Directed by
| Jeremy Saulnier | ||
Writing Credits (in alphabetical order)
| Jeremy Saulnier | ... | (written by) |
Cast (in credits order)
Produced by
| Kate Barry | ... | line producer |
| Macon Blair | ... | executive producer |
| Jeremy Saulnier | ... | executive producer |
| Skei Saulnier | ... | producer |
| Chris Sharp | ... | executive producer / producer |
| Bill Tangradi | ... | associate producer |
Music by
| Brooke Blair | ||
| Will Blair | ||
Cinematography by
| Jeremy Saulnier | ... | director of photography |
Editing by
| Marc Beroza | ||
Casting By
| Kate Barry | ||
| Jeremy Saulnier | ||
Production Design by
| Christina Barth | ||
Art Direction by
| Christina Barth | ||
Costume Design by
| Erin Dougherty | ||
Makeup Department
| Danielle Fonseca-Ondrek | ... | body painter |
| Paul Goldblatt | ... | makeup artist / makeup supervisor |
| Celeste Ruggeri | ... | body painting assistant |
| Katherine Rusch | ... | assistant makeup artist |
| Gabbie Vincent | ... | assistant makeup artist |
Production Management
| Chris Connolly | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Matthew Porterfield | ... | first assistant director (as Matt Porterfield) |
| B. Reeves | ... | second assistant director |
| Marc Vives | ... | additional first assistant director (as Mark Vives) |
Art Department
| Stephanie Armstrong | ... | assistant art director / assistant property master / property buyer |
| Christina Barth | ... | construction coordinator / property buyer / set dresser |
| Rachel Cohn | ... | art department assistant |
| Darnell Dulude | ... | artist: graffiti mural |
| John Girad | ... | art department assistant |
| Skei Saulnier | ... | property buyer / property master |
| Anton Sherin | ... | scenic carpenter |
| Charlotte Strick | ... | graphoic designer: promotional |
| Brett Van Deusen | ... | art department assistant |
Sound Department
| Travis Call | ... | audio post coordinator |
| Marshall Grupp | ... | sound designer / sound effects editor |
| Betsy Lindell | ... | boom operator |
| Evan Mangiamele | ... | sound effects: video game |
| Cory Melious | ... | dialogue supervisor / re-recording mixer |
| Clayton Perry | ... | additional boom operator |
| Jason Trammell | ... | foley engineer |
| Brian Vancho | ... | foley artist |
| Anthony Viera | ... | sound mixer |
| Tony Volante | ... | supervising sound re-recording mixer |
Special Effects by
| Paul Goldblatt | ... | special effects |
Visual Effects by
| Chris Connolly | ... | visual effects |
Stunts
| Stephanie Armstrong | ... | stunts |
| Macon Blair | ... | stunts |
| William Lacey | ... | stunts |
| Stacy Rock | ... | stunts |
| Skei Saulnier | ... | stunts |
| Chris Sharp | ... | stunts |
| Bill Tangradi | ... | stunts |
Camera and Electrical Department
| Andrew Aiello | ... | grip and electric swing |
| Olivier Bernier | ... | grip |
| Matthew Bleistein | ... | grip |
| Dave Bowers | ... | chief lighting technician |
| Ronald Brescio | ... | camera trainee (as Ronnie Brescio) |
| Mike Csatlos | ... | first assistant camera / video assist |
| Jaime D'Aquino | ... | first assistant camera: second unit (as Jaime Segschneider) |
| David George Ellis | ... | camera operator / steadicam operator (as Dave Ellis) |
| John Gatland | ... | grip |
| Cath Gulick | ... | second assistant camera |
| Henry Hargreaves | ... | set still photographer |
| Brian Harnick | ... | additional first assistant camera |
| James Heerdegen | ... | grip |
| Mike Jackson | ... | electrician |
| David Kleiman | ... | promotional still photographer |
| Mark Koenig | ... | grip |
| Francis Laros | ... | set still photographer |
| Benjamin Macensky | ... | key grip |
| Michael O'Shea | ... | assistant promotional still photographer |
| Miranda Sajdak | ... | camera trainee |
| Jeremy Saulnier | ... | camera operator |
| Walter Strafford | ... | grip |
| Courtney Webster | ... | second assistant camera |
Costume and Wardrobe Department
| Erin Dougherty | ... | fitter / set costume supervisor |
| Chris Sharp | ... | costumer: cardboard knight |
Editorial Department
| Randy Acker | ... | editing facilities: The Sandbox |
| Kaine Asika | ... | assistant editor |
| Dan Bedford | ... | editorial tech support |
