In Roman-ruled Britain, a young Roman soldier endeavors to honor his father's memory by finding his lost legion's golden emblem.In Roman-ruled Britain, a young Roman soldier endeavors to honor his father's memory by finding his lost legion's golden emblem.In Roman-ruled Britain, a young Roman soldier endeavors to honor his father's memory by finding his lost legion's golden emblem.
- Awards
- 1 nomination
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe statue that Marcus glances at at the fort before the first Celt attack is a bust of Antoninus Pius, who was emperor of Rome at the time this film is set, AD 140. His reign is considered one of the calmest in Rome's history.
- GoofsAs Marcus and Esca enter the village of the Seal People, there is a shot of the young boy looking up at them. To the left of him are a pair of legs of a man clearly wearing a pair of modern army boots.
- Quotes
Marcus Aquila: [about Esca to Placidus and other elevated Romans] He's not a slave. And he knows more about honor and freedom than you ever will.
- Crazy creditsThe names of the Director, of the Writers (screenplay and Novel) and of the main Cast are red in an old English language.
- SoundtracksThe Return of the Eagle
Performed by Torc featuring Eoghan Neff, Flaithri Neff (as The Neff Brothers) and Atli Örvarsson
Featured review
"The Eagle" is another fine film in the sword-and-sandal genre. It has great action sequences, some fine heroic traits like bravery and courage, and great performances by Channing Tatum (surprisingly), Jamie Bell, Donald Sutherland and other good supporting players. It is history and fiction, yet it is rousing in every sense.
No, it is not as excellent and violent/bloody as "Gladiator". Everyone is quick to make comparisons. But it is still very good, and for a PG-13 movie, it has quite some bloody scenes, as a very stark and bleak atmosphere throughout, with a strong sense of unpredictability running throughout the film thanks to very talented director Kevin Macdonald. This is one of the movie's strongest points, proving that simplicity is the key to making some great moments in the film. It brings you into the movie, taking you on a ride through 140 A.D. Scotland as it really should be.
My only gripe is that some of the action sequences have shaky-camera to it, making a few of the action sequences unfocused, but I think, this time, that shaky camera makes sense because it adds to the chaotic sense during that period, where no one is really sure how to battle in that situation, adding to the unpredictability. The pace is moderate, taking the time to develop Tatum and Bell's characters, and the editing is fluid, nicely putting the scenes together. Atli Ovarsson, too, knows when and where to put his music through, allowing the film's more effective moments to shine through with or without the music.
The script is not exactly new but there are some nice twists given to it. The bonding between the Roman and his Briton slave never really goes beyond that to buddy-comedy mode, but there are scenes of mutual respect shown towards each other in a very realistic fashion. Both Tatum and Bell, showing subtle but good chemistry, are great in their roles, I'm especially surprised at Tatum's good performance, as he has proved that he has the acting chops to go along with his good looks. He isn't playing the fool.
Macdonald skillfully directs the film using the traits above and more with focus and attention, using real stunt-men/extras and real locations without a hint of CGI involved, adding even more points to the raw realism of the film. Of course, seeing Macdonald's documentary background, it comes to no surprise that the film has a very realistic feel to it. The bleak atmosphere, gritty but fantastic production and costume design, beautiful cinematography (by "Slumdog Millionaire's" Anthony Dod Mantle, no doubt), and amazing music by Ovarsson (this is his first score which I actually liked) all combine together with Macdonald and cast and crew to deliver a solid, somewhat spectacular action adventure that is old- fashioned and devoid of the usual clichés (there's no generic romantic subplot, thank God!) that seem to plague this film genre lately.
Made in the hands of another, lesser director, this film will probably end up looking like "The Last Legion" or "Centurion", probably overblown and over-stylized. Not here. Kevin Macdonald knows when to put in the bloody scenes, when to put in the music, and that simplicity is best when it comes to everything. This is terrific entertainment made even better by a director who knows what he is doing, and another fine addition to the sword-and-sandal genre.
They don't make them like they use to anymore.
Overall rating: 74/100
No, it is not as excellent and violent/bloody as "Gladiator". Everyone is quick to make comparisons. But it is still very good, and for a PG-13 movie, it has quite some bloody scenes, as a very stark and bleak atmosphere throughout, with a strong sense of unpredictability running throughout the film thanks to very talented director Kevin Macdonald. This is one of the movie's strongest points, proving that simplicity is the key to making some great moments in the film. It brings you into the movie, taking you on a ride through 140 A.D. Scotland as it really should be.
My only gripe is that some of the action sequences have shaky-camera to it, making a few of the action sequences unfocused, but I think, this time, that shaky camera makes sense because it adds to the chaotic sense during that period, where no one is really sure how to battle in that situation, adding to the unpredictability. The pace is moderate, taking the time to develop Tatum and Bell's characters, and the editing is fluid, nicely putting the scenes together. Atli Ovarsson, too, knows when and where to put his music through, allowing the film's more effective moments to shine through with or without the music.
The script is not exactly new but there are some nice twists given to it. The bonding between the Roman and his Briton slave never really goes beyond that to buddy-comedy mode, but there are scenes of mutual respect shown towards each other in a very realistic fashion. Both Tatum and Bell, showing subtle but good chemistry, are great in their roles, I'm especially surprised at Tatum's good performance, as he has proved that he has the acting chops to go along with his good looks. He isn't playing the fool.
Macdonald skillfully directs the film using the traits above and more with focus and attention, using real stunt-men/extras and real locations without a hint of CGI involved, adding even more points to the raw realism of the film. Of course, seeing Macdonald's documentary background, it comes to no surprise that the film has a very realistic feel to it. The bleak atmosphere, gritty but fantastic production and costume design, beautiful cinematography (by "Slumdog Millionaire's" Anthony Dod Mantle, no doubt), and amazing music by Ovarsson (this is his first score which I actually liked) all combine together with Macdonald and cast and crew to deliver a solid, somewhat spectacular action adventure that is old- fashioned and devoid of the usual clichés (there's no generic romantic subplot, thank God!) that seem to plague this film genre lately.
Made in the hands of another, lesser director, this film will probably end up looking like "The Last Legion" or "Centurion", probably overblown and over-stylized. Not here. Kevin Macdonald knows when to put in the bloody scenes, when to put in the music, and that simplicity is best when it comes to everything. This is terrific entertainment made even better by a director who knows what he is doing, and another fine addition to the sword-and-sandal genre.
They don't make them like they use to anymore.
Overall rating: 74/100
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- The Eagle of the Ninth
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $19,490,041
- Opening weekend US & Canada
- $8,684,464
- Feb 13, 2011
- Gross worldwide
- $37,989,684
- Runtime1 hour 54 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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