere and caught me off guard, excellent editing! But still...I feel "meh" even thinking about the film. It's finely crafted, and utterly watchable if you had nothing to do on a Sunday afternoon. I just don't think I'll ever fully appreciate it. Worth a watch.

Before seeking revenge, dig two graves so said Confucious. Likewise, before casting a movie about revenge, see if Mel Gibson is available. Few actors are capable of being as angry as he can (both on and off screen). Over the last decade, Mel Gibson has been behind the camera more times than he has been in front of it. Perhaps his ten years absence of screen presence is what makes the film so good. Otherwise it is a fairy conventional cop thriller, which builds in convoluted-ness and unbelievability, but it never gets dull, I'll say that much. Frankly that, and Gibson's performance are enough for me.

Boston PD Detective Tom Craven's daughter visits him from out of town one day, That evening she is shot dead on the porch. At first the police figure that Tom was the intended target, but once be begins a little investigation of his own, strange things come up. It appears that his daughter was trying to expose something illegal about the Nuclear facility at which she was working. Suddenly Tom finds himself in the middle of a very dangerous game.

Mel Gibson's performance is exceptional, but then again, it is easy to argue that this not exactly new ground for him. Mel Gibson's most common face is the 'Good Man, Bad Guy' persona. Second billing is

here is Ray Winstone, whose performance here is his best yet. The screen time that the two share together is not long but it is profound and compelling.

Unless you really hate Mel Gibson's guts, Edge of Darkness is a good watch, and an equally good return to the screen for him.

I won't say anything about the plot except that it's centered around an "everyman" who goes on a revenge odyssey. In that respect it reminds me of the excellent "Harry Brown" released a year eariler with Michael Caine packing some artillery. But Edge of Darkness differs from the rest with its interesting layered story.

As "Tom Craven" (Mel Gibson) peels away the truth, so we also get wrapped up in the complexity of this story which touches on political thriller, tenuous loyalties, and--most intriguing--a mysterious character "Jedburgh" (Ray Winstone) who sips whiskey and smokes cigars with our hero, but (as our hero is fully aware) could at any minute put a bullet through his head.

And what's the point of all this madness? The point, or subtle theme underneath all the rollercoaster action, is that each individual must make his or her own choice to act independently. That sentence may not make much sense to you reading it in a review, but trust me it's what drives this story. Returning back to what I said about politics and tenuous loyalties, this story is about reaching that point where you break from the predictable and act on your own. Or as a memorable line in the film goes, "you had better decide whether you're hanging on the cross, or banging in the nails."

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Homicide Detective Matt Craven (Mel Gibson) is happy to meet up with his daughter again, but is surprised to find her coughing up blood upon finishing her meal at his house. He gets an even bigger shock when she is murdered right in front of his eyes, shattering his world- he takes it upon himself to investigate her death only to be approached by a mysterious man named Darius (Ray Winstone) who shines some light on her former employers which casts circumstances in a whole new light.

It is really quite surprising just how long Mel Gibson has been out of the limelight- most notable for his role in The Singing Detective, but the most recent film of his I saw was Signs in 2002. He's had his troubles, of course, what with his drink drive arrest and anti semitic ramblings, which couldn't have done his career or public image much good, but no, it would appear he really did slip right off the radar for the best part of the noughties. But this glossy Hollywood cover of the original BBC thriller from director Martin Campbell is as good a springboard as any to get him back on track again.

Campbell is a name more easily identified with high octane action movies than political thrillers, so he's a slightly odd choice to take over things here. But he handles things with enough gusto and aplomb to keep things going. Gibson does a decent job in the lead role, a little too manic and overwrought at times, but he could have been much worse. Meanwhile, Winstone is steardy support, doing a pretty flawless American accent and an intriguing character to watch. As another big screen adaptation of a story that was originally a BBC series, it's easy to make comparisons with the recent Russell Crowe vehicle State of Play, but while there is a fairly gripping and complex story here, it doesn't quite manage the tension and excitement of that film.

Edge of Darkness is ultimately an unremarkable but more than passable thriller that Gibson could have done much worse to make his comeback with. ***

This is Mel Gibson's first movie since 2002 Signs. He returns to form in this movie and that's why I rated this barely adequate movie so high. I only saw this because I loved every single Gibson movie with the exception of Signs. I saw this to see Gibson return to glory.

After watching his 24-year-old daughter die from the hands of a company she worked at, Thomas Craven decides to go for revenge. The plot happened before therefore the movie is predictable. I could have told you the plot without watching the movie.

But the high point of the film is the acting. It doesn't seem if Mel Gibson lost a touch from his brilliant acting from the 90's. I liked Ray Winstone somewhat. He just has an annoying voice.

Overall, this is a decent cop thriller. I seen these kind of movies before so I wasn't thoroughly impressed. But, I'm glad that Gibson shines. I rate this film 7/10.

This movie is a great example of the fact that an actor is made to be good at one or two types of movies and not all.

