73
Metascore
28 reviews · Provided by Metacritic.com
- 80VarietyLisa NesselsonVarietyLisa NesselsonA gripping,stylishly lensed thriller.
- 80The New York TimesManohla DargisThe New York TimesManohla DargisThe title character in this nicely kinked Belgian thriller faces a unique adversary: the enemy hot on his heels is Alzheimer's.
- 80Los Angeles TimesKenneth TuranLos Angeles TimesKenneth TuranThis is one terrific thriller with several wicked tricks up its sleeve, each more satisfying than the last.
- 75PremiereGlenn KennyPremiereGlenn KennyAs exciting and involving as it is brainy.
- 75New York PostV.A. MusettoNew York PostV.A. MusettoWriter-director Erik Van Looy keeps the action moving briskly. Danny Elsen's cinematography is stylish and the acting top-notch.
- 70Village VoiceLeslie CamhiVillage VoiceLeslie CamhiVan Looy has created a fast-paced and stylish thriller. Declair's Ledda, marvelously suave and vulnerable, provides most of the pathos.
- 70The Hollywood ReporterMichael RechtshaffenThe Hollywood ReporterMichael RechtshaffenAlthough comparisons to the memory-challenged machinations of "Memento" are inevitable, the plotting here takes a more traditionally linear path.
- 67Entertainment WeeklyOwen GleibermanEntertainment WeeklyOwen GleibermanA lot of thrillers have asked us to identify with assassins -- but I'd be hard-pressed to name one that makes a hitman as sympathetic, if not sentimental, as The Memory of a Killer.
- 60TV Guide MagazineKen FoxTV Guide MagazineKen FoxBoth De Bouw and Decleir are superb.
- 50L.A. WeeklyMark OlsenL.A. WeeklyMark OlsenDirector Erik Van Looy has filmmaking chops to spare, and while he has created a sharply shot and crisply paced film, he isn't able to make it all cohere.