User reviews

The warring states of Ancient China serve as a backdrop for this pan-Asian war epic, starring the charismatic Andy Lau. Going by the literal translation of the Chinese title, it's "Ink War", alluding to the fact that much of the battles in this movie relies a lot more on superior strategy in order to overcome a mammoth battle against a Goliath, with a 4,000 population up against the might of a 100,000 strong well-trained army.

Based on a Japanese novel/manga Bokkou, Battle of Wits fictionalizes one of the episodes during 370BC, where China was still divided, and each nation seizing opportunities to usurp the other. Those familiar with history will know that eventually, the kingdom of Qin will ultimately unite the Middle Kingdom for the first time. However, the story sets its sights on the Kingdom of Zhao leading an attack on the smaller state of Liang. In its defence lies a mysterious man from the Mozhi tribe known as Ge Li (Andy Lau of course), who galvanizes Liang's population to stage a stand against what seemingly looks like impossible odds.

While war movies of long, long time ago have been flogged to death recently by Hollywood, with films like Alexander, Troy, and fantasy epics like the Lord of the Rings series, Asian movies have rarely scratched the surface until of late, with Battle of Wits leading the charge, and coming right up are at least two film adaptations of episodes from the Romance of the Three Kingdom novels. For those expecting fantastical and romanticized wu-xia martial arts moves, you will be disappointed, as this movie is rooted much in reality.

Given the epic scale of this production, it still rings a sense of familiarity in its war scenes, and I thought that shooting most of them in middle-close range, loses much of its grandeur. The big spectacles shown have nothing new that will take your breath away, especially after Hollywood has plundered such productions. Nonetheless it augurs well that Battle of Wits managed to pull off a production of this nature, and has, surprise, a competent storyline to carry it through.

There is a strong anti-war message that got worn on the sleeves Ge Li, as smart and cunning as he is, he's the reluctant hero, willing to make sacrifices for the greater good. He finds no pleasure in war, nor killings, but in order to save the masses, he must do what he has to thwart efforts of bloodthirsty kingdoms. He's is the message of "loving thy enemy", naturally not shared by the incompetent leadership in Liang.

And since time immemorial, you always have the incompetents possessing the heart of insolence, with characters of sloth and ill intentions, straddling from a high horse. Inept leaders silencing their opposition through calls of treason is a tactic all too familiar, which makes it all the more despondent as you ponder about that aged old Chinese proverb about there being nothing wrong in looking after your personal interests first, instead of bothering with the affairs of others. Ge Li faces both the task of winning over the people's trust (since they're committing the state's defences to his organization), and the inevitable unappreciative, thankless task of having to do just that.

As I mentioned, do not expect to see "Qing Gong" or fancy swordplay. Rather I was in awe with the delivery of strategies and counter strategies in having two warring factions pitting their wits against each other. Sometimes they come rather unexpectedly, and will leave you with a smile, like when you're wondering just what everyone is up to when they close their eyes en masse.

Accompanied by an excellent soundtrack, the movie could be split down two halves, and while the first centered on the macro affairs, a more micro, personal affairs of the heart managed to creep in between Ge Li and Yi Yue (the gorgeous Fan Bingbing), a calvary officer, and though their romance sometimes stalled the pace of the movie, it added some gravitas to Ge Li the Man, questioning his strong beliefs on being unselfish, and made the finale all the more heart-wrenching to watch.

Featuring stars like Wu Ma and Nicky Wu (when was the last time I saw them in a movie) and Korean actor Ahn Sung-kee, this certainly is the movie to watch this week. Forget about them animated penguins, treat yourself to an epic worthy of your time, and well worth a weekend ticket.

"Battle of Wits" seems to be based on a comic that is based on a famous period in the history of China! Everything in the movie looks authentic! The action is done as realistic possible! So no wire fu or any kung fu for that matter! This is not a martial arts movie! People who expect this will be disappointed! There is just enough action to make a point! The movie is indeed about strategy and tactics as the title suggests! Even when the pace of the movie is slow at times there are some surprises that will keep matters interesting! The love angle is beautifully done and not distracting at all! We have Andy Lau to thank for that because he really is superb as Ge Li! At first he is distant and passive like a monk! When he is explaining his philosophy to a slave he rescued, he realizes that he should show his love for Yi Yu (Bingbing Fan)! Also his prayer for peace is convincing! He is trying to avoid bloodshed as much as possible! When he is forced to kill a large number of enemy soldiers he begins to doubt whether he has taken the right action! This doubt makes him very human and very likable! He even makes an impact on the commander of the enemy troops! "Battle of Wits" is not without flaws! The battles are not that intense and massive as you would expect from a movie like this! And the pace is too slow at times! But in the end the result is that of a war epic with a very powerful message!

