User reviews

After 15 years in Hollywood and making only on decent film (Face/Off) John Woo returns to his Asian roots. Here he get the creative independence he deserves and creates the most successful (and most expensive) ever Chinese films.

The year was 208AD, the Prime Minister Cao Cao (Fengyi Zhang) has taken control of Northern China and made the Emperor a puppet ruler. But the south is defiance. Lord Liu Bei (Yong You) tries to fight and has excellent general, but is hopelessly outnumbered by Cao Cao forces. He sets out to make an alliance with two other Southern Lords, the young Sun Quan (Chen Chang) and military expert Zhou Yu (Tony Leung). Liu Bei uses his chief adviser Kongming (Takeshi Kaneshiro) to negotiate with Lords. Even with this new alliance, Cao Cao still outnumbers the 3 Kingdoms with a force of 800,000 troops. Zhou Yu and Kongming sets out the win the coming battle with strategy, expert military tactics, trickery, the weather and spies. Here the two forces set out for the coming battle.

John Woo is an action director and the martial arts and the battles are well handle, if OTT (but that's what John Woo does). He has flair and the fights are bloody. He has fun with the CGI, from the battles to following arrows and doves when they are in flight. He gets to combine both Asian and Hollywood style of film-making. The music as well combine both Asian and Western styles. The film itself feels like the Chinese Lord of the Rings.

Tony Leung is the strongest link in the film, he is an expert martial artist and a good actor, being in House of Flying Daggers, the Infernal Affiars Trilogy and Lust Caution just to name a few. He offers another good performances. Other actors also offer good performances and they was no one who dragged the film down.

In China and Hong Kong Red Cliff was split into two films and already out on DVD in Hong Kong. The Western version combines the films, and its also the dumbed down version. The English was just weird in context with the rest of film. The film also does change in tone from it beginning. Lets hope that the DVD release in the West will be of both films or an extended edition.

The Battle of Red Cliffs holds a special place in Chinese history and mythology. It was a decisive conflict which occurred at the end of the Han Dynasty, immediately prior to the period of the Three Kingdoms, and it was fought in the winter of 208/209 between the allied forces of the southern warlords Liu Bei and Sun Quan and the numerically superior forces of the northern warlord Cao Cao.

The 2008 film, titled simply "Red Cliff", was deliberately timed for release in China in the lead up to the 2008 Summer Olympics and was a great success with Chinese audiences. One year later, the movie has a limited release in the West where the selling point is not so much the history (which is largely unknown outside China) as the director (Hong Kong's John Woo who is known for such Hollywood work as "Broken Arrow", "Face/Off" and "Mission: Impossible 2").

It has to be said that the Mandarin dialogue is leaden and much of the acting somewhat exaggerated, but a huge cast and considerable special effects - allied with the director's trademark style - makes the movie visually stunning with clever tactical manoeuvres, multiple battle scenes and considerable blood.

If it all seems a little confused to Western audiences, this is probably because we are seeing it in a rather different version to the original. In Asia, "Red Cliff" was released in two parts, totalling over four hours in length, whereas outside of Asia, the release is a single film of 'only' two and a half hours. For me, it's not up there with "Hero" or "House of Flying Daggers" but it is well-worth seeing and a pictorial treat.

I first saw the 148 mins version in 2009 on a dvd which I own.

Saw the 288 minutes version few days back.

I liked the 148 mins version but i liked the 288 mins version even more n inspite of the runtime, i never felt like fiddling with my phone. In fact, i found the film very captivating.

The film has tons of action. A true old school war with tons of bows n arrows, spears, swords, horses, ships, etc.

Apart from the battlefield action sequences, all the characters are awesomely developed, the cinematography is lovely n some of the scenes are picturesque.

There is absolutely no shaky cam or fast cut editing. One can easily make out what is going on during the war scenes. None of the scenes is shot in too much darkness.

We have a daring character Gan Ning (Nakamura Shido II) who does a stint like Steve McQueen's character from Hell is for Heroes. I love both the scenes.

The hand chopping scene, the sword slashings n the spears piercing, are all brutal.

After finishing the film, rice flour and sugar stayed on my mind. I tried the recipe on YouTube.

Some drawbacks - The initial scene with the baby on the back n running n fighting is lol n far fetched.

John Woo had already done this mistake in Hard Boiled with the baby peeing n all.

Another far fetched n lol scene in this movie is that of catching a woman in midair.

The msg in the end about nobody a victor is so anti war.

