The Yearning of Maria D.

Marian Dora focuses on a woman's definition of her love moving forward and her own inner experience in life, and we move towards the woman's moving forward into her inner experience.

Does love always lead us to true inner experiences? Can love be held on even if it destroys us or makes us disappear? Is it possible to get completely lost in love? Is the lust of getting lost and the peak of defining oneself and reaching one's inner experience, physically exploring this and moving forward sufficient?

Our film is a progression of this in extreme scenes and there are scenes similar to Melancholie Der Engel, this time our film does not go into many topics and narrate all the events of life as in Melancholie Der Engel, in this film we see a point where all the events of life are defined through love. A love that exceeds and enters into death and disappears in death, a limit experience that goes beyond the needs, accompanies us. Our character, Marian Dora, reflects her absolute surrender and not letting go of this limit experience very well. Marian Dora did not give up on including natural scenes in this movie and created the atmosphere again. She was a beautiful woman and she perfectly adapted to the role, and it was perfect for the artistic work.