A robot who is responsible for cleaning a waste-covered Earth meets another robot and falls in love with her. Together, they set out on a journey that will alter the fate of mankind.A robot who is responsible for cleaning a waste-covered Earth meets another robot and falls in love with her. Together, they set out on a journey that will alter the fate of mankind.A robot who is responsible for cleaning a waste-covered Earth meets another robot and falls in love with her. Together, they set out on a journey that will alter the fate of mankind.
- Won 1 Oscar
- 96 wins & 95 nominations total
Elissa Knight
- EVE
- (voice)
Jeff Garlin
- Captain
- (voice)
John Ratzenberger
- John
- (voice)
Kathy Najimy
- Mary
- (voice)
Karleen Griffin
- Mom
- (uncredited)
- …
Kim Kopf
- Hoverchair Mother
- (uncredited)
Niki McElroy
- Pool Mother
- (uncredited)
Garrett Palmer
- Blond Boy in Commercial
- (uncredited)
Lori Richardson
- PR-T
- (uncredited)
- …
Jessica Skelton
- Young Girlfriend
- (uncredited)
Kai Steel Smith
- Brunette Boy in Commercial
- (uncredited)
Michael Toy
- Commercial Human
- (uncredited)
Storyline
Did you know
- TriviaThe first Pixar film to be nominated for 6 Academy Awards. This ties it with the only other animated film to garner this many nominations: Beauty and the Beast (1991).
- Goofs(at around 8 mins) WALL·E's cockroach, Hal, sleeps in a "Kremie" (parody of the Hostess Twinkie). Twinkies grow stale and their cream filling evaporates after a few decades, yet Hal's interaction with it betrays it to be the same as a new Twinkie. This is most likely a joke implying that only cockroaches and Twinkies can survive the apocalypse.
- Crazy creditsThe Pixar logo at the end has the lamp Luxo Jr's light bulb burn out, so WALL-E enters and replaces the light bulb. But as he leaves he accidentally knocks down the "R" in the logo, and he tries to cover it up by posing like an "R".
- Alternate versionsEnd credits for international versions feature additional dubbing credits footage. It contains animation of WALL·E in the same 8-bit video game graphics style as the original end credits compacting two vertical rows of different objects into cubes of garbage only to have two WALL·A robots collide in the front of the screen, closing the credits.
- ConnectionsEdited into Burn-E (2008)
Featured review
I just returned from an advanced benefit screening of WALL*E, and I want to be careful not to spill too much regarding the movie. I had the added privilege of watching the film at Pixar, which in and of itself, was amazing.
This picture is not a cartoon; it is a film. In fact, it even has the LOOK of film. One of my complaints of more recent 3-D/CG animated films (not from Pixar) is that they all seem to look the same... clean lines, crisp colors, and very "virtual", for lack of a better term. WALL*E transcends the typical look of CG animation, and has a true to life "grit." The creators at Pixar are true artists, and are indeed masters of their craft. Not only are they masters of the technology, they are masters of telling a story. WALL*E is no exception.
The best way to describe the film is as a science fiction, comedy, dramatic love story. WALL*E, as a character, has dimension, personality, and heart... pretty impressive given that he is essentially a trash compactor. It is true that there is little dialogue in this feature, but I personally did not feel it detracted from the story at all.
WALL*E is very much a different Pixar film from it's previous features. I will be curious to see how it is received by others, but in my opinion, I think Pixar has stayed true to itself, demonstrating a commitment to telling great stories and pushing the edge of technology to leave your jaw dropping! My most sincere compliments to Andrew Stanton, Jim Morris, John Lasseter, Ben Burtt, and all the creative forces at Pixar. Can't wait to see what the future brings...
This picture is not a cartoon; it is a film. In fact, it even has the LOOK of film. One of my complaints of more recent 3-D/CG animated films (not from Pixar) is that they all seem to look the same... clean lines, crisp colors, and very "virtual", for lack of a better term. WALL*E transcends the typical look of CG animation, and has a true to life "grit." The creators at Pixar are true artists, and are indeed masters of their craft. Not only are they masters of the technology, they are masters of telling a story. WALL*E is no exception.
The best way to describe the film is as a science fiction, comedy, dramatic love story. WALL*E, as a character, has dimension, personality, and heart... pretty impressive given that he is essentially a trash compactor. It is true that there is little dialogue in this feature, but I personally did not feel it detracted from the story at all.
WALL*E is very much a different Pixar film from it's previous features. I will be curious to see how it is received by others, but in my opinion, I think Pixar has stayed true to itself, demonstrating a commitment to telling great stories and pushing the edge of technology to leave your jaw dropping! My most sincere compliments to Andrew Stanton, Jim Morris, John Lasseter, Ben Burtt, and all the creative forces at Pixar. Can't wait to see what the future brings...
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Wall-E
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $180,000,000 (estimated)
- Gross US & Canada
- $223,808,164
- Opening weekend US & Canada
- $63,087,526
- Jun 29, 2008
- Gross worldwide
- $527,403,656
- Runtime1 hour 38 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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