To be honest, I don't really know about the Romance of the three kingdom so I will start my review about the movie with no reference to the Chinese history. I have watched Daniel Lee's Three Kingdoms: Resurrection of the Dragon and it is just average. I have only seen one movie based on the Romance of the three kingdom. John Woo makes his comeback as a director after so many years. I think it is worth the wait for his highly anticipated movie.

The story: In Singapore, the movie is split into two parts. The second part will be shown next year. This movie is an introduction to the Romance of the three kingdom. The first war starts when the movie starts to hype up those craving to see some good war battles. After the first war, you will get introduction of the characters slowly. After the slightly slow pace, you are treated to another war. The acting is good with the humour. I think model Lin Chiling should be given some credit as she marks the first acting debut in a Chinese blockbuster.

Overall: It has both the talk and the action. I must say that it is one of the recently interesting war movies with extended war battle unlike the other recent war movies. It should be good to watch it in cinema. This movie is good for those who want to know about the Chinese history or those who want to see the Chinese history in action.

This review is of the Chinese DVD Release of the 1st film only... I cannot understand how the previous poster could feel that way about this gorgeous epic. Everything they said they hated were things I thought were well done, and wonderful about the film. Of all the people I've shared this DVD with, they've all thought it was an amazing movie also.

Ever camera shot was gorgeous. The angles were unique, without wasted punch-ins or b-roll. It's rare to find films so tastefully shot. The color was stunning, and the interpretation of the classic tale was unique and never disappointing.

Meanwhile, With all the characters, the actors each held such a powerful presence. It's very tough to develop any character singularly while you have so many important characters with their own mythos and chronicles, but each actor really held up to their image and that of the character. Kaneshiro is a very unique version of Zhuge which caught me off guard at first, but appreciated after his scene w/ the Zhou Yu. Zhou Yu was never a character I've cared for, but here, he's likable and strong. The best "fresh" interpretation though was that of Guan Yu. Instead of being "just another" honourable and strong warrior, he's rather a warrior-scholar, more intelligent, and more personality than ever before.

My only true quarrel is that it ends prematurely (that is, until we see the 2nd half in 2009). I just wish they could have done the whole saga instead of this little piece.

Thank you John Woo for one of the finest Three Kingdom movies ever! I believe this is a great direction for your talents! You've woven the action you're so famous for with a deep, heartfelt classic tale! Wonderful job!

Thanks to my previous knowledge on "Sangokushi" or Three Kingdom Saga in Ancient China, I enjoyed the outstanding performance and the dynamic war scenes. The movie also succeeded to dramatizing Sun Tzu's "The Art of War". It was exhilarating to see outnumbered allies made full use of the strategy and fought against their common enemies and ran a dead heat.

Usually I do not expect story or drama stuff being described in the action movies but "Red Cliff" betrayed my expectation in a good sense. There were several scenes that touched my heart. For example, two genius war generals who belong to different lords met for the first time and they instantly understood that they were hard-to-get friends by playing musical instruments together, without using any tricks or politics.

In a newspaper article a veteran charismatic movie buyer from Avex had foretold "Red Cliff" would take academy awards right after he finished reading the script. Though his hitting ration was high, I was not sure if he would raise his ratio and salary in the future. But I was sure that Tony Leon had a dominating presence through the scenes and it was highly possible that he would be nominated in his acting.

Actually I saw a lady stood up to go to the rest room during the highlight, and some left before the end roll skipping the trailer of part two, and after the trailer I heard a girl behind me complain against her excited boyfriend about dozens of characters who had lost her. I thought some previous knowledge would be important to fully enjoy this historic war movie.

Basically the movie was created for everyone because John Woo focused on the battle of red cliffs which was one of the best highlights in the saga, cleverly avoiding another digest version. Also there was a brief explanation about history and people at the beginning being accompanied by easy-to-understand Japanese subtitles crafted by Natsuko Toda. Personally I wanted to give my big hug to John Woo, actors and actresses, all the staffs, and their accomplishment "Red Cliff" (Part One).

