The story of Washington D.C. radio personality Ralph "Petey" Greene, an ex-con who became a popular talk show host and community activist in the 1960s.The story of Washington D.C. radio personality Ralph "Petey" Greene, an ex-con who became a popular talk show host and community activist in the 1960s.The story of Washington D.C. radio personality Ralph "Petey" Greene, an ex-con who became a popular talk show host and community activist in the 1960s.
- Awards
- 8 wins & 14 nominations
Cedric The Entertainer
- 'Nighthawk' Bob Terry
- (as Cedric the Entertainer)
Schroeder Todd
- Guard Captain
- (as Todd William Schroeder)
Vondie Curtis-Hall
- Sunny Jim Kelsey
- (as Vondie Curtis Hall)
Storyline
Did you know
- TriviaAn earlier version of this film was in development in June 2000. It was to be titled "Petey Greene's Washington" and star Martin Lawrence. Greene's biographer Lurma Rackley was to write the script but contract negotiations broke down.
- GoofsPetey Green is hired to do a daily morning show when in reality, he only did a Sunday show on WOL.
- Quotes
Petey Greene: I'll tell it to the hot, I'll tell it to the cold. I'll tell it to the young, I'll tell it to the old. I don't want no laughin', I don't want no cryin', and most of all, no signifyin'. This is Petey Greene's Washington.
- SoundtracksIt's a Man's Man's Man's World
Written by James Brown and Betty Newsome
Performed by James Brown
Courtesy of Universal Records
Under License from Universal Music Enterprises
Featured review
"I'll tell it to the hot, I'll tell it to the cold. I'll tell it to the young, I'll tell it to the old. I don't want no laughin', I don't want no cryin', and most of all, no signifyin'. This is Petey Greene's Washington." Petey Greene
Petey Greene was as big in radio in the mid-to-late 60's as Howard Stern in the 90's only Greene was much more powerful an advocate for and influence over minorities that Stern ever even thought to be. Stern himself admits to Petey's groundbreaking DJ persona, speaking truthfully from the heart.
Talk to me smartly chronicles Greene's astounding rise to national prominence as a Washington, D.C. black advocate, whose only limitation dramatically is that in the end his career and life ended pathetically as a result of hubris and misunderstanding.
Don Cheadle as Petey and Chiwetel Ejiofor as his "Mr. Tibbs" manager, Dewey Hughes, are the acting team of the year, initially despising each other, needling each other to be more than they are, comforting each other in down times, and ultimately responsible for the major successes and failures of their lives. All this with barely a scene overplayed. Even after Martin Luther King's death, when Petey the ex-con DJ goes on the air to help mitigate the destructive revenge of blacks in D.C., Cheadle underplays effectively.
The limitation of Talk to Me is that the story has been told many times before, the typical rise and fall of a star, even though it may be true. In this case it is, and the last third of the film suffers from a clichéd depiction of Petey's degeneration and death, both of which are not half as interesting as his rise to stardom. That he struggled with alcohol his whole life, never became comfortable with stand up comedy or TV talk show hosting, and ominously coughed for cancer are not interesting parts of his life, albeit accurate and dominant in his decline.
However, his failure on his only appearance on the Tonight Show is a memorable caution about being something you are not, being forced into a role not meant for you.
Dieing in his early 50's from lung cancer is a sad denouement to a life that had been broadcasting iconic when he simply told it the way it was from a little studio that let him speak effectively to his people about rights and pride. Over 10,000 attended his funeral in D.C., more than any non-elected person in the city's history. Petey would have been proud.
Petey Greene was as big in radio in the mid-to-late 60's as Howard Stern in the 90's only Greene was much more powerful an advocate for and influence over minorities that Stern ever even thought to be. Stern himself admits to Petey's groundbreaking DJ persona, speaking truthfully from the heart.
Talk to me smartly chronicles Greene's astounding rise to national prominence as a Washington, D.C. black advocate, whose only limitation dramatically is that in the end his career and life ended pathetically as a result of hubris and misunderstanding.
Don Cheadle as Petey and Chiwetel Ejiofor as his "Mr. Tibbs" manager, Dewey Hughes, are the acting team of the year, initially despising each other, needling each other to be more than they are, comforting each other in down times, and ultimately responsible for the major successes and failures of their lives. All this with barely a scene overplayed. Even after Martin Luther King's death, when Petey the ex-con DJ goes on the air to help mitigate the destructive revenge of blacks in D.C., Cheadle underplays effectively.
The limitation of Talk to Me is that the story has been told many times before, the typical rise and fall of a star, even though it may be true. In this case it is, and the last third of the film suffers from a clichéd depiction of Petey's degeneration and death, both of which are not half as interesting as his rise to stardom. That he struggled with alcohol his whole life, never became comfortable with stand up comedy or TV talk show hosting, and ominously coughed for cancer are not interesting parts of his life, albeit accurate and dominant in his decline.
However, his failure on his only appearance on the Tonight Show is a memorable caution about being something you are not, being forced into a role not meant for you.
Dieing in his early 50's from lung cancer is a sad denouement to a life that had been broadcasting iconic when he simply told it the way it was from a little studio that let him speak effectively to his people about rights and pride. Over 10,000 attended his funeral in D.C., more than any non-elected person in the city's history. Petey would have been proud.
- JohnDeSando
- Jul 20, 2007
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Petey Greene's Washington
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $4,533,261
- Opening weekend US & Canada
- $391,000
- Jul 15, 2007
- Gross worldwide
- $4,778,376
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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