Anyway, Mel Gibson is the actor that knows how to handle the part of David fighting against Goliath and actually win. He did it in Payback, Patriot, Braveheart and so many more. For God's sakes he also did it with aliens in the Omen. Being a good father except from a hero is even better since I believe it's a quality he has in him.

Sometimes he is a little over dramatic when he wants to show he gives more than 100% in his effort, but he is still way better than the average father character we see.

Apart from Gibson, the story is good even though to much of a conspiracy theory for my taste, and the plot is solid.

It is definitely a movie worth watching (at least once).

(Synopsis) Thomas Craven (Mel Gibson) is a veteran homicide detective in the Boston Police Department. As they are walking out the front door of his house, his 24-year old daughter Emma (Bojana Novakovic) is blow away by a shotgun blast. Everyone assumes that Thomas, who was standing next to her, was the killer's intended target. However, Thomas begins to suspect that Emma was the real target. Driven by heartache and blame, Thomas initiates his own private investigation to uncover Emma's secret life and the reason for her murder. His investigation leads him down the path of corporate and government cover-ups, which resulted in his daughter's elimination. Thomas receives some help from a government operative, Jedburgh (Ray Winstone), who has been sent in to clean up the situation. Thomas Craven's search for the truth brings him closer to his daughter and his own deliverance.

(My Comment) This is an intense movie about family and closure, and of course, Detective Thomas Craven has a little different type of closure in mind. Some of the movie is a little hard to follow when Thomas does something, and you ask yourself, "why did he do that." But that might be part of the puzzle he is trying to solve. The reason the bad guys use for keeping everything secret is a little far-fetched. Mel Gibson's masterful portrayal of a man with nothing to lose is excellent. Everybody better get out of his way. From the movie trailers you would think that Thomas is going around threatening and killing everybody he meets, but that is not the case. Thomas does take out some of the bad guys, which will meet with your approval. This is a good action movie, but you must remember that it is definitely heavy on violence. (Warner Bros., Run Time 1:57, Rated R)(8/10)

With its dense and sombre mood, EDGE OF DARKNESS is indeed a film that seems to come from another era of filmmaking.

Mel Gibson delivers as he usually does, but the real star of this film is its competency when it comes to tone and pacing. Martin Campbell is a great director, and he stays exactly where he needs to be - neither overshooting nor undercranking, keeping things interesting, and drastic when they have to be.

Howard Shore's score underlines this perfectly, even if it feels like some of the cues are directly from the LORD OF THE RINGS trilogy. What matters is that it fits, and it does.

All in all this is an absolute recommendation if you don't expect over the top action and a dumb plot but instead are a fan of stories that unfold in a very entertaining and well-crafted way.

Anyone who has seen the trailer can expect to get exactly what the trailer depicts. A cop loses his beautiful daughter and sets out to solve the murder that others conclude was self explanatory as a shooting in an attempt to get revenge against a cop. Taking things at face value sometimes just don't cut it.

Gibson and Ray Winstone were so perfect for the roles they played. The tension from both kept me clinging to my seat and wiping my brow. Gibson probably had his best role in this movie. I have seen most of his movies starting with Lethal Weapon and I could not see one potential likeness of Martin Riggs in Edge of Darkness, except for the fact he played a cop. As Craven, he was truly believable as a dad on a mission to make things right. Winstone is someone I didn't recognize even though he has been in a ton of movies. But after this, I will know and respect him for the rest of my life. Trying to understand his role was a treat, but while doing that, I kept my distance for fear he might have caught me trying to get too close. His thick Brit accent and command of those around him was absolutely a great treat.

Danny Huston is someone I came to enjoy since seeing him in 30 Days of Night as the lead Vampire. He did not disappoint but he could have had a meatier role. As far as I am concerned, he has been added to the list of great seasoned actors to look for anytime you expect to see quality acting.

I mean no disrespect to any of the actors. Everyone did a great job, including some of those in smaller, yet relevant roles.

Everything about the movie was believable and memorable. Some of the violence that you will need to endure will catch you off guard. There is no need to brace yourself because you will get caught off guard.

Excellent emotional roller coaster getting an 8 and a great big "welcome back" hug for Mel.

I so wanted to like this film because it really is hit and miss with Mel (What Women Want, Conspiracy Theory, Bird on a Wire vs. Signs, We Were Soldiers, The River), not to mention the recent global humiliation I would like to see him overcome to whatever extent possible. Putting aside my respect for Mel Gibson as an actor/director, I'm not the sort to abstain from watching a film due to someone's irrelevant private life. Seeing him on screen again was weird for about one minute, rather like Michael Richards. In keeping with this spirit, I'm enjoying Wagner as I write this review.

Edge of Darkness is well acted and directed. The pacing and resolution of the storyline are quite satisfactory. Ray Winstone does a hell of a good job, as he does elsewhere. Robert De Niro gave up the same role over creative differences, notwithstanding the garbage he has been a part of again and again. After hearing all those appalling rants, I felt a good film was in order. Mel and company delivered.