With help from his friends, a Memphis pimp in a mid-life crisis attempts to become a successful hip-hop emcee.With help from his friends, a Memphis pimp in a mid-life crisis attempts to become a successful hip-hop emcee.With help from his friends, a Memphis pimp in a mid-life crisis attempts to become a successful hip-hop emcee.
- Won 1 Oscar
- 25 wins & 47 nominations total
William Engram
- Slobs
- (as William 'Poon' Engram)
Bobby Sandimanie
- Yellow Jacket
- (as Bobby 'I-20' Sandimanie)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaTo prepare for his role, Terrence Howard interviewed 123 pimps and 78 prostitutes over two-and-a-half years. He lived with four different pimps, including a month-long stint in a Memphis brothel.
- GoofsToward the end of the scene in which Djay is arrested, the padding used to make Shug appear pregnant is visible.
- Quotes
Key: There are two types of people: those that talk the talk and those that walk the walk. People who walk the walk sometimes talk the talk but most times they don't talk at all, 'cause they walkin'. Now, people who talk the talk, when it comes time for them to walk the walk, you know what they do? They talk people like me into walkin' for them.
- ConnectionsFeatured in The 63rd Annual Golden Globe Awards 2006 (2006)
- SoundtracksWhoop That Trick
by Al Kapone
Performed by Terrence Howard ("Djay")
Produced by Al Kapone & Lil Jon (as Jonathan 'Lil Jon' Smith)
Courtesy of Pike and Pine Music
Featured review
A very good film. I have noted criticism that the film slips into formula in its second half; true. But the situation is so bleak for these characters, I doubt that American audiences would have accepted a more believable ending; and, after all, there were far worse "happy" endings that it avoids.
The gritty staging, the solid no-frills camera-work and editing, and some really excellent performances make this well worth the effort to confront dishonest characters struggling to find some sort of integrity in their efforts to survive and succeed. These characters are not likable - none of them are, they each have a tic that denies them total sympathy from the audience. But they are all very human for that, and so ultimately win our respect if not approval.
Among the actors, two performances especially shine. Terrence Howard as DJay shows timing and expression worthy of much older, more "schooled" actors. Anthony Anderson is a real and pleasant surprise; stuck in character roles for the past decade, Anderson has become a real annoyance to me, as the usual character he plays is really excessive, a caricature. In this role, he is allowed to just act, and he delivers a wholly believable multifaceted performance.
Hollywood has been producing such bad films that saying this film is among the best released this year may not be saying much (there are real and undeniable weaknesses to the film). Nonetheless, on the whole, the film is a commendable and rewarding effort to present a drama involving human beings living close to real life, and not cartoons. I credit that effort, and recommend a viewing.
The gritty staging, the solid no-frills camera-work and editing, and some really excellent performances make this well worth the effort to confront dishonest characters struggling to find some sort of integrity in their efforts to survive and succeed. These characters are not likable - none of them are, they each have a tic that denies them total sympathy from the audience. But they are all very human for that, and so ultimately win our respect if not approval.
Among the actors, two performances especially shine. Terrence Howard as DJay shows timing and expression worthy of much older, more "schooled" actors. Anthony Anderson is a real and pleasant surprise; stuck in character roles for the past decade, Anderson has become a real annoyance to me, as the usual character he plays is really excessive, a caricature. In this role, he is allowed to just act, and he delivers a wholly believable multifaceted performance.
Hollywood has been producing such bad films that saying this film is among the best released this year may not be saying much (there are real and undeniable weaknesses to the film). Nonetheless, on the whole, the film is a commendable and rewarding effort to present a drama involving human beings living close to real life, and not cartoons. I credit that effort, and recommend a viewing.
- How long is Hustle & Flow?Powered by Alexa
Details
Box office
- Budget
- $2,800,000 (estimated)
- Gross US & Canada
- $22,202,809
- Opening weekend US & Canada
- $8,017,808
- Jul 24, 2005
- Gross worldwide
- $23,563,727
- Runtime1 hour 56 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content