| Todd Bevan | ... | editor: preview |
| Adam Drescher | ... | dailies synching: Suite Spot |
| Rob Gilbert | ... | editing facilities: The Sandbox |
| Angie Gomez | ... | scheduling: Nice Shoes |
| Eli Heitin | ... | dailies synching: Suite Spot |
| Benedict Kasulis | ... | assistant editor |
| Matthew Nauser | ... | post-production digitalizing |
| Patrick Perrotto | ... | dailies synching |
| Pat Portela | ... | executive producer: Nice Shows |
| Grant Provense | ... | logging & digitalizing |
| Ronald Sudul | ... | colorist: Nice Sgoes (as Ron Sudul) |
Location Management
| Kate Barry | ... | assistant location manager |
| Michael Bednark | ... | location coordinator: loft |
| S. Pat Castellar | ... | location coordinator: warehouse |
| Jacinto Chua | ... | location owner: warehouse, Buserole |
| Kate Dean | ... | location assistant |
| Skei Saulnier | ... | location manager |
| Bill Tangradi | ... | location assistant |
Music Department
| Brooke Blair | ... | score recordist |
| Will Blair | ... | score recordist |
| Chris Grant | ... | technical score recording assistant |
| Sara Matarazzo | ... | music clearances / music supervisor |
Script and Continuity Department
| Andrew Cesana | ... | script supervisor |
| Alyssa Orvis | ... | additional script supervisor |
| Matthew Porterfield | ... | script supervisor |
| Marc Vives | ... | script supervisor |
Additional Crew
| Stephanie Armstrong | ... | stand-in |
| Todd Bevan | ... | technical supervisor: preview |
| Chris Boynton | ... | walkie talkies: Walkieboy |
| Natalie Brundage | ... | production coordinator |
| Chris Connolly | ... | title designer: opening titles (as Chris Conolly) / titles designer |
| Suzanne Debaun | ... | catering assistant |
| André Des Rochers | ... | legal services: Gray Krauss |
| James Foreman | ... | production assistant |
| Arlene Grullon | ... | catering assistant |
| James Heerdegen | ... | stand-in |
| Carly Hugo | ... | additional production coordinator |
| Stacie O'Beirne | ... | insurance: DeWitt Stern Group |
| Major Oversight | ... | production secretary |
| Margaret Rathbone | ... | catering assistant |
| Matt Rondeau | ... | production assistant |
| Glen Smolensky | ... | gun wrangler (as ICD Officer Glen Smolensky) |
| Marc Vives | ... | stand-in |
| Robet Wasnick | ... | set medic (as Dr. Robert Wasnick) |
| Emily Zanier | ... | production assistant |
| Sarah Zeidner | ... | caterer: Tableau Catering / craft service: Tableau Catering |
Thanks
| Randy Acker | ... | thanks |
| Todd Bevan | ... | thanks |
| Jay Cagide | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
| J.J. Doherty | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
| Michael Dwyer | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
| Kimberly Jaime | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
| Patrick Lanza | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
| Scott Martin | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie: Paramount |
| Eileen McGrath | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
| Jordan Mintzer | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
| Barbie Painter | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
| J.T. Petty | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
| Lynn Roer | ... | thanks (as Lynn Roer Sgoshani) |
| Jorge Roman | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
| Ed Saulnier | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
| Karen Saulnier | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
| Anish Savjani | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
| Ben Sharp | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
| Marilyn Sharp | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
| Carlos Silva | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
| John Swofford | ... | thanks |
| Kevin Wade | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
| Ronna B. Wallace | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie (as Ronna Wallace) |
| Jeff Williams | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
| David Zellerford | ... | the filmmakers wish to extend their personal thanks to the following for their invaluable contribution to the making of this movie |