**NO SPOILERS** In all aspects of film making, and by any standard, this is an epic production that works at transporting us back to 4th Century feudal China. I'm a late comer to Asian films having seen few more than the Bruce Lee, Sonny Chiba films of the seventies, and the few odd Jet Li and Jackie Chan movies of the eighties and nineties. That is until picking up on Quentin Tarantino's passion around twenty years ago. The more I explore the more I find to my liking. I now own a fair number of Asian DVD's ranging from some Bollywood Classics, Shaw Brothers standards and a variety of Japanese movies, new and old, including every Kurosawa film. Lately, I find myself looking at the Asian market films before Hollywood's latest comic book hero offerings. And, if you have read this far you are probably saying, who cares, and I have to admit you would be justified in thinking that way. But give an old movie lover a break because at my age it takes a minute to get the brain to focus- speaking wishfully, of course. "Battle of the Warriors" has already been expertly described by a few of the other critics here so I'll just tell you what I liked, or didn't like about it. What I didn't like first. One glaring goof-up is all I can come up with- they put a terrible wig on one of the minor/co-stars- that's it! Everything else falls on the positive side. Story, script, plot, pacing, acting, casting, directing, cinematography, production design, costumes, music/soundtrack, action, special effects are all two thumbs up and quite exceptional. Andy Lau plays the philosophical voice of reason quite well. All supporting actors are equally believable in their parts. The fighting and battle scenes are impressive, intriguing and innervating. I can't wait to watch it again with the commentary track provided by Bey Logan, HK film expert/critic. I rated the movie an 8, but if fractions or tenths were available a rating of 8.5 would be more accurate. I enjoyed this movie so much, I personally guarantee you will find watching it an enjoyable experience, or your money back...

An epic Chinese, Warring States period war film staring Andy Lau as warrior/philosopher Ge Li who encourages the state of Liang to defend itself against a more powerful neighboring state. Ge Li as a third party interloper represents the Mozi sect and their non-violent philosophy and defends the state of Liang to prevent greater carnage from the aggressive nation of Zhao. Helping to defend Liang, Ge Li must reconcile his philosophical beliefs with the messy realpolitik ambitions of Kingdom's leadership and also deal with the petty jealousy of less courageous rivals. Although this film is well made and Ge Li's dilemma is compelling, an entire ludicrous segment involving a female love interest detracts from the central theme and, in fact, seems like a gratuitous concession to commercial interests.

The one thing that can be said of this film is its utter bipolarity. Few films have been this bad when misstepped, and this good when right.

Andy Lau turns in a solidly chivalric turn as a wandering warrior-philosopher who aids a small city-state in defending a large, powerful army. He earns the ire of the city-state's opportunistic and mean ruler at the same time, and the love of a beautiful cavalry captain. Sounds like all the ingredients are there but the resulting mix varied wildly in quality. Other than Lau, Korean superstar Ahn Sung Ki as the enemy General, and Wang Zhiwen as the mean little ruler, a lot of the supporting cast is seriously vapid. Nicky Wu as an archer prince is a dishwater-dull Legolas-wannabe, and Choi Si Won as a spoiled prince is equally bad. Fan Bing Bing as the love interest and cavalry captain is lain excruciating. And don't get me started on the poorly-written African character.

The battle scenes are also poorly-filmed. I swear I have recorded better looking battle scenes using a game of "Rome: Total War". The sweeping vistas have moments of bad CGI, and some of the scene transitions, such as having a scene turn from live action to an oil-painting, or an up-front shot of thousands of bodies getting skewered by arrows: lack even the spectacle to be tragic in their artificiality.

And for a film that is about a Battle of Wits, it commits the unpardonable sin of resolving itself with a Deus Ex Machina I shall not reveal here.

