User reviews

This movie is dreadful.

The sound quality was really poor which in the end didn't matter because the dialogue was woeful and the plot pretty much nonexistent.

I really like Juno Riley and Kylie but nothing they gave could save this.

The director must be self funded because I noticed he made movies after this and there is no way he would ever have a studio risk money on him making anything for them.

I am definitely never going to get back the 101 minutes I foolishly wasted on this.

I should have rewatched Catwoman.

I hope nobody else accidentally views this or anything else made by this director.

There's some very amateurish stuff here - not least in the script and sound design.

We know that Juno can do a lot better, so it must have been a struggle for her with this material.

Personally, this started to irritate me very early on, with the excessively intrusive music standing in for an actually engaging story, and the very poor dialogue. It gets a *little* better as it develops some kind of direction but frankly I started tuning out well before the half-way mark.

Film school stuff... hopefully everyone learned a lot!

The 2 actresses are great, and they are the only reason to watch this heap of confused metaphors. Somehow, with no help from the script or direction, Temple and Keough craft believable characters with palpable chemistry. Their performances make you care about these two young lovers. However, because the script and direction are so poor, these actresses are wasted in a bizarre, slowly paced, depressing film.

Jack & Diane (2012)

** (out of 4)

This film has been thrown out as a lesbian teen drama, a romantic drama and even a horror drama and while it does try to mix all of those things I think it fails for the most part. The story centers on British teen Diane (Juno Temple) who falls in love with female friend Jack (Riley Keough) and we see their troubled relationship turn into something rather bizarre. I'm really not sure what JACK & DIANE was trying to do unless it just wanted to be one of those indie movies that managed to be all over the place and seem rather other worldly while wanting the viewer to make up their mind on what it's about. I don't think the film was as bad as some of the reviews out there but there's still no question that there are quite a few flaws here. The biggest is that the film just never really makes us care about the characters and this here is the fault of the screenplay. I'm really not sure what writer-director Bradley Rust Gray was wanting to say or do with these characters but they never really come to life. For the majority of the overlong running time I was just sitting there wondering what anything I was watching was supposed to mean. The romantic elements never really work, the drama between the two never works and when the horror elements do show up they just seem out of place. The werewolf creation looks pretty bad but I think this was done on purpose. The horror elements just really seem out of place as if they were added just to expand the market. I did think the director at least made a good looking film and it was certainly professionally done. The biggest draw for me was the two leads and I thought both of them did a very good job. I thought Keough, Elvis' granddaughter, does a very good job in her part and I thought she handled the character well and managed to make you believe her in the role. Temple was absolutely charming in her part and her beauty certainly helped carry the film but she also managed to give an actual performance. With that said, it's hard to know who to recommend this thing to because the film's really all over the map and doesn't really succeed at anything it tries.

I was really disappointed and was expecting a lot more. I feel like I wasted an hour and 45 minutes I'll never get back. I lasted that long in hopes that something interesting would happen. I was at least hoping for some good sex scenes but that was a disappointment too. I usually like indie films because i know it is a struggle to make them on such a tight budget but I def would not recommend this to anyone. I think I sucks that this site makes you put 10 lines of review for a film that is not worth 10 lines but I guess I will play along if I can spare someone else wasting their time on this film and not searching Netflix for something better.

It was not an horror, drama or comedy; moreover, it was not a good mix of these genres. I could not laugh, could not get scared or felt emotional about anything that is going on in the movie. Mainly, they might want to tell a teenage lesbian story, but they did it in a such a cheap and simple way with very bad cliché dialogue and scenes that you just want to laugh at it. Kylie Minogue plays a small part in the movie, and evidently chosen to make the movie more attractive with her beauty. 23-year-old Juno Temple looks like a early bloomed teenage girl which is also one of the many disturbing and weird things about the movie. At the end of the movie I asked to myself "what was that movie all about?" It's simply a bad movie and waste of time.

This movie is indeed pure pure crap and no more!

All the fuzz as for instance that the monster we saw - and also the meaningless images of some kind of living tissue and hair growing around it - is a metaphor for Diane's sexual feelings and how they increase . . and burst . . . come on give me a break folks! This isn't even a love story . . it's the story of two kind of weird teenagers meeting and spending time together exploring each other and nag and whine all the time . . pf . . I really don't see the point of this movie. . .