After several years away from Hong Kong (and mainland China,as well), John Woo has returned,with a vengeance,to direct perhaps one of the finest films of his career. 'Chi bi' (or as it is being distributed in English speaking countries as 'Red Cliff')tells the tale of two warlords locked in battle mode for the control of the south of China, in the fourteenth century,during the Han dynasty. Tony Leung Chiu Wau stars as Zhou Yu,while Fengyi Zhang just absolutely reeks of bad guy as war lord,Cao Cao. The rest of the cast turn in outstanding acting jobs,as well. Originally,this film was released in Asia as a two part,five hour blockbuster that went through the roof as one of the most successful films from mainland China (but is cut by half it's original running time to just under 150 minutes). Along the way,we are witness to several full pitched battle scenes,but features some nice locale shots of the Chinese countryside,as well during the non battle scenes (filmed in wide screen by Yue Lu & Li Zhang). The razor sharp editing is by Hongyu Yang,with assistance by Angie Lam & Robert Ferretti,for the American version). This is taut,nail biting entertainment for the thinking person who is sick to death of most of what passes for films from the Hollywood sausage grinder of the same old,same old. Spoken in Mandarin with English subtitles. Rated 'R' by the MPAA,this film serves up some fierce, intense battle scenes,with graphic bloody violence,as well as some mild adult situations.

Admittedly, I had my doubts about Red Cliff. John Woo in the chair to make a historical war drama? That hasn't happened since... oh wait, it's never happened before. Then again, if Ang Lee could make a great movie about gay cowboys, I'm willing to see what John Woo can do outside his usual territory. That, and the film's steady high profile publicity over the past several years, made Red Cliff a must-see for me.

For Red Cliff, the biggest divergence from Woo's prime time classics such as The Killer is the subdued emotions. Most of Woo's classics were rather in-your-face in terms of melodrama, but not so in Red Cliff. While I loved his melodramas, I believe Red Cliff reveals a matured Woo with improved craftsmanship. Make no mistake: he has incorporated his signature themes of male bonding, loyalty, and sacrifice in Red Cliff--but in a much more subtle and understated manner.

Unquestionable, some viewers have loved Woo for his badass action sequences. But for me, I've always been a fan because of his memorable characters. To this point, I was pleased with Red Cliff's strong characters. The film has focused on making the central figures appealing by either embellishing them with an edgy factor or giving them some depth, and this is successful for the most part.

For me, the low point of the movie was the weak acting from Zhao Wei and Takeshi Kaneshiro -- not just compared to Tony Leung, but on any scale. Kaneshiro is an odd choice to play the historically glorified Zhuge Liang, while Zhao Wei's character seemed totally inconsequential.

The film also features some annoying cartoonish music, which seemed to be oddly misplaced in intense combat scenes.

Other than those few shortcomings, Red Cliff is a solid film that is both a mega blockbuster and quality film-making.

The title may simply be titled "Red Cliff", but the Battle of Red Cliff was a decisive battle in Chinese history that was fought after the Han Dynasty. And the whole 2 movies revolves around this one grand battle. I never found John Woo to be a director that makes a movie with great plots, but what he does excel at is in the action and this movie definitely delivers in the action department although not as much as I expected. The battle scenes were well choreographed, some of the flaws in this film is that it has unnecessary scenes that drag this movie when the time can be used effectively more on the actual history, other characters and more of what went down. I thought the actors did a good job, especially Takeshi Kaneshiro which was a shocker, but he played his character very charismatically. But that is also another flaw of the movie, they only delve into only a handful of characters and the rest that contributed a lot to the war just seem like cardboard. John Woo may not be a good screen writer, but besides the battle the other scenes just dragged the film and although few were very good. You will need some patience to sit through the whole movie, maybe I expected too much cause I was left disappointed. There was lack of tension and even the direction and development to be lacking. Despite the flaws the budget really showed in this film with it's sufficient battle scenes. Some that isn't really into the adaptation of popular Chinese history will find this movie sort of boring. I am going to say it, a lot of people who are fans of "Dynasty Warriors" a video game series at least found this movie to be amusing.

7.2/10

Its been years since I last watched a great Chinese movie. Growing up in Malaysia, watching many Chinese movies, the one I most fond of was Wong Kar Wai, Tsui Hark, Stanley Tong, Jackie Chan and of course the masterful John Woo. In his movies, the elements he combined made his movie very unique and distinctive from any other Chinese films i've watched. His use of kinetic shots and slow motion gave a fresh look, if not, reinvented the action genre while Hollywood was still producing plain and boring action movies.

After nearly 18 years, John returns to Chinese cinema, with a big present install for all of us. And that is Red Cliff. Beautifully shot, big on scale, action-plenty, great performances and a smart adaptation of the historical epic, The Three kingdom makes this movie one of the best Chinese epics in decades.(with the exception of Hero) True to his style. After his last three films, i began to think whether John's losing his edge already or is it because the Hollywood system that was in the way. In this case, I choose to think the Hollywood system was the cause of it. Red Cliff shows he still have the similar trademark he use in his films. The only difference is that this movie is huge in scale.