Yet, the film is interspersed with moments of rugged beauty and palpable tension, thrills and stoicism, heroism and epic grandeur, that make one wonder how a film that got so much right, could also get so much wrong.

This is a movie I cannot really recommend, or not recommend in any sense. Watch at your own discretion.

Having just seen this film, it may be awhile before I can complete my opinion of it. I do not know if it was the poor translations in the subtitles, some confusing storytelling with the subplots, or a combination of both that made many of the finer points difficult to understand. I suspect the third option. As another reviewer said, this movie does have a message, and a potentially very interesting one, but I found that many of the events in the film meant to illustrate it were not well defined enough to be completely comprehensible. It is easy to confuse side characters whose names are not made clear and who look very similar in their armor. Other details, like why certain people are now outside a besieged city when they were in it earlier, also seem confusing -- I expect it all does make sense, but the movie could have done a better job of explaining the finer points of what was happening, what with the many double-crossings and irrational violence that happens. And some other things, like a romantic subplot, weren't fleshed out enough for me to buy -- it seemed a little too Hollywood-ish in setup.

Nonetheless, it is a very interesting movie, visually and story-wise. The main character Ge Li is intriguing and charismatic, well-played by Andy Lau. He is an idealist with great integrity, and he often is alone in his beliefs, but still he uses his great tactical ingenuity to try to defend the city of Liang. This is the film's setup. How it plays out is also quite interesting, though as I said above I found many of the points confusing which otherwise might have added the extra meaning to gain this movie a higher score.

Visually it is very good. Lots of money was spent well, and it has the feel of a real, legitimate battle, with much of the brutality though thankfully not the gore. It doesn't glamorize war, but regards fighting for the defence of one's nation or innocents as often necessary. Yet while it is a bit more contemplative and intelligent than your average medieval epic, it still does work as entertainment. There are some scenes that are just neatly push the film over from pure serious historical war drama into fun action flick. They stick out a little bit, but not enough to ruin anything.

In short: it is an interesting, fun, and sometimes clever film, a bit confusing at times with its subplots and side characters, but grounded by an interesting and admirable protagonist. Not a necessary film or a great one, but a pretty good one all the same.

It's not everyday that a seemingly generic movie serves up surprises of the immense strength seen here. Although the word immense may carry subjective undertones to each and every movie watcher, getting a powerful anti-war and humanist message thrown into the mix can never be a bad thing. And while certainly not ground breaking in any shape or form and riddled with shocking oversights totally out place in a professional production, A Battle of Wits (ABOW) makes good on its promise in a manner sadly absent from many a supposedly superior project.

Once more we're subjected to the oft reused premise of second century China where the seven kingdoms are in an Orwelian state of perpetual war, a condition ABOW at least delivers in a more historically-authoritative fashion. None of that make-believe fictional nonsense suffices, we get names and places that nominally come straight from the history books. At the core of proceedings lies city-state Liang, besieged by the vastly more numerous armies of Zhao. Liang's rather uncaring ruler (Wang Zhiwen who was also in Together) summons for help from legendary warrior-tactician clan Mozi, but only one man turns up: the lone, enigmatic negotiator-style wanderer Ge Li, constantly referred to in the film as Mr. Ge Li for a more meaningful reason than ostensibly presented.

Done by Andy Lau in a somewhat low-profile role for the superstar, Ge Li brings to the fore the usual unwilling class and prime values so essential in a valiant protagonist. The catch here is that for all his conquering charm and military prowess, Ge Li doesn't believe in violence and espouses universal love. He also never really hurts anyone on screen, and manages great victories with the least carnage possible, accepting the necessity of violence with the utmost pain.

Ge Li gathers Liang's resources as the city becomes encircled by the more traditionally-militant Zhao forces. There's quite a few skirmishes and battles with the movie pacing itself nicely, alternating between philosophical ponderings and action as needed. The antagonists are marshalled by General Xiang Yan Zhong, played by excellent Ahn Sung-kee, who provides a link between ABOW and one of its main inspirations, Musa, where Ahn did the skilled Korean archer Jin.