Why not make a decent lesbian movie for a wide audience instead of this piece of crap . . . it's beyond me!

If the director wanted to film girls making out, he should have just done that instead of half baking a forced love story between two characters with no chemistry and no interest in each other.

Writer/director Bradley Rust Gray's debut feature "The Exploding Girl" was a mild indie success with its star Zoe Kazan, a twenty-something girl dealing with life and relationship issues. It's a slow burn character study that felt very real and relatable and looked to be a good starting point for the young filmmaker. His follow up film "Jack and Diane" is here and it has taken a pretty vicious critical beating. It stars current "It" girl Juno Temple and Riley Keough in a brief but intense affair, that includes metaphoric intercuts with a werewolf like beast. The film also features brief stop motion tidbits from the brilliant Quay Brothers. In some ways I think it has been unfairly picked on and doesn't deserve such a thrashing.

Diane (Temple) is a British girl in New York City who while trying to find a phone runs into Jack (Keough) the stereotypical tomboy. The two girls are complete opposites. Diane is tiny, meek and insecure. While Jack puts up a tough and rigid exterior, full of false self confidence. After partying the night before, Jack is hit by a car while on her skateboard and for the rest of the film she has a nasty scrape on the side of her face. We find out both characters are caring around some heavy emotional baggage.

Diane has frequent nosebleeds and strange dreams about a big nasty beast ripping people apart, but this is by no means a horror movie. The animated sequences are thick strands of hair moving around the inside of a persons body like a rope tightening around a heart. It's sticky, grimy and a little gross, but then again so are some of the critics. Early on in their relationship Jack finds out that Diane is leaving for Paris in a few weeks and she tries to distance herself and forget everything about her, but she can't. Eventually they start to embrace the time they have left together. The film does feel a little awkward and strange but then again this is what the characters are feeling. The story also meanders and goes in a few different directions but overall I didn't find it annoying. Towards the end of their time together Jack starts getting the nose bleeds and having these awful visions almost like Diane infected her with something.

I know I'm in the minority on this but I kind of dug the film. It's currently available on Netflix watch instantly, so take a chance and give it a watch.

I've been waiting years for this movie...and it was worth the wait. I first heard about this film maybe 4 or 5 years ago, and I've followed it all the way through its development. It was off to a rocky start with many casting changes (originally set to star Olivia Thirlby and Ellen Page), and also suffered funding issues, but this doesn't show in the final product.

Let me start off by saying that this film is at its heart, a beautiful love story. Jack (Keough), though tough skinned and sometimes a jerk, proves to be an extremely likable character. Jack is a typical rugged tomboy, but also hides an extremely vulnerable hopeless romantic underneath. Diane comes off first as childish, through the way she dresses and speaks, but she hides a deep intensity and is in actuality very strong and multifaceted. Both actresses are fearless and play their respective roles remarkably. The story line is not arced with the stereotypical first-love plot; it had many twists and turns and was deep and complicated, but the filmmaker made it work on the screen. This movie also had many quirky moments interspersed, that were quite laughable. My favorite part besides Keoughs and Temples performances is the cinematography (and its musical pairings, but more on that later). Gray, the director, shot a picturesque and dream-like movie. The best example of this is the scene where Jack and Diane first kiss in the club; it takes your breath away. Each frame is near perfection, but viewer be forewarned this is a slow movie. There are many awkward (but poignant) moments that draw you in and make you feel just as uncomfortable as the characters. To me, this is the whole point of cinema, to make a viewer feel certain emotions, and this film achieves that admirably. If you are not used to slow films with sparse dialogue, you won't like this one.

Now to the nitty gritty, specifically "the monster" and the animations by the Brothers Quay. The fact that this was a "werewolf" movie is what drew me to this project in the first place, but that really is not what this film came to be. There is a monster and it is a throwback to the beastly werewolves of lore. However, this "monster" represents Diane's awakening sexual desire. As the film progresses and the monster in Diane awakens she shows her intense and passionate side more and more. The Brothers Quay animations didn't do much for me, but they are unique and add to the horror aspect of this movie. Speaking of celebrities, Kylie Minogue's performance is somewhat underwhelming. Had I of not known she was in the movie beforehand, I would have never taken a second look at her character. Which is not to say it was badly acted, in fact it was acted so well, it just didn't stand out.

