First things first ....I really enjoyed this movie!!! This is basically a comedy based on the lives of two married couples and the numerous marital and extra-marital goings on that happen with these two couples. One could call it a mix of Life in a Metro with Pyaar ke Side Effects...... unfortunately the promotions on TV has not given potential audiences with this impression.
The four leads are impressive. Soha Ali Khan has become matured into a little dynamo of an actress, good things come in small packages. Although I must say that i did not really like her with the short hair in the latter half of the movie. Konkona, one of my favourite actresses, is as always wonderful. She has captured the essence of the character and her dialogue delivery and timing is top notch....there are times in the movie that I am sure the audience had no choice but to be reminded of an ex girlfriend or dare i say it their wives!! Rahul Bose is back to form with this one although he has done this style of acting before in Pyar ke side effects. Irrfan Khan has officially become the SRK/AmirKhan/Salman Khan of the parallel cinema world ( if we can call it that now). He gives a wonderfully natural performance that endears him to the audience although we may not condone his actions in the movie. His dialogue delivery and timing in certain scenes make you really laugh out loud. His performance is probably the one that stays with you after you leave the cinema.
There are a number of small but wonderful supporting performances in this movie as well but I have to mention two in particular : Saba Azad and Payal Rohatgi. The former is an unconventional beauty but she sparkles with her screen presence and wonderfully natural dialogue delivery. The latter 'item girl' is slightly grating on the nerves with her screeching but then we are not supposed to like her anyway as per the demands of the role. I still feel that she had the funniest sequence in the file. PLease take note of the 'dumb blonde' like scene at the party.
Kudos to the director, script writer and also to the dialogues writer since they managed to deliver a tight, taut film that does not flag at all after the interval. Nor does it veer off into melodramatic saga a la Karan Johar's KANK. ALso a special mention to the song from Rahet Fateh Ali Khan, the man has magic in his throat.
There may be only one downer to the whole experience as some of the topics like sex and extra marital affairs would not be condoned by the family audience (hence a rating of only 7) but no one can deny that things like this are happening daily in todays metropolitan cities