Another element thrown in for good measure revolves around the fledgling love affair between Ge Li and cavalry captain Yi Yue (Fan Bingbing). However, do not worry about getting this epic spoiled by saccharine distractions. ABOW doesn't hold back the tragic contingent, with one heart-wrenching calamity close on the heels of its predecessor. Sooner or later, a sobering reminder yanks events back to the harsh light of reality, no matter how promisingly ideal.

Throughout the respectable running time available, maneuvering and scheming supplement ferocious combat, but none of it comes across gratuitous. While you sit there enjoying the clever writing and constant surprises, the story moves along beautifully, purveying the deepest, most profound human content seen in this genre, possibly ever. None of the usual bravado and camera-pleasing antics transpire, ABOW shying from pyrotechnics and wire-works to concentrate on a memorable message regarding the horrors of warfare and the fallibility of humanity.

And the grace with which this is conducted must be cherished. Characters steer clear of preachy sermonizing, instead delivering their heart-breaking anguish through organic narrative and fitting context.

But every character has ambiguity written all over it, from Ge Li as undecided about his role and identity, the Liang monarch who's as cruel and bent as can be despite professing love for his people, to the contemplative Zhao general and hapless commoners, this flick has them all.

It does feel a tad rushed in certain places, some scenes obviously cut short, mayhap to avoid a more restrictive rating due to violent content that was left out by ruthless editors. Still, this doesn't detract from enjoying ABOW's deep moral repercussions and excellent story.

What do stand out as sore spots are occasionally ridiculous visual effects and sheer amateurish performances, such as Fan Bingbing opening her eyes a split second after her character was supposed to close them once and for all. Also, some of the action suffers from over-direction, looking like laughable dance choreography with soldiers stumbling around in an exaggerated manner. Additionally, the voice track was clearly dubbed without any effort to mask the discord inevitable when doing this, resulting in awkward spoken material. This isn't helped much by the almost complete absence of a proper soundtrack.

Avoid thinking these serious pitfalls. With every single participant in the story completely convincing and multi-dimensional, ABOW scores a huge win for a relatively underdoggish release, and none of its minor failings diminish that. Whatever's broken with the movie on hand is more than made up for by its realistic impact, and thirty minutes in you'll be right at home in Liang, oriented to feel it as a real place confronting concrete terror and hope.

Make tracks to the nearest venue showcasing this milestone and see what happens when Hero meets Platoon or Full Metal Jacket. A Battle of Wits is that significant, albeit most likely it will go down in history just as misunderstood as the pan-human principles it seeks to imbue for the benefit of us all.

Rating: * * * * 1/2

The complexities of war are examined in Battle Of Wits, a period action drama set during China's infamous Warring States Period. A little research shows that, during that particular era (circa 470 to 220 BC), China was split into many states, each attempting to usurp power from and conquer each other. Unification would eventually arrive in the guise of Qin Shi Huang, China's first Emperor, and a man whose story was wonderfully stylised in Zhang Yimou's hugely celebrated film Hero. While the films may share common settings and historical backgrounds though, the similarities end there. Hero was a shiny, stylised kung fu superhero movie, whereas Battle Of Wits is a much more down to earth and gritty proposition.

Battle Of Wits is a decent film - nothing more. It will never be a milestone in the industry, or indeed the genre, but there is enough here to entertain us. Where it falls down is in not quite being one thing or another. Early promise and potential are squandered in the second half of the film. There are good ideas here; it just seems that Jacob Cheung wasn't the right man to explore them. PD

This film is based on Bokko, one of the finest Japanese manga ever crafted, about one man - Ge Li - sent to defend a besieged city in ancient China. Andy Lau here plays the main character, effectively downplaying his super-stardom with a delicate, subdued and humble performance. Apart from him, we get epic battles with twists, a couple of very nifty strategic ideas, and all the grievances and politics of the besieged city of Liang come to a boiling point. Ge Li has to fight enemies from within and without.

Chinese filmmaking often draws upon that nation's very rich literary heritage, and it's often exciting to see the best it has to offer when that heritage blends with great aesthetics backed up by an important budget. "Hero" comes to mind of course, probably as the pinnacle of the genre. But even that film belies a worrying trend in mainstream Chinese film: ideological bullying. Back to this in a second...