The themes he use; brotherhood, humble and honor are one of the driving formulas which made his classic movies a hit with audience is still very visible here. Visuals are breathtaking as this is one of the greatest visual effect shots I ever seen in an Asian movie. For an Asian like me I'm very proud of that. The cinematic shots were stunning and beautiful. One which John's interpretation is still very sharp. The production behind this movie are mind blowing-ly HUGE. With the amount of extras and props used, makes any filmmaker-wannabe to ask "how did he do that?" I couldn't even imagine all the headache he has gone through for this movie.

Now, in terms of story telling, plot and character development, the elements which i mention up there surprisingly fits together. The pacing for each scene has a mind of its own. For action it goes into overdrive. Cleverly building in the battle and action, the scenes were outstanding. It almost has a classic hong kong action feel to it where every action seems to be very unpredictable. The dramatic scenes and character development fits like a shoe, as the acting boost up all the character's emotions. Whether its seriousness, ego, humor, sad or depressed all the characters has it. So, to my surprise I still can't get over the fact that John can still balance both action and drama together like he always did in his films. Two thumbs up for that. The plot came in quite well in timing. With no hesitation except for the small intro, it goes straight into the battle scenes first before any dramatic scenes take place. Slowly it builds up, from the inroduction of characters each revealing themselves in detail, to the forming of strategies to stop the invasion and ends in with an amazing climatic battle scene.

All in all, Red Cliff is one of the best movies in 2008 that I've seen. I'm gonna review Part II later. So to end this review. I gave it A MUST HAVE for people.

8.8 out of 10 ratings.

A friend of mine revealed to me that John Woo acknowledged parallels between characters in his movies, and characters from the Three Kingdom era, and that General Zhao Yun was one of Woo's personal favourites. This admiration for General Zhao's qualities cannot be more obvious when it is he who opens the first battle proper, with a very familiar character episode involving the rescue of the infant son (and future lord) of his master Liu Bei, thereby sealing his reputation of valor, earning admiration even from enemy Cao Cao. Fans of Liu Bei's camp will undoubtedly cheer at the appearances of his sworn brothers General Guan Yu (who is worshiped as a Deity until this very day, and remains one of my favourite characters besides Zhao Yun) and General Zhang Fei, whose gruffness translates to instant war-ready prowess. While Liu's army is clearly routed in a military loss, it explained the dilemma of Liu's leadership. One which is based on sincerity, a quality which persuaded his chief military strategist and genius all round Zhuge Liang (Takeshi Kaneshiro) to join his cause, but one which lacked military strength in numbers, despite having some of the best generals of the time under his leadership.

Which of course Cao Cao admires and probably is envious about, given his superior strength in numbers came from surrendering armies, whose loyalty remains questionable, and of course with individual generals who can't surpass the abilities of those from Liu. Playing the king like a puppet and having him issue a decree for permission to pursue Liu Bei who has fled southwards, he sets his sights also on warlord Sun Quan, for a more personal reason akin to the story of Helen of Troy. Zhuge Liang, knowing their current weakness, seeks an alliance between the armies of Liu and Sun Quan, and this forms most of the first half, where he had to play envoy to cajole and persuade, especially in convincing Sun Quan's most trusted adviser Zhou Yu (Tony Leung) that war is inevitable and they should form a win-win partnership.

And here's where great minds think alike, and watching both Zhou Yu and Zhuge Liang do a friendly pit against each other is nothing short of amazing, where so little says so much. It helps of course that both Tony Leung and Takeshi Kaneshiro have been paired up as leading men on screen before, in Wong Kar-wai's Chungking Express and in Andrew Lau and Alan Mak's Confession of Pain too, lending some much established and credible chemistry as men who share admiration in each other's ability, especially when Zhou Yu seemed to have a fairer balance between fighting skill and intellect. With one side having highly disciplined soldiers with good morale, and the other having renowned generals to be leaders, it doesn't take a genius to realize the advantages gained in fending off a common enemy together.

