User reviews

I love the Zatoichi films and have seen all but the very latest rebooting of the series ("Zatoichi the Last"--which is not available yet in the US). So it's obvious that I am a fan of the movies. However, I will also be the first to admit that they are completely ridiculous. After all, a completely blind swordsman who is able to take on dozens of opponents in each film and win is completely impossible...at least on this planet! Because of this, it's great to see "Love and Honor"--a Japanese film with a blind swordsman that is actually believable!!

The film begins with Shinnojo Mimura working for his lord as a food taster. One day, the unthinkable happens and Shinnojo is poisoned. While this ends up saving his master's life, it also ends up nearly killing Shinnojo and leaving him blind! And, as sometimes occurs in the tough feudal society, Shinnojo is left without a purpose and the prospect of losing his income. Some thanks for service to his master, huh?! However, uncharacteristic of many samurai films, soon Shinnojo learns that his master has not forgotten him and will keep giving him his original salary. So how does this end up resulting in Shinnojo fighting someone even though he's blind?! Well, I don't want to ruin the story--just watch this one.

The film has many, many strengths. It is a wonderful story, has a very thrilling conclusion and a touching love story--albeit an odd one! Well performed all around and one of the better samurai films I have seen--and I have seen quite a few. Well worth your time.

A low-ranking samurai, jaded with his dull daily routine, finds himself tested to the core when his food-tasting assignment leaves him blind.

Yoji Yamada's project exploring samurai in transition expands, having had an outing in Twilight Samurai. That movie had Hiroyuki Sanada in the starring role, and the constantly under-achieving Takuya Kimura was always going to be a hard sell in this role for some. However, he stands up competently here. Shinnojo wakens blind and immediately becomes suicidal. He is granted a healthy stipend of rice from the authorities, and the slow dawning of its true price inexorably works on Shinnojo, eventually becoming too much to bear. This delicately paced transition is plotted by Kimura's expressions, from self-loathing to acceptance to vengeful warrior, with loving husband always present.

Kaori Momoi parades her usual quirky genius, but Rei Dan as loving, loyal wife Kayo is the stand-out performance here. Kayo's burden proves equal to her husband's, and Dan earns our sympathy as the compromised spouse.

The film doesn't quite achieve the delicacy and pathos of Twilight Samurai, but it does add another dimension to the humanistic portrayal of the samurai that is Yamada's trope. For that reason alone, Love and Honour is worth checking out.

Yoji Yamada's appropriately dubbed 'Love and Honor' is a samurai's story of just that; Takuya Kimura is Mimura, a samurai who is used to test food for poisoning by eating it in order to prevent the lord of his clan from being poisoned. Mimura becomes blind after being fed an off-season food that can become poisonous if not prepared properly. Unable to provide for himself, Mimura becomes suicidal. His loving wife Kayo declares her support for him, offering to follow him into death. Mimura is convinced to continue on living, but with Mimura unable to provide for he and his family, his wife is left to find a way to support them. In this classic tale of love and honor, follow a blind man's struggles to find peace of mind as he tries to follow his samurai code.

Do we need to know everything? Would our lives be better if there were certain things we didn't know? These are matters addressed in this story of a samurai family and life in feudal Japan. It was the duty of certain lower level samurai to taste the food before serving it to the lord of the clan in case it might be poisoned. When Shinnojo Mimura, one of the food tasters, eats some tainted sashimi of an off-season shellfish, he falls ill. After a period of unconsciousness, he awakes to find that he is unable to see. At first, he tries to hide the fact from his deeply loyal wife, Kayo, for fear of worrying her. When she understands that, she protests that she is his wife and it is her duty to worry for her husband. However, when she learns from the doctor, who has withheld the truth from his patient, that this blindness is permanent, she also avoids telling her husband, in order to spare his feelings. There are certain truths that are better for us not to confront. Gossip, however, is another matter. What happens when Mimura learns his wife has been seen in the company of another man? Which is more important, love or honor? That is the dilemma Mimura is faced with in this poignant film. It is a fascinating look at life, duty and honor during the samurai era and well worth watching.

Others have commented on the story so I will skip the synopsis.

The story is about human drama, and the unusual talent the main character has that leads to bombastic climax. This is typical Shuhei Fujisawa's style, and this story is no exception.

What took away from the story compared to other Shuhei Fujisawa based movie is the poor acting by Takuya Kimura. His impatient and jittery personality shows in his acting, and the poor ways he speaks the dialog all takes away from the proper mood of the story. As the member of SMAP - a Japanese idol group, his acting DNA was bread for more modern situation, and probably isn't a good match for a period drama like this one. I couldn't get the feeling that this was a samurai living several hundred years ago. His poor dialog skill also was evident in more recent movie Uchuu Senkan Yamato as well. Another period piece starring his SMAP colleague Shingo Katori's "Zatoichi The Final" was also a flop, attesting to the mismatch of SMAP member with samurai movies.

So the main focus was weak, but the movie still has quality all its own. The sword fight scene was superb like other Fujisawa novel based movies. As a samurai movie, this is still one of the best in recent years, and is recommended along with other Shuhei Fujisawa movies such as Hisshiken Torizashi, and Hana no Ato.

Both the setting of the theme and the creation of the emotional atmosphere tend to make the film more romantic. And exquisite detail guarantees the reliability that a drama about ancient Japan should have. Although the film mainly focuses on the daily life of a samurai, the director Yôji Yamada still gave a little bit of chivalric romance to the ending. However, there is no coexistence between the everyday life and the spirit of a samurai. Therefore, the protagonist's choice finally writes a summary for this passing era.

This is a really good film. Slow paced, just like real life in the Edo jidai. A good story, excellent acting and it gives good insight to the daily life of a low level samurai. There's a great atmosphere with not flashy but realistic scenery.

If you are looking for lots of action and swordplay, this isn't for you. But I found this film strangely moving and quite beautifully arranged.

Well worth seeing.

So this is suppose to be Yôji Yamada's final movie in this style of samurai trilogy, the previous two films being "The Twilight Samurai" and "The Hidden Blade". And this final installment is absorbing as the previous films to some degree but also lacks the entertainment value like the previous films as well. Although this trilogy is sort of dry in some aspects. This however has slightly more of a modern feel to it compared to the previous 2 films in this trilogy. But it's still a bit slow paced and dry at times, this trilogy isn't for everyone but it does have it's target audiences. The protagonist is played by Kimura Takuya which I was hesitant with, but he played his role pretty well. The progression of the story could have been paced a little quicker, but I can understand why it takes the slower route. But still the slow pacing really makes this movie dry and sort of dull at times. This movie is also very far from being action packed despite it having samurais, but what it does have is drama and emotions. And wanting to know what happens next kept me attached to this story, despite the pacing being so slow at times. If the pacing was slightly quicker the movie would have been better in my opinion and would keep majority of the audiences attention, so the main flaw in my opinion is the pacing. Overall it's a pretty good final in this trilogy although the story has nothing to do with each other besides the fact that it all revolves around samurais, it's worth at least a watch.

7.6/10