Technically, the film is of course very competently made, the period and city are created to perfection, even if the visual style is never more than generic. Where things begin to go sour is in the characterizations. The source manga has very rich, complex characters, and while it is unfair to condemn a film under 3 hours for failing to capture the wealth of a 400+ page graphic novel, one wonders why the filmmakers did not cut content for the sake of depth rather than the opposite. A lot happens very quickly, and it is very hard to care for anyone but Lau's Ge Li. This problem is further compounded by the apparently chronic irrationality of many characters: they act in frustrating ways, seemingly just because the film requires them to in order to complicate the hero's predicament.

On the previously mentioned ideological front, things become downright risible. The source manga is a tribute to the value of the individual and the vices of the ruling class. On the other hand, the film suggests (word for word in one scene) that only unity will end war in China, and the leader of the invading army is made into a far more compelling human being than any of the inhabitants of the besieged city.

In the end, the film is a case study in how filmmaking by committee leads to bland and idiotic results: nonexistent character, crude ideological content, spectacle for its own sake and a total absence of personality.

But it has two good things going for it: first, it might get you to read the infinitely superior manga. The second reason is a man named Andy Lau.

Big budget and hundreds of extras. Huge sets and even bigger philosophical issues.

Summary: A lone philosopher warrior arrives to help defend a small kingdom of 4000 from an invading army of 100,000. His surprisingly effective help is accepted until the king and his court become jealous of his popularity and turn on him.

Well directed and photographed Chinese/Japanese co-production is full of unanswered philosophical questions about war and honor and when does self-defense turn into savagery. There are a number of rough edges, a few scenes are hard to understand, the historical setting might be unfamiliar to non-Asian viewers, sometimes you can't tell which side of the fight you are watching (although that might be intentional), the CGI effects are sometimes no better then what you would see in a Playstation 2 cut scene and occasionally the movie resorts to old- school theatrics.

Despite these shortcomings this movie should see a wider release, in some ways it's better than "Hero" or "House of Flying Daggers". Very recommended.

BATTLE OF WITS is a film in which Andy Lau attempts to defend a city under siege from a huge army camped outside the walls. Yes, it's a typical Chinese big budget historical epic, in which all the money's up on screen and the cinematography is sweeping and epic-feeling. The story engages you from the outset, the twists and turns occur at speed and there are a series of inventive battle sequences that don't disappoint.

In the end, though, I'd say that the film is good, but not great. It's never as suspenseful or exciting as it might be, and doesn't emphasis the siege warfare in a way that a shorter, simpler film like Ironclad does. Instead, much of the conflict comes from inside the city rather than outside, building up to an unpredictable chain of events that you'll never quite see coming. While this makes for interesting viewing, it's not quite the spectacular war epic I was hoping for.

The director is far more interested in exploring some of the political themes (such as the concept of non-violence) by showing the opinions of different characters rather than making a straightforward war film. Thus the battle takes almost a second place to the philosophy behind the characters. This isn't a bad thing per se, but it makes for a totally different film than the one marketed.

Andy Lau is as stern and stoic as ever and the supporting cast are efficient in their parts, while the action that does occur is well handled and inventive. All in all, this is a decent film – just not one I'm in a rush to re-watch.

This movie seems to be one of many more or less recent Chinese movies made only to fulfill the Chinese propaganda.

The only message here is: "China must be united to survive", or, to rephrase, "the only way to survive is by uniting".

I'm sick of it. No decent plot, no decent actor performance, just pure propaganda, like most of Jet Li movies (the most annoying known to me examples being Hero and Once Upon A Time In China).

It's a pity that the Chinese movie industry seems to be unable to produce anything else. After all, it's a large country with rich culture and long history; they must have something else to say... don't they...?

As much as I wanted to and tried, I just couldn't really get into this movie. Despite some amazing set pieces and good fight sequences, I was never blown away.

I had a problem with some of the characters, who weren't well motivated. Even towards the end, characters were introduced I was supposed to care about, but couldn't due to lack of characterization and back story. The protagonist, Ge Li (Andy Lau), a Mozi warrior, arrives in the city of Liang to offer assistance in their fight against the Zhao army. We actually never really learn his true identity throughout the film. At one stage he tells the Prince he goes wherever he is needed, to offer warfare advice. This means he will even go to the very enemy they are fighting, to help them fight. I therefore never really viewed him as a hero. Ge Li is a brilliant strategist, though, with some fantastic tactics - beautifully displayed during the course of the film.

