A vengeful barbarian warrior sets off to get his revenge on the evil warlord who attacked his village and murdered his father when he was a boy.A vengeful barbarian warrior sets off to get his revenge on the evil warlord who attacked his village and murdered his father when he was a boy.A vengeful barbarian warrior sets off to get his revenge on the evil warlord who attacked his village and murdered his father when he was a boy.
- Awards
- 2 nominations
Diana Lyubenova
- Cheren
- (as Diana Lubenova)
Storyline
Did you know
- TriviaJason Momoa enrolled in an intense six-week training program at a stunt and martial arts academy in Los Angeles for his part while still finalizing negotiations for the film.
- Goofs(at around 1h 11 mins) The fight on the ship starts out at night but finishes in daylight.
- ConnectionsFeatured in Trailer Failure: Conan, Real Steel, and Final Destination 5 (2011)
- SoundtracksNazlah Al Sallallem
Performed by Cairo Orchestra
Written by Sami Nossair
Published by Tenvor Music (BMI) o/b/o Kousan Music Publishing
Courtesy of Hollywood Music Center
Featured review
Conan the Barbarian is born in war, a product of blood and steel. Thus the film should be a visceral, violent portrayal of a warrior set against the fantasy backdrop of Robert E. Howard's Hyboria. What emerges on screen is a set of one dimensional characters placed in a world that feels half heatedly brought to life.
The film has been accused of being like viewing a video game. I would disagree. The nature of video games, particularly those of the fantasy and RPG genres, is immersion. There is no immersion here. We flit from place to place in a lame attempt to show the vastness of the world through a mediocre CGI backdrop of a castle or slave camp or pirate city. None are ever fully realised before Conan jaunts off somewhere else. The violence itself is the most disappointing. Nispel manages to create fight scenes that lack the kinetic quality of a dance. The camera is misplaced, the editing focusing on the wrong points. You never feel the hits, the power of the blows or Conan's qualities as a warrior. It feels clumsy.
There are more grunts and warcries than lines of dialogue and those spoken feel like the actors are running them in rehearsal for the first time. There is no commitment to the lines so again the audience fails to immerse in their characters. McGowen in contrast overly plays the sorcerer.
Given this is a reboot, the film does not feel fresh, but instead feels dated. It's almost as though Nispel wanted it to feel like the 1982 version, but taking only the worst qualities and none of the charm. Conan reinforces the assertion of refraining from producing reboots where there is nothing original the writers or director bring to the table. Conan is a stale rehash that will offer no reward to its audience.
The film has been accused of being like viewing a video game. I would disagree. The nature of video games, particularly those of the fantasy and RPG genres, is immersion. There is no immersion here. We flit from place to place in a lame attempt to show the vastness of the world through a mediocre CGI backdrop of a castle or slave camp or pirate city. None are ever fully realised before Conan jaunts off somewhere else. The violence itself is the most disappointing. Nispel manages to create fight scenes that lack the kinetic quality of a dance. The camera is misplaced, the editing focusing on the wrong points. You never feel the hits, the power of the blows or Conan's qualities as a warrior. It feels clumsy.
There are more grunts and warcries than lines of dialogue and those spoken feel like the actors are running them in rehearsal for the first time. There is no commitment to the lines so again the audience fails to immerse in their characters. McGowen in contrast overly plays the sorcerer.
Given this is a reboot, the film does not feel fresh, but instead feels dated. It's almost as though Nispel wanted it to feel like the 1982 version, but taking only the worst qualities and none of the charm. Conan reinforces the assertion of refraining from producing reboots where there is nothing original the writers or director bring to the table. Conan is a stale rehash that will offer no reward to its audience.
- richard-s-bellamy
- Sep 6, 2011
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Người Anh Hùng Barbarian
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $90,000,000 (estimated)
- Gross US & Canada
- $21,295,021
- Opening weekend US & Canada
- $10,021,215
- Aug 21, 2011
- Gross worldwide
- $63,523,283
- Runtime1 hour 53 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content