The fight sequences were pure spectacle, with old school wire work combined with technological wizardry to showcase some large scale battle sequences at a macro level, or to highlight the immense naval numbers that Cao Cao brings to battle. Formations and strategies take centerstage in a first major confrontation on land, where one gets to see John Woo's interpretation of Zhuge Liang's "ba-gua" (8 stratagems) strategy, made more entertaining through the continuation of what we have already seen in each general's fighting ability, each given a unique style befitting the characters in folklore, such as Guan Yu and his Guan Dao (Green Dragon Crescent Blade) and Zhao Yun (Hu Jun) and his spear. There's the usual bellowing cape and slow motion in Woo's signature style, but these were kept to a minimum, as are the pigeons (though they do make an appearance, but serving some purpose).

Perhaps it is the success of the fight sequences that had left some lamenting for more, but bear in mind this is just but the first half of the movie, setting things up. The major war sequences of course are left in the second movie which we will get to see come early next year. Like The Matrix Reloaded and Revolutions, expect the next movie to go on an all out assault. I felt that already is a fair balance of drama and action here, especially when this installment has to cover a broad base given numerous characters, which should provide fans (of Three Kingdoms) something to cheer about. Chang Chen provides his Sun Quan with enough self-doubt, and in a small story arc has to seek his inner confidence ala King Leonidas in 300, while model Lin Chiling's much touted debut movie appearance, was limited to just a few scenes of lovey-dovey moments, which unfortunately for audiences in Singapore, her sex scene with Tony Leung got edited out in order for distributors to get a PG rating to put more bums on seats.

I had wondered how Tony Leung would have faired as Zhuge Liang instead of Kaneshiro, but felt that the musical chairs casting somehow became a blessing in disguise. Kaneshiro's good looks might have made some doubt his ability to play the smartest man alive during the era, but he did an excellent job in bringing out the humility and self-deprecation of the man whose never flashy nor overconfident of his abilities, and one who swears his talents to his lord Liu Bei. Tony Leung on the other hand brought about a fine balance of brains and brawn to the Zhou Yu character, whom I suspect in Woo's version, would be credited with much success for his part in Red Cliff, rather than the accolades all going to Zhuge Liang. After you see the reliable Tony Leung in this role, you'll know for sure that Chow Yun-Fatt could probably never had brought the kind of gravitas Leung brought to the role.

Red Cliff is hands down highly recommended

For those who knew three-kingdom story will surely find this movie very interesting. Nevertheless, it would still grab any audience's attention who has no prior knowledge of the story. As a start, the story itself is very good and well told. Red Cliff starts in a perfect point, and builds up wonderfully onto it.

I'd say it has some degree of accuracy toward the original story -- quite high in fact. There are some scenes I noticed in which eliminate some details. This could be decided by the director due to some reasons. Even so, I'm sure no one would be bothered too much by it -- as I wasn't.

There was however a disappointment I felt during the movie. The war scenes. They seemed very dull. I mean, it's a war movie for Christ sake -- based on the greatest war story ever told! Why would someone ever contaminate this? Especially we're talking about John Woo who's on the seat.

All in all, I gave 7 out of 10. It's a great movie, great story, well chosen characters -- most of the actors/actresses suit the characters of each role. Maybe Woo can pay more attention to the war scenes for the next episode. It's your specialty mate. Don't ruin it!

R.

I am not a fan of Woo, and the reason becomes more stark when you compare this to Zhang's work.

Zhang creates a world of grace in which people move, affected by the laws of that world. They can act, based on the values in their souls, but those values can be pure or perverted as they are drawn from the world. When that world is conflated with the 'the land' of China, well then the battles matter. We can pull great cinematic strokes from this.

Woo in contrast, creates a world we can only call bulky. It is stuffed with things, things in great numbers. Some of those exist only as units in the sea of similar objects and most humans are treated this way. Above that are some legendary characters. This 'two kinds of human' concept messes with Woo's delivering the battles.

Battle photography, in order to work, needs make choices. You can focus on the tactics, and how the seas of soldiers basically outwit each other. You can focus on the immediate chaos and the brutality on a human level with the massive horror it brings on individuals. Or you can go for the sweep of the world, as if it were yet another weather pattern. (This is what Kurosawa brought us.) Or, if you are from Hong Kong, you can just use the masses as background through which our heros move with superhuman agility, killing hundreds just because.

Woo has decided to have it all, all four of these in the same grand battles. It is unnerving if you are a serious viewer of film. As soon as you have settled into a contract with the filmmaker to enter the world he creates, he swaps it out opportunistically. This is a cinematic gluttony that one can see in modern Shanghai. There is no sense, so when things are made large the nonsense becomes overwhelming.