The story was told from both perspectives, although mainly from the Liang offensive. As the film progressed, I started rooting for the enemy instead, and later wasn't really sure who's side I'm meant to be on. The film's visuals also looked a bit dated. I also found the film slow moving and overlong.

I often find it difficult to follow Mandarin war stories - especially films set in medieval or ancient times. If you're into this genre, there are far better films out there. 'Red Cliff' and 'Saving General Yang' comes to mind. Personally, I prefer South Korean war films or period pieces, which I find far more superior. 'Battle of Wits' is nevertheless a very good production, which deserves at least one viewing.

being a huge fan of the original Japanese manga version of the Muk Gong, i have a big expectation to see this movie, and it doesn't disappoint. whereas the original manga covers much deeper the Mo Jia theories and their developments and the meaning behind, the movie actually adapted the storyline splendidly (though some may find some scenes towards the end a bit incoherent, you will know if you have read the manga) and the movie focus more about the ethnics of war. A big tension about the film is that Ge Li (andy lau) has to use warfare strategies to spread his self-sacrifice/non-attack/cross-spectrum love ideals (i believe this is how a Chinese philosophy get closest to the Christian ideal), moreover his existence is only valid during war time period, this contradiction of Ge Li can actually explain the developments of the movie. the director Chi Leung Cheung spent more than 10 years to do this movie and andy lau said in interviews that without Cheung he wouldn't take the post of Ge Li, this movie is definitely not only about the visual, but the inner meanings of the now almost forgotten Mo Jia. Sometimes it makes you wonder how china would be like if Mo Jia (along with many more other Jias; Jia = schools of thought) were not abandoned... i recommend all those who like the movie to check out the manga and novel as well...

I expected "a battle of wits" a great movie after seeing its introduction and actor lists. I went to movie theater to watch, but it absolutely made me disappointed.

I think director want to descirbe different personality vividly, but there are so many illogical reactions. The unreasonable war is mentioned many times, so I'd to talk about the captain of Zhao, why would he agree to meet Ge Li at the isolated room? Is it the exhibition of brave? NO!! It's totally a stupid decision. A captain is responsible for the safety of armies, how could he put himself a dangerous zone??

And the most ridiculous is soldiers lift the captain and run away...does it makes the episode funny?? I think it can just break the serious atmosphere of the battle, and it's really illogical, how dare are the soldiers to offend their captain? Isn't Zhao's army rule really strict?? Too many questions...

Around 500 BC, the four greatest civilisations in the world - Greece, Persia, India and China - had a flowering of philosophy, perhaps due to the spread of urbanisation.

In Europe, Greek philosophers like Socrates, Plato and Aristotle lived, and schools like Stoicism, Cynicism, Platonism and Scepticism flourished.

In the Middle East, mainly within Persia, but also conquered territories like Egypt and Judea, monotheism like Zoroastrianism and Judaism flourished.

In India, some of the most sophisticated and rational systems of spirituality and psychology developed in Buddhism, Jainism, Ajivika and Vedic philosophy.

In China, the 100 Schools of philosophy flourished, which included Confucianism, Taoism, Legalism - and Mohism - the latter being the subject of the film.

While many cultural supremacists like to exaggerate the differences between countries, all of these philosophies fundamentally dealt with the same human condition, and shared a lot in common - for example, Stoicism and Buddhism were both intended as rational systems for coping with life and enhancing the mind - much of their wisdom revolves around acceptance that humans have limited power over the external world, so it is more rational to change oneself.

Mohism, one of China's great contributions to human understanding, was suppressed by the first emperor of China when he burnt all the books of non-sanctioned ideologies (the Qin state followed Legalism) - and was further forgotten during the subsequent Han dynasty which promoted Confucianism - the ideology which remained the most influential in China, Korea and Vietnam.

Surviving works were absorbed into the Taoist canon, and attempts to study Mohism are difficult thanks to it no longer being a 'living' tradition with an experienced lineage going back to it's founder. But what we do know, is that Mohism was similar to Buddhism and Christianity - a universalistic philosophy that believed in compassion toward all other humans. Mozi, it's founder, is said to have negotiated peace between kingdoms on the verge of war, and enhanced the fortifications of the kingdoms facing attack to dissuade violence.