What did stand out surprisingly, was the music in this film, one of Minogue's own songs is in it, and it is incredible. The soundtrack suits the film very well and is extraordinarily beautiful, as it portrays the intensity or confusion of Jack and Diane's emotions. There was also exquisite attention to detail in many aspects of this film. The best example that comes to mind is how almost every food that Jack or Diane eat, they share with one another, and it is all colored red, which surely could be a metaphor for devouring someone else's flesh (harkening to the recurring werewolf theme). The ending is open-ended, and I'm certain this will leave most viewers confused and opposed to this film. However, I like a film that makes me think, one that makes me want to believe, and this film does exactly that.

TL;DR Not a film for everyone, but if you like unique love stories, superb intense acting, a dash of horror, and long drawn out scenes that are beautifully shot, then this is the film for you.

Action movies with tons of heads getting blown off and blood bursts don't always have 'points'. Most are just ways of showing action and people say, 'Well, what do you expect?'

For some reason there is a double standard in cinema now where a movie, if it isn't a genre, has to have some mind blowing '1984' point. Well, the truth is, people don't care about points. I know people that have written great books with compelling themes and can't get them published. It's all about what people think, what they think they want, and how they sum it all up in the end.

Most people will watch 'Jack and Diane' and say, 'That was a big waste of time. There was no point. The acting was weak. Why did I watch that?'

Sometimes we take for granted what a movie, or story for that matter is. 'Jack and Diane' is a glimpse. It's a look at a situation that might have happened or could happen. The characters are not developed, because you are supposed to imagine them in your mind or even perhaps see your self in them.

The truth is, there was a lot said in this movie: about people, about how we can't see into other people's lives, feel what they feel; how we are closed off and encapsulated and outwardly poisonous to anyone we don't know. There was an over all theme of love and awakening sexual desire. People don't want that stuff, so most will look at this movie and say the usual 'what's the point'

People like love stories where a guy gets a girl, where a girl gets a guy and they move in together and have two kids and a dog. People like the thriller where some guy succeeds through unreasonable measure an impossible situation while somehow falling in love and solving his life problems.

We like movies where people get shot and cut up; based on true life bs.

But, when a movie about two kids loving each other for a brief time, feeling that bud of love in their stomachs and loins, comes out...we judge it to shreds.

Juno Temple and Riley Keough did a great job. They acted. There wasn't any big chase scene or gun fight or montage. They didn't give speeches. The dialogue really doesn't matter either. It was just two characters growing emotion. Why can't that be enough for an hour and a half?

Fans of "Times Square" (1980) and of its Director Allen Moyle might want to check out "Jack & Diane" for a little compare and contrast. The comparison should help them appreciate the many missteps Moyle could have made and credit his instinctive feel for making small films that connect with their target audiences.

"Jack & Diane" is not badly shot and the audio is good, so you can't explain the lameness away by calling it a student film. It is saved from being a complete embarrassment by it being so modest an effort with so little pretension. Thankfully there is no director's commentary although what could the writer/director of something this sterile possibly have to say? Unfortunately, being embarrassed for the cast and crew would at least constitute some degree of viewer involvement with the film and the story; however perverse.

In the absence of embarrassment there is simply nothing here to generate a response from a viewer. It is one of those extremely rare cases where the three-way dynamic between the artist, the work, and the observer simply does not occur; no connection is fused, nothing is engaged in the viewer. Or to put it simply, a example of how decent production and post-production cannot breathe life into something where the pre-production was so becalmed as to be sans pulse.

Juno Temple is a transcendent actress with the most interesting a face out there today. To the film's credit there are considerable extreme close-ups of her and sincere attempts by her at nonverbal character development; but nonverbal connections to the viewer only happen when the story has some basic coherence.

Once Temple was cast and the comedic potential of her stock airhead character was recognized (along with the almost scary talent disparity between her and her co-star), the answer for the screenplay's absence of life should have been obvious. Think Goldie Hawn playing off Charles Grodin. A little exaggeration in that direction (after all they were already going expressionistic with the effects) and they might have had something worthy of release, or at least something to justify its basic existence. Instead one is left to lament their failure to simply donate the budget to a local children's research hospital.

