Statysci

Name: Statysci
Genre: Comedy
Released: 2006-10-27
Duration: 1 h 58 min
Rating: 5.5
Cast: Kinga Preis, Stanislaw Brudny, Krzysztof Kiersznowski

2006
1h 58m

IMDb RATING

5.5/10

289

YOUR RATING

Comedy

Chinese film crew are looking for people with sadly-looking faces, and therefore decide to make a small Polish town their major filming location. But are Poles really as gloomy and depressed... Read allChinese film crew are looking for people with sadly-looking faces, and therefore decide to make a small Polish town their major filming location. But are Poles really as gloomy and depressed as they look like at first sight?Chinese film crew are looking for people with sadly-looking faces, and therefore decide to make a small Polish town their major filming location. But are Poles really as gloomy and depressed as they look like at first sight?

See production info at IMDbPro

IMDb RATING

5.5/10

289

YOUR RATING

See production info at IMDbPro

Awards
- 6 wins & 5 nominations

Photos

Storyline

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Did you know

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Soundtracks
Kasztany
Music by Zbigniew Korepta
Lyrics by Krystyna Wodnicka
Performed by Natasza Zylska

User reviews1

Review

Featured review

8/10

A Homage to Love and Happy Ending

Just think of a Chinese film crew, trying to shoot a stupid melodramatic fare in Poland with Polish extras! Producer of numerous Wajda's films including KATYN, Michal Kwiecinski in a witty directorial venture, EXTRAS, explores how modern men think of surrendering to Chinese Wave and drowning in its vast sea, when there's nothing left in his homeland, but a wasteland! A big yes to EXTRAS (2006) and its Homage to Love and Happy Ending! However in this enthusiastic farce, most of deductions seem absurd - for instance it is clear that if the Chinese director announces that, "Poland is second China and China is second Poland", the Polish photographer replies, "The situation is not good in Poland!!!" The absurdity is resonated in the duologue's of the melodrama they're shooting. The alienated Polish characters and enhancement of their relationship during the work are phenomenally inspiring, but the Chinese stereotypes - especially the childish director with his beloved goldfish - are not convincing at all.