In this film, the protagonist is a Mohist tasked with defending a settlement during the Warring States period around 450 BC. Elements of Mohist philosophy are demonstrated in his actions, making it interesting film for anyone with inclinations toward learning. It is also a pretty good action film or drama, as other reviewers will point out.

OK, so when I saw the trailer, i thought: hey interesting movie, it might be just as intriguing and exciting as The Prestige. But i was proved wrong. The trailer has succeeded in masking the witless plot and awful directing very well. It has also succeeded in making me part with my $9.50 that i paid for this movie.

There was a lack of suspense, it lacked of suspense so much that it became boring. Everything was just so expected. City in danger, hero comes in, hero saves city, city hates hero. This is the plot, to put it bluntly, and also, the most i can think up of to describe its plot. There was even some romance in this movie. The romance fits horribly into it and doesn't gel with the whole movie at all.

This movie is conflicting with its theme. Is it trying to be ridiculous or serious? Its setting seems to suggest that its some serious movie but its content suggest otherwise. You have Africans coming out of nowhere in the movie. AFRICANS. SLAVES AT THAT! I cant think of anything more stupid than putting African Slaves in a movie set in medieval China. I cant start to say on how historically inaccurate that is, and how hard to take the movie seriously for. There were even hot air balloons in it. The movie certainly left me confused. Was i supposed to believe THESE? or was it supposed to make me laugh.

And another scene which really made me think this movie was horrendous: General 1 persuades General 2 to run. Meanwhile, Soldier A runs backwards past them from left side to right side with shield towards left and tells both generals that the enemy is pressing hard. General 2 agrees to run. They retreat towards left.

OK GET THAT SCENE? It shows just how horrible the directing was period. Everything was horrible about that movie. It totally BLEW. This movie isn't worth your money. It just makes you think that it has owed you a few hours of your life watching this movie.

Andy Lau is the main actor in this one, although not listed first on the IMDb cast list here. His role is really great and his character arc even better (that is, if you get the message behind all the fighting and so forth). It might not be apparent to everyone, but this movie has something to say. And that's what I loved about it. The fight scenes were well executed as well, but it's more about the characters than the action.

Of course this is not everyone's cup of tea, as you can see by the voting and comments here. But if you like Asian cinema (Easterns so to speak), than you should give this a shot!

Superstar Andy Lau stars as Ge Li, in Jacob Cheung's epic adaptation of the famed book & manga, Bokkou, set during the Warring States of historic China. Ge Li is from a clan of Mozi Warriors, a group of people set in bringing peace to the land whether its through words or non-violent action. Unlike many other Chinese epics set in this era, Battle Of Wits is more story and dialogue driven, offering less in the way of action but still proving to be highly entertaining!

Jacob Cheung, the man who gave us the classic Cageman and Lai Shi, China's Last Eunuch, on which he first worked with Andy Lau, provides a classically made war movie with high production values, rich in detail and soaked in its natural, sepia-toned, desert setting...

Featuring hundreds of extras, amazing sets and a great cast including Chin Siu Ho, Sammy Hung, Fan Bing Bing, and Korean star Choi Si Won from Dragon Blade, and Ahn Sung Ki from Musa The Warrior, Cheung's Battle Of Wits is wonderfully shot and beautifully acted. Ge Li is a philosophical warrior and strategist who turns up at the small Liang kingdom of 4,000 to help defend them against the Zhao kingdom of 100,000, complete with a well-trained army. While his plans of action have expected consequences, the biggest comes in the shape of the backstabbing king, jealous of Li's popularity.

Stephen Tung Wei looks after the action sequences that, while few, offer some great moments of battle and incredible stunts. But as mentioned, this is all about the story, the dialogue, and the performances, none of which disappoint. A humanist vision on war, this Chinese/Japanese co-production rolls along with a competent storyline, wonderful score and enough great visuals to keep you hooked. While one had hoped for more action, I can totally understand why it wasn't needed, and because of that, Battle Of Wits stands apart from others like Hero, Three Kingdoms, and Red Cliff respectively in offering something a little different...

Overall: While it may not please hardcore action fans, Battle Of Wits is still worth the watch and doesn't disappoint!