I only gave it a 2 rather than a 1 since the relationship between the two was of interest, which is a guess is the major plot of these gal pals but really has nothing else to offer. Since the minimum lines which one must write is ten, I must continue.

Since I must write, write, and write more, I choose to write about why more of this film is a waste of your time. Although the girls, especially the actress playing Diane are easy on the eyes, it would have been interesting of the "monster" had some real implications, a la like maybe the "Howling" but this route was not taken unfortunately!

The actress's performances were fine, that alone makes this story one which is able to me followed. There, are those enough lines for this review?

I loved the romance scenes that were going on between Jack and Diane but I just didnt feel the whole movie about them was as passionate as it should. There were more then a few slips. The plot and most of the script was only caused by just very lazy unmotivated writing. Kylie Minogue is a great actress as well as a singer but she honestly should've backed out this project and accepted other ones coming her way that had bigger potential!

I've nothing more to discuss but I have to say, I was rather dissapointed that there was even enough effort to make this lesbian love story become a success!

I tried to watch this movie, but after a few minutes in I had to stop. The idea is somewhat interesting, but it's too slow and boring to keep your interest. Very quickly you realize that you don't really care about the two leads romance. Somehow, it's triggers one of them to become a werewolf. She must be in heat or something.

Juno Temple and Riley Keough aren't bad actresses (although I do wish the former picked better roles to star in) the problem is the script itself. The dialogue isn't that interesting to hear. Nothing really happens through the film. I get it's a slow burn, but it's too slow and not engaging.

If I haven't made myself clear, skip this star-crossed flick.

This movie i just happen to be up late at night and started watching. I don't view this movie as a Lesbian movie; its more of coming of age movie for teens. The "horror" part people mention, i didn't see it that way, i think it was more about the mental ability of the young people involved.This movie will not appeal to everyone, and critics at times, seem to be more critical when in actuality the movie was "good"> judge movies on my own merit; i have watched many many types of movies and the critics never seem to get it right or interpret it the way "most" would. I say give it try and you just might be pleasantly surprised. the young actors in this movie, i think do a good job.

A delectable touch of pure original fun sprinkled with a whole lot of probity, the characters were fleshed out so well, the romantic interlude when it culminates at the end wraps all threads in a nice neat bow showing us what love can be and what it cannot; its a wonderful tale with two super thespians at the helm, totally sweet yet nuanced with a dark undertones that really builds on the theme and explores, wonderfully, the curious case of these two characters.

Wow this was an epic failure on the part of the director. The movie was a roller-coaster of emotions that never made sense or came together towards the end of the film. The irony of the film is that he was trying to tell a story about first love, yet the dialogue between the supposed two in love was poor or nonexistent. There was no special bond shown on screen at all which left the audience even more confused after the movie was over. Moreover, there was no character development conveyed throughout the film which would have helped us believe more that the two were falling in love.

And yes, is this a film about love, horror, tragedy, or comedy? Who knows? The one thing I enjoyed was the soundtrack and music selection.

I compare the discovery of a good movie with the discovery of a new passion. It's rare to happen, but when it does it stays with you for a long time and it feels good. Jack & Diane is one of those discoveries. A film virtually unknown and difficult to explain, which usually means that it is something unusual, or an unbelievable crap. The official synopsis says it's about the meeting of Jack and Diane, two teenagers lost in New York today, over a summer. Diane got off on her sister and without money or cell phone, does not know how to get back home. Jack does not know what to do with his life, after a great loss. But is not a romantic movie about sex discovery, it's about vomiting, inner monsters, intimate waxing, urban life, long silences, long kisses, deep sleep at a very long time short, packed by a soundtrack composed by those who understand, and excerpts from the unmistakable and enigmatic animation of the Quay brothers. A nugget of gold, that usually are well under the sole of the foot.

Weird movie... Sexual/monster thriller/romance movie. I liked it, but could've been better.

If you're wanting to watch a horror film, then this might not be the movie for you. Sure, there are some horror scenes sprinkled throughout the movie, but that's not the center of the plot. If you're looking for an artsy, coming of age lgbt movie, this is for you. The film is artistically filmed and well acted. Jack is a charming & rebellious lesbian, who is secure in her sexuality. Whereas Diane is an innocent & quirky girl, who is still coming to terms with her sexuality and she is drawn towards Jack. The opposing personalities of these two characters balance each other out and they have undeniable chemistry.