Pride and Prejudice: A New Musical

I fast forwarded through most of the production. Most of the songs were belted out like kids yelling across a playground. So, I decided to fast forward through the songs...and then the dialogue became such a mixture of early 19th Century vernacular mixed with 21st Century attitude, that I finally just went to the end...stopping for a few moments to see Catherine DeBurgh, hearing her yell out another number and reaching for the remote.

Done. Over. Relief!