There is a minifilm in here, possibly 15 minutes or so, that you can cobble together of the parts that focus on the beauty Chiling Lin in her first role. She plays the wife of the main hero, the desire for whom by the Prime Minister may have been the reason for the war. Woo in these segments moves into even territory of Korean Kim Ki-Duk. Her body moves as calligraphy, she speaks timeless phrases. Her grace in the tea ceremony is hypnotizing.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

I don't know where to begin with this movie, there is a lot of content. I have heard criticisms of the shortened "western" version, but truthfully in the fully cut, some scenes just seem to go on and on. The initial "skirmish" With Cao Cao's 2000 troops seems to last an hour between prep, setup and the actual battle scene. I was definitely wishing the movie would get on with it (even during the action sequences). To compound matters, areas like this battle scene weren't really important for anything. You just spent an hour setting the stage for this battle, the action gets boring, but then all it amounts to is "the guy was testing us". Really? Is this the best use of screen time? Also, as an American with a cursory knowledge of Chinese culture, there is only so much philosophy I can take. It's not the philosophy itself, but it's laid on so thick and obvious as to be elementary. Perhaps it's the translation or the subtitles but if I'm on the outside looking in and feel like I'm being talked down to, how must a native Chinese feel? There was nothing ground-breaking, thought-provoking, or otherwise enticing about the moral codes, philosophical quotations or musing. Many of the scenes felt forced and a little wooden despite solid character performances.

Also, I'm not a big John Woo fan. I've tried to get into previous films like "The Killer", "Paycheck" and others. You get the director trademarks in a setting that isn't entirely familiar which is neat to see, but like other films, it just seems contrived and dated. Many of the dialog scenes are forced. The action goes on too long and frankly doesn't show much originality. By the time you get to the end, the face-off (face-offs?) between protagonist and antagonist are extremely anti-climactic.

Tony Leung is just a little too unemotional. I don't generate any feelings for his character. I get that his portrayal as such may be intentional, but frankly it just makes his character a little dull and one-dimensional. It also takes away from his philosophical musings and insightful strategic maneuvers because I just don't care. Kaneshiro is acceptable as his character, but truthfully he needed more development. Ironic as he probably has the most individual screen time. He just stands around with a weird smirk and looks like he has to fart whenever he is about to say something. Cao Cao was probably my favorite individual character, but again, the focus on his character was wrong. You don't see his motivations and thought processes for the most part, just his evil acts. It's a strange contrast between the protagonists who are constantly stressing strategy and unity. The female characters all start with potential but also dither into stereotypes and roles that have been done before, which is too bad because I felt that their portrayals were more convincing than the male leads who maintain most of the plot's focus.

As a whole the movie is entertaining enough to get you through it's runtime without feeling too rundown. However, for a movie closer to 5 hours than 4 (but only just) it seems like it can never decide what it wants to be. As such it either needs to be longer (ouch) to develop its roles further, or shorter to cut out a lot of fluff. This isn't a wire-fu movie, the action is tame and there's nothing really new here in any facet. Woo fans may be glad to see him back in action, but if this movie isn't screaming at you to watch it, you're probably better off spending your time with something else.

In 208 A.D., in the Han Dinasty of China, the tyrannic and greedy Prime Minster Cao Cao (Fengyi Zhang) forces the reluctant Emperor Han to declare war against the kingdoms of Liu Bei (Yong You) and Sun Quan (Chen Chang) in the South of China. Cao Cao heads with a mighty army of one million soldiers and attacks Liu Bei. His adviser and war strategist Zhuge Liang (Takeshi Kaneshiro) heads to South in a diplomatic mission trying to convince Sun Quan to join force with Liu Bei against the powerful warlord. When Zhuge Liang meets the viceroy Zhou Yu (Tony Leung), he succeeds in his assignment with the alliance of the two kingdoms against Cao Cao. The armies fight against each other in many battles until the final one in Red Cliff where guile, knowledge and strategy prevail.

"Chi Bi" is visually spectacular with magnificent cinematography, art direction, set decoration and costumes. The story is based on a true milestone in the Han Dinasty in China and the screenplay is engaging, using lessons of "The Art of the War". Once again John Woo makes a fantastic work and I am looking forward to see the sequel of this stunning film on DVD that has not been released in Brazil yet. My vote is eight.

Title (Brazil): "A Batalha dos 3 Reinos" ("The Battle of the 3 Kingdoms")