A globetrotting hitman and a crestfallen businessman meet in a hotel bar in Mexico City in an encounter that draws them together in a way neither expected.A globetrotting hitman and a crestfallen businessman meet in a hotel bar in Mexico City in an encounter that draws them together in a way neither expected.A globetrotting hitman and a crestfallen businessman meet in a hotel bar in Mexico City in an encounter that draws them together in a way neither expected.
- Awards
- 1 win & 6 nominations
Arlin Miller
- Radio DJ
- (voice)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe movie's screenplay almost never made it to Pierce Brosnan. Richard Shepard said: "I wrote it to make it on digital video for two hundred fifty grand. I wrote the most outrageous character I could (in Julian Noble), because I figured it would never get made in Hollywood."
- GoofsWhen Julian is telling the story about his first mistake in Manila, the camera can be seen, hidden behind palm leaves and bamboo, when two guys holding a mirror are walking through the frame.
- Quotes
Julian Noble: I'm as serious as an erection problem.
- Crazy credits"The filmmakers do not condone bullfighting, but respect its long tradition in the Mexican culture. It was extremely important to the producers that no bulls were harmed because of the production of 'The Matador'. In no way did the producers of this film create, arrange or organize any of the bullfights seen within this movie. Sequences staged by the producers employed fake and computer-generated bulls exclusively. Absolutely no animals were harmed by the production of this movie."
- ConnectionsFeatured in Siskel & Ebert: Last Holiday/The Matador/The Libertine (2006)
- SoundtracksA Town Called Malice
(1982)
Written by Paul Weller
Performed by The Jam
Courtesy of Polydor Ltd. (U.K.)
Under license from Universal Music Enterprises
Featured review
A hit-man who is The Dude and Bad Santa both at once.
Pierce Brosnan is at his best and most hilarious in Richard Sherpherd's The Matador (2005), as a booze-drenched over the hill hit-man who loves bullfights, tacky clothes and teenage girls. It is his unapologetic lust for the latter that provide some great laughs in the film.. There is nothing funnier than hearing a sleazy, broken-down version of James Bond exclaim after ogling some Catholic schoolgirls, "God I hate these Catholic countries; it's all blushy blushy, no suckie fuckie."
So Brosnan has a terrifically dirty mouth in The Matador and this is juxtaposed with Greg Kinnear's goody-goody family man character in their newfound, unlikely friendship. Both these characters elicit real sympathy, but especially Brosnan who should be a very unlikable character, a man desperate for a meaningful relationship in his life but just can't stop himself from saying the wrong things. We follow these two very different men as they learn from each other and start changing their lives, projecting equal doses of heart and humour.
The Matador effective in the sense that it mixes absurdity and quirkiness just right and glazes it with a dark comedy coating feel. It is also quite funny thanks to its Brosnan performance, but it does not have much in the way of a plot and no other characters or detours are even worth mentioning - so it is sadly very forgettable. Still, if you are even a slight fan of Brosnan's I urge you to see this film which is easily his greatest performance, and it's a crime he wasn't showered with awards for it.
6.5/10
Pierce Brosnan is at his best and most hilarious in Richard Sherpherd's The Matador (2005), as a booze-drenched over the hill hit-man who loves bullfights, tacky clothes and teenage girls. It is his unapologetic lust for the latter that provide some great laughs in the film.. There is nothing funnier than hearing a sleazy, broken-down version of James Bond exclaim after ogling some Catholic schoolgirls, "God I hate these Catholic countries; it's all blushy blushy, no suckie fuckie."
So Brosnan has a terrifically dirty mouth in The Matador and this is juxtaposed with Greg Kinnear's goody-goody family man character in their newfound, unlikely friendship. Both these characters elicit real sympathy, but especially Brosnan who should be a very unlikable character, a man desperate for a meaningful relationship in his life but just can't stop himself from saying the wrong things. We follow these two very different men as they learn from each other and start changing their lives, projecting equal doses of heart and humour.
The Matador effective in the sense that it mixes absurdity and quirkiness just right and glazes it with a dark comedy coating feel. It is also quite funny thanks to its Brosnan performance, but it does not have much in the way of a plot and no other characters or detours are even worth mentioning - so it is sadly very forgettable. Still, if you are even a slight fan of Brosnan's I urge you to see this film which is easily his greatest performance, and it's a crime he wasn't showered with awards for it.
6.5/10
- Flagrant-Baronessa
- Aug 8, 2006
- Permalink
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Matador
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $12,500,000 (estimated)
- Gross US & Canada
- $12,594,698
- Opening weekend US & Canada
- $69,100
- Jan 1, 2006
- Gross worldwide
- $17,356,268
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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